Legendary Heifetz

~ Release by Heifetz (see all versions of this release, 2 available)

Tracklist

▼ CD 1
# Title Artist Rating Length
1 La Ronde des lutins, op. 25
Antonio Bazzini 4:28
2 An eisamer Quelle, op. 9 no. 2
Richard Strauss 3:49
3 Polonaise no. 1 in D major, op. 4
Henryk Wieniawski 4:46
4 Méditation in D major, op. 32
Alexander Glazunov 3:44
5 Scherzo-Tarantelle in G minor, op. 16
Henryk Wieniawski 4:25
6 L'Enfant prodigue: Prélude
Claude Debussy 2:47
7 Suite española: No. 3. Sevillañas
Isaac Albéniz 4:04
8 La Capricieuse, op. 17
Sir Edward Elgar 3:30
9 Guitarre, op. 45 no. 2
Moritz Moszkowski 3:09
10 Danza española no. 1
Manuel de Falla 3:23
11 Tallahassee Suite: No. 1. Bygone memories
Cyril Scott 3:04
12 Ruralia hungarica, op. 32a: No. 6. Gupsy Andante
Ernst von Dohnányi 4:44
13 Valse
Mario Castelnuovo-Tedesco 3:07
14 Mouvements Perpétuels: No. 1.
Francis Poulenc 1:30
15 Hora staccato
Grigoraș Dinicu 2:10
16 Sonata in A major, op. 2 no. 2: I. Preludio
Antonio Vivaldi 0:40
17 Sonata in A major, op. 2 no. 2: II. Capriccio
Antonio Vivaldi 0:45
18 Sonata in A major, op. 2 no. 2: III. Corrente
Antonio Vivaldi 1:25
19 Sonata in A major, op. 2 no. 2: IV. Recitativo
Antonio Vivaldi 1:23
20 Sonata in A major, op. 2 no. 2: V. Giga
Antonio Vivaldi 1:48
21 Caprice no. 13 in B-flat, op. 1 no. 13
Nicolò Paganini 3:20
22 English Suite no. 3 in G minor, BWV 808: Gavotte I & II
Johann Sebastian Bach 3:16
23 Sonata in A major: Allegretto poco mosso
César Franck 5:46

Credits

CD 1

violin:
Jascha Heifetz (1934) (track 22)
Jascha Heifetz (1934-02-19) (track 13)
Jascha Heifetz (1934-02-21) (tracks 6–8, 16–20)
Jascha Heifetz (1934-02-23) (track 5)
Jascha Heifetz (1934-03-27) (tracks 2, 4, 12)
Jascha Heifetz (1934-03-28) (tracks 9, 21)
Jascha Heifetz (1935-12-11) (track 10)
Jascha Heifetz (1937-03-15) (tracks 3, 11)
Jascha Heifetz (1937-04-03) (track 23)
Jascha Heifetz (1937-04-09) (tracks 1, 14–15)
piano:
Arpád Sándor (1934) (track 22)
Arpád Sándor (1934-02-19) (track 13)
Arpád Sándor (1934-02-21) (tracks 6–8, 16–20)
Arpád Sándor (1934-02-23) (track 5)
Arpád Sándor (1934-03-27) (tracks 2, 4, 12)
Arpád Sándor (1934-03-28) (tracks 9, 21)
Emanuel Bay (1935-12-11) (track 10)
Emanuel Bay (1937-03-15) (tracks 3, 11)
Arthur Rubinstein (pianist) (1937-04-03) (track 23)
Emanuel Bay (1937-04-09) (tracks 1, 14–15)
piano and violin arranger:
Adolf Busch (tracks 16–20)
Jascha Heifetz (tracks 2, 6–7, 14, 22, 22)
Fritz Kreisler (violinist / composer) (tracks 12, 21)
Pablo de Sarasate (track 9)
Jascha Heifetz (1932) (track 15)
arranger:
Fritz Kreisler (violinist / composer) (track 10)
composer:
Isaac Albéniz (tracks 7, 7)
Johann Sebastian Bach (German Baroque period composer & musician) (tracks 22, 22)
Mario Castelnuovo-Tedesco (composer) (track 13)
Grigoraș Dinicu (track 15)
Ernő Dohnányi (Hungarian conductor, composer and pianist) (track 12)
Manuel de Falla (Spanish composer) (track 10)
Александр Константинович Глазунов (composer) (track 4)
Moritz Moszkowski (track 9)
Niccolò Paganini (composer) (track 21)
Francis Poulenc (tracks 14, 14)
Cyril Scott (track 11)
Antonio Vivaldi (tracks 16–20)
Antonio Bazzini (1852) (track 1)
Henryk Wieniawski (1852) (track 3)
Henryk Wieniawski (1855) (track 5)
Claude Debussy (1884) (track 6)
Richard Strauss (German composer) (1884) (track 2)
César Franck (1886) (track 23)
Edward Elgar (1891) (track 8)
dedicated to:
Karol Lipiński (track 3)
Fred Ward (track 8)
revised by:
Claude Debussy (1907 – 1908) (track 6)
publisher:
Litolff (1853) (track 3)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London, United Kingdom (1934) (track 22)
Abbey Road Studios in St John's Wood, Westminster, London, United Kingdom (1934-02-19) (track 13)
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London, United Kingdom (1934-02-19) (track 13)
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London, United Kingdom (1934-02-21) (tracks 6–8, 16–20)
Abbey Road Studios in St John's Wood, Westminster, London, United Kingdom (1934-02-23) (track 5)
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London, United Kingdom (1934-02-23) (track 5)
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London, United Kingdom (1934-03-27) (tracks 2, 4, 12)
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London, United Kingdom (1934-03-28) (tracks 9, 21)
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London, United Kingdom (1935-12-11) (track 10)
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London, United Kingdom (1937-03-15) (tracks 3, 11)
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London, United Kingdom (1937-04-03) (track 23)
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London, United Kingdom (1937-04-09) (tracks 1, 14–15)
part of:
Works of Antonio Bazzini by opus number (number: op. 25) (track 1)
Works of Henryk Wieniawski by opus number (number: op. 4) (track 3)
Works of Edward Elgar by opus number (number: op. 17) (track 8)
Works of Henryk Wieniawski by opus number (number: op. 16) (track 5)
Works of Alexander Glazunov by opus number (number: op. 32) (track 4)
arrangement of:
24 Caprices for Solo Violin, op. 1: No. 13 in B-flat major: Allegro “The Devil’s Laughter” (track 21)
Englische Suite Nr. 3 g-Moll, BWV 808: V. Gavotte I (track 22)
Englische Suite Nr. 3 g-Moll, BWV 808: VI. Gavotte II ou la Musette - Gavotte I da capo (track 22)
Guitarre, op. 45 no. 2 (track 9)
Hora Staccato (for solo violin) (track 15)
La vida breve: Acto II. Danza española (track 10)
L’Enfant prodigue, L. 57, CD 61: I. Prélude (track 6)
Polonaise de concert no. 1 in D major, op. 4 (for violin and orchestra) (track 3)
Ruralia hungarica, op. 32c: II. Andante rubato alla Zingaresca (for violin and piano, arr. composer) (track 12)
Sonata in A major, op. 2 no. 2, RV 31 (tracks 16–20)
Stimmungsbilder, op. 9 no. 2: An einsamer Quelle (track 2)
Suite española no. 1, op. 47: III. Sevilla (Sevillanas) (track 7)
Trois mouvements perpétuels: I. Assez modéré (track 14)
arrangements:
Hora Staccato (for band, Richards) (track 15)
Hora Staccato (for violin and orchestra, Heifetz) (track 15)
La Capricieuse, op. 17 (catch-all for arrangements) (track 8)
La Capricieuse, op. 17 (for violin and piano, ed. Heifetz) (track 8)
La capricieuse, op. 17 (for string quartet, arr. Paul Cassidy) (track 8)
Meditation, op. 32 (arr. for violin and orchestra) (track 4)
Mouvements Perpétuels: No. 1. (for violin and piano, arr. Heifetz) (track 14)
Sevilla, sevillanas (for violin and piano, arr. Heifetz) (track 7)
Sonata for Cello and Piano in A major: IV. Allegretto poco mosso (arranged by Delsart) (track 23)
Sonata for Piano and Violin in A major: IV. Allegretto poco mosso (transcription for Piano by Cortot) (track 23)
Sonata for Violin and Piano in A major: IV. Allegretto poco mosso (for flute and piano, Rampal) (track 23)
Sonata in A major: IV. Allegretto poco mosso (for saxophone and piano, Bornkamp) (track 23)
Suite española no. 1, op. 47: III. Sevilla (Sevillanas) (for guitar, Barrueco) (track 7)
Suite española no. 1, op. 47: III. Sevilla (Sevillanas) (catch-all for arrangements) (track 7)
is the basis for:
Caprichos no. 8 "Abstractions of Albéniz": V. Abstraction of Sevilla (track 7)
orchestrations:
Suite española no. 1, op. 47: III. Sevilla (Sevillanas) (orchestrated by Frühbeck de Burgos) (track 7)
part of:
Tallahassee Suite, op. 73 no. 4 (for violin and piano) (track 11)
Trois mouvements perpétuels, FP 14 (track 14)
Suite española no. 1, op. 47 (movement) (track 7)
Sonata for Violin and Piano in A major, M. 8 (movement) (track 23)
partial recording of:
Sonata in A major, op. 2 no. 2, RV 31 (for violin and piano, arr. Busch) (1934-02-21) (tracks 16–20)
recording of:
Suite española no. 1, op. 47: III. Sevilla (Sevillanas) (track 7)
Trois mouvements perpétuels: I. Assez modéré (track 14)
Gavotte I (from English Suite No. 3, BWV 808) (for violin and piano, arr. Heifetz) (1934) (track 22)
Gavotte II (Musette) (from English Suite No. 3, BWV 808) (for violin and piano, arr. Heifetz) (1934) (track 22)
Alt-Wien, op. 30: No. 1. Valse (for violin and piano) (1934-02-19) (track 13)
La Capricieuse, op. 17 (for violin and piano) (1934-02-21) (track 8)
Prélude (from L’Enfant prodigue) (for violin and piano, arr. Heifetz) (1934-02-21) (track 6)
Sevilla, sevillanas (for violin and piano, arr. Heifetz) (1934-02-21) (track 7)
Scherzo-tarantelle, op. 16 (1934-02-23) (track 5)
An einsamer Quelle (for violin and piano, arr. Heifetz) (1934-03-27) (track 2)
Gypsy Andante (for violin and piano, arr. Kreisler) (1934-03-27) (track 12)
Meditation, op. 32 (for violin and piano) (1934-03-27) (track 4)
Caprice no. 13 in B-flat (for violin and piano, Kreisler) (1934-03-28) (track 21)
Guitarre, op. 45 no. 2 (for violin and piano, arr. Sarasate) (1934-03-28) (track 9)
Danse espagnole (for violin and piano, Kreisler) (1935-12-11) (track 10)
Polonaise de concert no. 1 in D major, op. 4 (for violin and piano) (1937-03-15) (track 3)
Tallahassee Suite, op. 73 no. 4: I. Bygone Memories (1937-03-15) (track 11)
Sonata for Violin and Piano in A major: IV. Allegretto poco mosso (1937-04-03) (track 23)
Hora Staccato (for violin and piano, arr. Heifetz) (1937-04-09) (track 15)
Mouvements Perpétuels: No. 1. (for violin and piano, arr. Heifetz) (1937-04-09) (track 14)
Scherzo fantastique, op. 25 "La Ronde des lutins" (1937-04-09) (track 1)
referred to in medleys:
Alma Barca (track 7)

Release

ASIN: US: B00000I3V5 [info]