Tracklist

Hybrid SACD 1
# Title Rating Length
1 Night and Day
4:03
2 I Wish I Were in Love Again
2:32
3 I Got Plenty o’ Nuttin’
3:13
4 I Guess I’ll Have to Change My Plans
2:26
5 Nice Work If You Can Get It
2:25
6 Stars Fell on Alabama
2:41
7 No One Ever Tells You
3:29
8 I Won’t Dance
3:27
9 Lonesome Road
3:58
10 At Long Last Love
2:27
11 You’d Be So Nice to Come Home To
2:07
12 I Got It Bad and That Ain’t Good
3:25
13 From This Moment On
3:56
14 If I Had You
2:40
15 Oh! Look at Me Now
2:50

Credits

Hybrid SACD 1

trumpet:
Harry “Sweets” Edison (1956-11-15) (track 8)
Harry “Sweets” Edison (1956-11-20) (track 5)
arranger:
Nelson Riddle (tracks 5, 8)
composer:
George Gershwin (composer) (track 3)
Jerome Kern (track 8)
Frank Perkins (track 6)
Arthur Schwartz (track 4)
Nathaniel Shilkret (track 9)
Cole Porter (track 10)
Cole Porter (1932) (track 1)
George Gershwin (composer) (1937) (track 5)
Richard Rodgers (1937) (track 2)
Joe Bushkin (1941) (track 15)
Duke Ellington (American composer, pianist, & jazz bandleader) (1941) (track 12)
Cole Porter (1943) (track 11)
Cole Porter (1951) (track 13)
conductor:
Nelson Riddle (1956-11-15) (track 8)
Nelson Riddle (1956-11-20) (track 5)
lead vocals:
Frank Sinatra (1956-11-15) (track 8)
Frank Sinatra (1956-11-20) (track 5)
lyricist:
Gene Austin (track 9)
Howard Dietz (track 4)
Dorothy Fields (US Tin Pan Alley librettist and lyricist) (track 8)
Ira Gershwin (track 3)
Otto Harbach (track 8)
DuBose Heyward (track 3)
Jimmy McHugh (songwriter) (track 8)
Mitchell Parish (track 6)
Cole Porter (track 10)
Cole Porter (1932) (track 1)
Ira Gershwin (1937) (track 5)
Lorenz Hart (1937) (track 2)
John DeVries (1941) (track 15)
Paul Francis Webster (1941) (track 12)
Cole Porter (1943) (track 11)
Cole Porter (1951) (track 13)
orchestra:
Featuring Harry “Sweets” Edison (tracks 2–4, 6–7, 9–15)
The Nelson Riddle Orchestra (tracks 2–4, 6–7, 9–15)
The Nelson Riddle Orchestra (1956-11-15) (track 8)
The Nelson Riddle Orchestra (1956-11-20) (track 5)
vocals:
Frank Sinatra (tracks 2–4, 6–7, 9–15)
writer:
Hub Atwood (track 7)
James Campbell (British songwriter and music publisher) (track 14)
Carroll Coates (track 7)
Reginald Connelly (track 14)
Ted Shapiro (track 14)
phonographic copyright by:
Masterworks Series (2013) (tracks 2–15)
publisher:
Campbell Connelly (track 15)
Chappell & Co. (track 11)
Chappell Music Ltd. (tracks 1, 8)
Harms, Inc. (track 1)
Mills Music (track 6)
T.B. Harms Co. (track 8)
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) (track 8)
Gershwin Publishing Corp (1935) (track 3)
Gershwin Publishing Corp (1937) (track 5)
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (1956-04) (tracks 2–4, 6–7, 9–15)
Capitol Tower in Hollywood, Los Angeles, California, United States (1956-11) (tracks 2–4, 6–7, 9–15)
remasters:
The Lonesome Road ("The Capitol Years" remaster) by Frank Sinatra (track 9)
later translated versions:
Enfim o amor (track 10)
Je suis mordue (track 12)
Tout le jour, toute la nuit (Night and Day; du film "Joyeuse divorcée") (track 1)
part of:
A Damsel in Distress (1937 film score) (track 5)
Crazy For You (1992 Musical) (track 5)
Gay Divorce (track 1)
Porgy and Bess (track 3)
The Band Wagon (1953 film) (track 4)
You Never Know (track 10)
Kiss Me, Kate (musical) (track 13)
recording of:
No One Ever Tells You (1956-04-09) (track 7)
I Got Plenty o’ Nuttin’ (Porgy and Bess) (1956-11-15) (track 3)
I Won’t Dance (1956-11-15) (track 8)
Stars Fell on Alabama (1956-11-15) (track 6)
At Long Last Love (1956-11-20) (track 10)
I Guess I’ll Have to Change My Plan (1956-11-20) (track 4)
I Wish I Were in Love Again (1956-11-20) (track 2)
Nice Work If You Can Get It (1956-11-20) (track 5)
If I Had You (1956-11-26) (track 14)
Lonesome Road (1956-11-26) (track 9)
Night and Day (Cole Porter song) (1956-11-26) (track 1)
From This Moment On (Kiss Me, Kate, 1953 film & 1999 Broadway revival casts only) (1956-11-28) (track 13)
I Got It Bad (And That Ain’t Good) (1956-11-28) (track 12)
Oh! Look at Me Now (1956-11-28) (track 15)
You’d Be So Nice to Come Home To (1956-11-28) (track 11)
referred to in medleys: