Annotation

Alto Vocals – Teresa Berganza (tracks: 1-2 to 1-9)
Composed By – Adolphe C. Adam (tracks: 3-1), Aram Khatchaturian (tracks: 6-5), Engelbert Humperdinck (2) (tracks: 2-6), Felix Mendelssohn-Bartholdy (tracks: 8-1 to 8-6), Franz Schubert (tracks: 8-7 to 8-10), Franz Xaver Richter (tracks: 10-8 to 10-10), Franz von Suppé (tracks: 3-4 to 3-6), Georg Philipp Telemann (tracks: 10-4 to 10-7), Georges Bizet (tracks: 4-1 to 5-8), Giuseppe Torelli (tracks: 10-2, 10-3), Jeremiah Clarke (tracks: 10-1), Johann Nepomuk Hummel (tracks: 10-14 to 10-16), Johann Strauß* (tracks: 3-3), Johannes Brahms (tracks: 7-1 to 7-21), Joseph Haydn (tracks: 10-11 to 10-13), Ludwig Van Beethoven (tracks: 2-3 to 2-5), Manuel De Falla (tracks: 1-2 to 1-9), Maurice Ravel (tracks: 1-1), Mikhail Ivanovich Glinka (tracks: 3-2), Nikolai Rimsky-Korsakov (tracks: 6-1 to 6-4), Richard Wagner (tracks: 9-1 to 9-5), Wolfgang Amadeus Mozart (tracks: 2-1, 2-2)
Conductor – Alberto Lizzio (tracks: 8-7 to 8-10, 10-11 to 10-13), Alexander Von Pitamic (tracks: 8-1 to 8-5), Alfred Scholz (tracks: 4-1 to 5-8, 6-5 to 7-21, 9-1 to 9-4), Anton Nanut (tracks: 1-1, 6-1 to 6-4), Ernest Ansermet (tracks: 1-2 to 1-9), Frank Shipway (tracks: 10-1), Hanspeter Gmür* (tracks: 9-5, 10-10, 10-14 to 10-16)
Orchestra – Camerata Rhenania (tracks: 10-10, 10-14 to 10-16), Camerata Romana (tracks: 10-11 to 10-13), Orchestra De La Suisse Romande* (tracks: 1-2 to 1-9), London Festival Orchestra* (tracks: 4-1 to 4-16), Münchner Symphonie Orchester* (tracks: 9-5), Nürnberger Symphonie Orchester* (tracks: 8-6), Philharmonia Slavonica (tracks: 8-7 to 8-10, 9-2 to 9-4), Royal Philharmonic Orchestra London* (tracks: 10-1), Radio Symphony Orchestra Ljubljana* (tracks: 1-1, 6-1 to 6-4), Symphony Orchestra (tracks: 2-1 to 3-6, 5-1 to 5-8, 6-5 to 7-21, 9-1), Süddeutsche Philharmonie (tracks: 8-1 to 8-5)
Trumpet – Rolf Quinque (tracks: 10-10)

Annotation last modified on 2014-04-11 14:08 UTC.

Tracklist

CD 1: Bolero & El Sombrero de Tres Picos
# Title Artist Rating Length
1 Bolero
Maurice Ravel 13:53
2 Der Dreispitz: I. Introduktion Part 1
Manuel de Falla 1:36
3 Der Dreispitz: II. Nachmittag
Manuel de Falla 5:05
4 Der Dreispitz: III. Tanz der Müllerin
Manuel de Falla 3:38
5 Der Dreispitz: IV. Die Trauben
Manuel de Falla 4:08
6 Der Dreispitz: V. Tanz der Nachbarn
Manuel de Falla 3:15
7 Der Dreispitz: VI. Tanz des Müllers
Manuel de Falla 6:59
8 Der Dreispitz: VII. Tanz des Corregidors
Manuel de Falla 6:01
9 Der Dreispitz: VIII. Finale
Manuel de Falla 6:11
CD 2: Die grossen Ouvertüren
# Title Artist Rating Length
1 Ouvertüre zu: Titus
Wolfgang Amadeus Mozart 4:42
2 Ouvertüre zu: Die Entführung aus dem Serail
Wolfgang Amadeus Mozart 5:38
3 Ouvertüre zu: Fidelio Op. 72b
Ludwig van Beethoven 6:44
4 Leonoren-Ouvertüre No. 3 Op 72a C-Dur
Ludwig van Beethoven 13:41
5 Die Geschöpfe des Prometheus
Ludwig van Beethoven 5:26
6 Ouvertüre zu: Hänsel und Gretel
Engelbert Humperdinck 8:04
CD 3: Ein Ouvertüren Feuerwerk
# Title Artist Rating Length
1 Ouvertüre zu: Wenn ich König wär
Adolphe Adam 8:00
2 Ouvertüre zu: Ruslan und Ludmilla
Михаил Иванович Глинка 5:37
3 Ouvertüre zu: Die Fledermaus
Johann Strauss II 8:21
4 Dichter und Bauer
Franz von Suppé 9:43
5 Leichte Kavallerie
Franz von Suppé 3 6:45
6 Die schöne Galathée
Franz von Suppé 7:44
CD 4: Carmen Suiten Nr. 1 & 2 & L'Arlésienne Suite Nr. 1
# Title Artist Rating Length
1 Carmen Suite Nr. 1: Prélude
Georges Bizet 1:22
2 Carmen Suite Nr. 1: Aragonaise
Georges Bizet 2:14
3 Carmen Suite Nr. 1: Intermezzo
Georges Bizet 2:41
4 Carmen Suite Nr. 1: Séguidilla
Georges Bizet 1:54
5 Carmen Suite Nr. 1: Les dragons d'Alcala
Georges Bizet 1:38
6 Carmen Suite Nr. 1: Les Toréadors
Georges Bizet 2:20
7 Carmen Suite Nr. 2: Marche des Contrabandiers
Georges Bizet 3:58
8 Carmen Suite Nr. 2: Habanera
Georges Bizet 4 2:12
9 Carmen Suite Nr. 2: Nocturne
Georges Bizet 4:10
10 Carmen Suite Nr. 2: Chanson du Toréador
Georges Bizet 2:40
11 Carmen Suite Nr. 2: La Garde Montante
Georges Bizet 3:53
12 Carmen Suite Nr. 2: Danse Bohème
Georges Bizet 4:37
13 L'Arlésienne Suite Nr. 1: Ouvertüre
Georges Bizet 6:43
14 L'Arlésienne Suite Nr. 1: Minuetto
Georges Bizet 2:45
15 L'Arlésienne Suite Nr. 1: Adagietto
Georges Bizet 2:52
16 L'Arlésienne Suite Nr. 1: Carillon
Georges Bizet 4:45
CD 5: L'Arlésienne Suite Nr. 2 & Symphonie Nr. 1
# Title Artist Rating Length
1 L'Arlesienne Suite Nr. 2: I. Pastorale
Georges Bizet 5:13
2 L'Arlesienne Suite Nr. 2: II. Intermezzo
Georges Bizet 3:41
3 L'Arlesienne Suite Nr. 2: III. Menuetto
Georges Bizet 3:59
4 L'Arlesienne Suite Nr. 2: IV. Farandole
Georges Bizet 3:34
5 Symphony Nr. 1 C-Dur: I. Allegro
Georges Bizet 6:53
6 Symphony Nr. 1 C-Dur: II. Adagio
Georges Bizet 9:56
7 Symphony Nr. 1 C-Dur: III. Allegro vivace
Georges Bizet 5:40
8 Symphony Nr. 1 C-Dur: IV. Allegro vivace
Georges Bizet 6:13
CD 6: Scheherazade Op. 35 & Säbeltanz
# Title Artist Rating Length
1 Scheherazade, op. 35: Das Meer und Sindbads Schiff
Николай Андреевич Римский‐Корсаков 10:06
2 Scheherazade, op. 35: Die Geschichte vom Prinzen Kalender
Николай Андреевич Римский‐Корсаков 12:15
3 Scheherazade, op. 35: Der junge Prinz und die junge Prinzessin
Николай Андреевич Римский‐Корсаков 10:13
4 Scheherazade, op. 35: Fest in Bagdad / Das Meer / Das Schiff zerschellt am Magnetberg
Николай Андреевич Римский‐Корсаков 13:18
5 Säbeltanz
Արամ Խաչատրյան 2:28
CD 7: Ungarische Tänze Nr. 1-21
# Title Artist Rating Length
1 Ungarischer Tanz No. 1 in G minor: Allegro molto
Johannes Brahms 3:26
2 Ungarischer Tanz No. 2 in D minor: Allegro non assai. Vivace
Johannes Brahms 2:48
3 Ungarischer Tanz No. 3 in F major: Allegretto
Johannes Brahms 2:13
4 Ungarischer Tanz No. 4 in F-sharp minor: Poco sostenuto. Vivace
Johannes Brahms 5:05
5 Ungarischer Tanz No. 5 in G minor: Allegro. Vivace
Johannes Brahms 2:21
6 Ungarischer Tanz No. 6 in D major: Vivace
Johannes Brahms 3:25
7 Ungarischer Tanz No. 7 in A major: Allegretto. Vivo
Johannes Brahms 1:48
8 Ungarischer Tanz No. 8 in A minor: Presto
Johannes Brahms 2:59
9 Ungarischer Tanz No. 9 in E minor: Allegro ma non troppo
Johannes Brahms 2:10
10 Ungarischer Tanz No. 10 in F major: Presto
Johannes Brahms 1:54
11 Ungarischer Tanz No. 11 in C major: Poco andante
Johannes Brahms 4:05
12 Ungarischer Tanz No. 12 in D minor: Presto
Johannes Brahms 2:30
13 Ungarischer Tanz No. 13 in D major: Andantino grazioso. Vivace
Johannes Brahms 1:31
14 Ungarischer Tanz No. 14 in D minor: Un poco andante
Johannes Brahms 2:25
15 Ungarischer Tanz No. 15 in B major: Allegretto grazioso
Johannes Brahms 2:15
16 Ungarischer Tanz No. 16 in F minor: Con moto
Johannes Brahms 2:57
17 Ungarischer Tanz No. 17 in F-sharp minor: Andantino. Vivace
Johannes Brahms 3:10
18 Ungarischer Tanz No. 18 in D major: Molto vivace
Johannes Brahms 1:29
19 Ungarischer Tanz No. 19 in B-flat minor: Allegretto
Johannes Brahms 2:00
20 Ungarischer Tanz No. 20 in E minor: Poco allegretto. Vivace
Johannes Brahms 2:49
21 Ungarischer Tanz No. 21 in E minor: Vivace
Johannes Brahms 1:28
CD 8: Ein Sommernachtstraum / Die Heimkehr aus der Fremde / Rosamunde, Fürstin von Zypern
# Title Artist Rating Length
1 Ouverture, Op. 21
Felix Mendelssohn 12:21
2 Scherzo, Op. 61/1
Felix Mendelssohn 5:04
3 Notturno, Op. 61/7
Felix Mendelssohn 6:42
4 Hochzeitsmarsch, Op. 61/9
Felix Mendelssohn 5:26
5 Rüpeltanz, Op. 61/11
Felix Mendelssohn 1:48
6 Ouverture: Die Heimkehr aus der Fremde, Op 89
Felix Mendelssohn 6:54
7 Rosamunde, Fürstin von Zypern, D 797, Op. 26: Ouvertüre - Die Zauberhafte D 644
Franz Schubert 9:16
8 Rosamunde, Fürstin von Zypern, D 797, Op. 26: Zwischenaktmusik Nr. 1
Franz Schubert 5:44
9 Rosamunde, Fürstin von Zypern, D 797, Op. 26: Balletmusik Nr. 2
Franz Schubert 5:49
10 Rosamunde, Fürstin von Zypern, D 797, Op. 26: Zwischenaktmusik Nr. 2
Franz Schubert 7:45
CD 9: Ouvertüren & Orchester - Vorspiele
# Title Artist Rating Length
1 Lohengrin: Vorspiel 3. Aufzug
Richard Wagner 3:05
2 Ouvertüre: Das Liebesverbot
Richard Wagner 10:27
3 Ouvertüre: Der fliegende Holländer
Richard Wagner 10:55
4 Parsifal: Vorspiel 1. Aufzug
Richard Wagner 14:30
5 Siegfried Idyll
Richard Wagner 19:34
CD 10: Brilliante Trompetenkonzerte
# Title Artist Rating Length
1 Prince of Denmark's March
Jeremiah Clarke 3:02
2 Concerto für Trompete, Streicher & basso Continuo, G 18 D-Dur: I. Allegro
Giuseppe Torelli 2:07
3 Concerto für Trompete, Streicher & basso Continuo, G 18 D-Dur: II. Adagio (Presto - Adagio) - Allegro
Giuseppe Torelli 4:54
4 Concerto für Trompete, Streicher & basso Continuo, D-Dur: I. Adagio
Georg Philipp Telemann 2:00
5 Concerto für Trompete, Streicher & basso Continuo, D-Dur: II. Allegro
Georg Philipp Telemann 2:12
6 Concerto für Trompete, Streicher & basso Continuo, D-Dur: III. Grave
Georg Philipp Telemann 2:22
7 Concerto für Trompete, Streicher & basso Continuo, D-Dur: IV. Allegro
Georg Philipp Telemann 1:57
8 Concerto für Trompete, Streicher & basso Continuo, D-Dur: I. Allegro moderato
Franz Xaver Richter 4:52
9 Concerto für Trompete, Streicher & basso Continuo, D-Dur: II. Andante
Franz Xaver Richter 5:14
10 Concerto für Trompete, Streicher & basso Continuo, D-Dur: III. Allegro
Franz Xaver Richter 4:28
11 Concerto für Trompete & Streicher, Hob. 7e: 1, Es-Dur: I. Allegro
Joseph Haydn 6:22
12 Concerto für Trompete & Streicher, Hob. 7e: 1, Es-Dur: II. Andante cantabile
Joseph Haydn 3:15
13 Concerto für Trompete & Streicher, Hob. 7e: 1, Es-Dur: III. Finale: Allegro
Joseph Haydn 4:31
14 Concerto für Trompete & Orchester, Es-Dur: I. Allegro con spirito
Johann Nepomuk Hummel 9:38
15 Concerto für Trompete & Orchester, Es-Dur: II. Andante
Johann Nepomuk Hummel 4:21
16 Concerto für Trompete & Orchester, Es-Dur: III. Rondo Allegro
Johann Nepomuk Hummel 3:55

Credits

CD 1: Bolero & El Sombrero de Tres Picos

piano:
Mee Chou Lee (track 1)
alto vocals:
Teresa Berganza (tracks 2–9)
composer:
Manuel de Falla (Spanish composer) (tracks 2–9)
Maurice Ravel (classical composer) (1928) (track 1)
conductor:
Ernest Ansermet (tracks 2–9)
Samo Hubad (track 1)
Anton Nanut (conductor) (track 1)
lyricist:
orchestra:
Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra) (track 1)
premiered at:
Palais Garnier in Paris, Île-de-France, France (1928-11-22) (track 1)
part of:
arrangements:
Boléro (catch-all for arrangements) (track 1)
Boléro (arr. Ravel for piano 4-hands) (track 1)
Danza del corregidor (for harp, Falla) (track 8)
is the basis for:
No More Boleros (track 1)
later parody versions:
Bolero (track 1)
Bolero (track 1)
Le Parti d'en rire (track 1)
later versions:
Bolero (Starink version) (track 1)
Bolero (arr. Hans Hasso Stamer) (track 1)
Boléro (arr. Django Rheinhardt) (track 1)
Boléro (arr. Ravel for 2 pianos) (track 1)
Troublant Bolero (track 1)
part of:
El sombrero de tres picos (ballet) (tracks 2–9)
recording of:
Boléro (track 1)
referred to in medleys:
This Is the Story (Clare Muldaur) (track 1)

CD 2: Die grossen Ouvertüren

composer:
Wolfgang Amadeus Mozart (classical composer) (1782) (track 2)
Wolfgang Amadeus Mozart (classical composer) (1791) (track 1)
Ludwig van Beethoven (1800 – 1801) (track 5)
Ludwig van Beethoven (1805 – 1806) (track 4)
Ludwig van Beethoven (1814) (track 3)
Engelbert Humperdinck (German composer) (1891 – 1892) (track 6)
conductor:
Alfred Scholz (track 2)
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym) (track 2)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 72b) (track 4)
part of:
Hänsel und Gretel (track 6)
Fidelio, op. 72 (1814 version) (track 3)
recording of:
Fidelio, op. 72: Overture (1814 version, sometimes Op. 72c) (track 3)

CD 3: Ein Ouvertüren Feuerwerk

composer:
Adolphe Adam (track 1)
Johann Strauss (Austro-German composer, "Walzerkönig", Johann Strauss II, Sohn, Jr., the Younger, the Son) (track 3)
Franz von Suppé (tracks 4–5)
Михаил Иванович Глинка (Russian composer) (1837 – 1842) (track 2)
Franz von Suppé (1865) (track 6)
conductor:
Igor Gogol (conductor, probably a pseudonym for Alfred Scholz) (track 3)
Carl Michalski (conductor) (track 3)
Vladimir Petroschoff (conductor, an Alfred Scholz pseudonym) (track 2)
Alfred Scholz (tracks 1–3, 5)
Thomas Waldham (track 2)
Alfred Scholz (1990) (track 6)
orchestra:
London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO) (track 1)
London Symphony Orchestra (tracks 2–3)
National Symphony Orchestra Olsztyn (probably a fake artist by Alfred Scholz) (track 3)
New Philharmonia Orchestra (conducted by Alfred Scholz) (tracks 1–3, 5)
New Philharmonic Orchestra (unknown orchestra used on budget recordings) (track 2)
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (track 3)
Philharmonisches Festspielorchester (an Alfred Scholz pseudonym) (track 2)
South German Philharmonic Orchestra (an Alfred Scholz pseudonym) (1990) (track 6)
phonographic copyright by:
GMS (1986) (track 2)
arrangements:
Light Cavalry Overture (for brass band, Langford) (track 5)
Poet and Peasant: Overture (for organ, Evans) (track 4)
The Beautiful Galathea (arr. Langford, for brass band) (track 6)
is the basis for:
Long-Haired Hare (1949 Warner Bros. Looney Tunes theatrical cartoon short) (track 6)
part of:
Dichter und Bauer (track 4)
Die Fledermaus (English version, lyrics by Mandel/Sachs) (track 3)
Leichte Kavallerie (track 5)
Die Fledermaus (track 3)
Si j'étais roi (track 1)
recording of:
referred to in medleys:

CD 4: Carmen Suiten Nr. 1 & 2 & L'Arlésienne Suite Nr. 1

composer:
Georges Bizet (French romantic composer) (tracks 1–12)
Georges Bizet (French romantic composer) (1872) (tracks 13–16)
conductor:
Loic Bertrand (tracks 1–11, 13, 16)
Cesare Cantieri (an Alfred Scholz pseudonym) (tracks 1–9)
Emil Edlinger (track 6)
Zdeněk Košler (track 8)
Alfred Scholz (tracks 1–9, 12–16)
János Sándor (tracks 1–11)
orchestra:
Budapesti Filharmóniai Társaság Zenekara (Budapest Philharmonic Orchestra) (tracks 1–11)
London Festival Orchestra (Alfred Scholz pseudonym) (tracks 1–9, 12–16)
Nemzeti Filharmonikus Zenekar (Hungarian National Philharmonic Orchestra) (track 6)
Orchestre radio‐symphonique (tracks 1–11, 13, 16)
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (track 7)
Symphonic Orchestra of the Ljubljana Radio (RTV Slovenia Symphony Orchestra) (tracks 1–9)
Symfonický orchester Slovenského rozhlasu (Slovak Radio Symphony Orchestra) (track 8)
arrangements:
Carmen (arrangement for strings by Louise-Andrée Baril) (track 6)
Carmen Suite no. 1: VI. Les toréadors (catch-all for arrangements) (track 6)
March of the Kings (Geoff Zanelli's arrangement) (track 13)
March of the Kings (non-choir) (Geoff Zanelli's arrangement) (track 13)
The March of the Kings (Trans‐Siberian Orchestra arrangement) (track 13)
is based on:
Carmen : Acte III. Entr’acte (intermission between Acts III & IV) (track 2)
Carmen: Acte I. Entr’acte (intermission between Acts I & II) (track 5)
Carmen: Acte II. Entr’acte (intermission between Acts II & III) (track 3)
Carmen: Prélude (track 6)
is the basis for:
ピアノのおけいこ1 (Final Fantasy V) (track 8)
later versions:
L'Arlésienne Suite no. 1: I. Prélude (for piano, Bizet) (track 13)
L'Arlésienne Suite no. 1: II. Minuetto (for piano, Bizet) (track 14)
L'Arlésienne Suite no. 1: III. Adagietto (for piano, Bizet) (track 15)
L'Arlésienne Suite no. 1: IV. Carillon (for piano, Bizet) (track 16)
Minuet from L'Arlésienne Suite no. 1, TN iii/3 (for piano, Rachmaninoff) (track 14)
part of:
L'Arlésienne Suite no. 1, op. 23bis (for orchestra) (tracks 13–16)
Carmen Suite no. 1 (tracks 1–6)
Carmen Suite no. 2 (tracks 7–12)
recording of:
Carmen Suite no. 1: II. Aragonaise (based on Carmen: Entr’acte between Acts III and IV) (track 2)
Carmen Suite no. 1: III. Intermezzo (based on Carmen: Entr’acte between Acts II and III) (track 3)
Carmen Suite no. 1: IV. Séguedille (based on Carmen: Act I. Séguedille et Duo « Près des remparts de Séville ») (track 4)
Carmen Suite no. 1: V. Les Dragons d’Alcala (based on Carmen: Entr’acte between Acts I and II) (track 5)
Carmen Suite no. 1: VI. Les Toréadors (theme from Carmen: Prelude to Act I and Carmen: Act IV. « Les voici ! Voici la quadrille ! ») (track 6)
L'Arlésienne Suite no. 1: III. Adagietto (for orchestra) (track 15)
referred to in medleys:

CD 5: L'Arlésienne Suite Nr. 2 & Symphonie Nr. 1

arranger:
Ernest Guiraud (tracks 1–4)
composer:
Georges Bizet (French romantic composer) (1855-10 – 1855-11) (tracks 5–8)
Georges Bizet (French romantic composer) (1872) (tracks 1–4)
conductor:
Louis Ablazzo (track 6)
Alfred Scholz (tracks 1–8)
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym) (tracks 1–8)
Philharmonisches Festspielorchester (an Alfred Scholz pseudonym) (track 6)
arrangements:
Agnus Dei, for voice & piano (or orchestra) ((Intermezzo from L’arlésienne Suite No. 2/6, arr. Ernest Guirard)) (track 2)
L'Arlesienne: Intermezzo (catch-all for arrangements) (track 2)
L'Arlésienne Suite no. 2: II. Intermezzo (for piano, Bizet) (track 2)
L'Arlésienne Suite no. 2: III. Menuet (catch-all for arrangements) (track 3)
later versions:
L'Arlésienne Suite no. 2: I. Pastorale (for piano, Bizet) (track 1)
L'Arlésienne Suite no. 2: III. Menuet (for piano, Bizet) (track 3)
L'Arlésienne Suite no. 2: IV. Farandole (for piano, Bizet) (track 4)
part of:
L'Arlésienne Suite no. 2 (for orchestra) (tracks 1–4)
recording of:
L'Arlésienne Suite no. 2: I. Pastorale (for orchestra) (track 1)
L'Arlésienne Suite no. 2: II. Intermezzo (for orchestra) (track 2)
L'Arlésienne Suite no. 2: III. Menuet (for orchestra) (track 3)
L'Arlésienne Suite no. 2: IV. Farandole (for orchestra) (track 4)
referred to in medleys:

CD 6: Scheherazade Op. 35 & Säbeltanz

composer:
Aram Khachaturian (Soviet-Armenian composer, Aram Khachaturian) (1942) (track 5)
conductor:
Alexander Gavostov (conductor) (tracks 1–2)
Anton Nanut (conductor) (tracks 1–4)
Vladimir Petroschoff (conductor, an Alfred Scholz pseudonym) (tracks 1–2)
Alfred Scholz (track 5)
orchestra:
Berliner Festspielorchester (likely another Alfred Scholz orchestra pseudonym) (tracks 1–2)
Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra) (tracks 1–4)
Soviet State Orchestra (tracks 1–2)
producer:
Udo Unger (tracks 1–2, 4)
arrangement of:
arrangements:
Scheherazade, op. 35: I. The Sea and Sinbad's Ship (for piano four hands) (track 1)
Scheherazade, op. 35: II. The Kalendar Prince (for piano four hands) (track 2)
is the basis for:
The Hula Hoop (track 5)
later versions:
Tales of the Arabian Night (C64 Game) (track 4)
part of:
Scheherazade, op. 35 (tracks 1–4)
recording of:
Sabre Dance, from the ballet Gayaneh (catch-all for unknown versions) (track 5)

CD 7: Ungarische Tänze Nr. 1-21

composer:
Johannes Brahms (tracks 1–2, 2–7, 7–8, 8–9, 9–11, 11–12, 12–13, 13–14, 14–15, 15–16, 16–17, 17–18, 18–19, 19–20, 20–21, 21)
Johannes Brahms (1858 – 1868) (tracks 1, 3)
Johannes Brahms (1868) (tracks 1, 3–6, 10)
Johannes Brahms (1880) (tracks 18–19, 21)
conductor:
Julian Armstrong (conductor, Alfred Scholz pseudonym) (tracks 1–3, 5–21)
Cesare Cantieri (an Alfred Scholz pseudonym) (tracks 1–3, 5–21)
Alfred Scholz (tracks 1–21)
Pavel Urbanek (conductor) (tracks 1–21)
orchestra:
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990) (tracks 1–3, 5–21)
Festivalový orchestr Praha (tracks 1–21)
London Festival Orchestra (Alfred Scholz pseudonym) (tracks 1–21)
Philharmonia Slavonica (an Alfred Scholz pseudonym) (tracks 1–3, 5–21)
London Philharmonic Orchestra (Alfred Scholz related) (tracks 1, 3, 10, 17–21)
orchestrator:
Hans Gál (tracks 8–9)
Andreas Hallén (track 2)
Albert Parlow (tracks 11–16)
Martin Schmeling (tracks 5–7)
[unknown] (Special Purpose Artist - Do not add releases here, if possible.) (tracks 1–21)
Johannes Brahms (1873) (tracks 1, 3, 10)
Antonín Dvořák (1880-10 – 1880-11) (tracks 17–21)
publisher:
Anton Bejamin (tracks 4, 8–9)
publisher:
Breitkopf & Härtel (tracks 5–7)
arrangements:
Hungarian Dance no. 1 in G minor (for violin and strings, arr. Dupin) (track 1)
Hungarian Dance no. 1 in G minor (for violin and piano, unknown arranger) (track 1)
Hungarian Dances: No. 1 in G minor (for violin and piano, Joachim) (track 1)
Hungarian Dances: No. 18 in D major (for violin and piano, Joachim) (track 18)
Hungarian Dances: No. 19 in A minor (for violin and piano, Joachim) (track 19)
Hungarian Dances: No. 21 in E minor (for violin and piano, Joachim) (track 21)
Hungarian Dances: No. 3 in F major (for violin and piano, Joachim) (track 3)
orchestration of:
orchestrations:
Hungarian Dance for orchestra no. 1 in G minor (catch all for unknown orchestration) (track 1)
Hungarian Dance for orchestra no. 18 in D major (unknown orchestration, please fix) (track 18)
Hungarian Dance for orchestra no. 19 in B minor (unknown orchestration, please fix) (track 19)
Hungarian Dance for orchestra no. 21 in E minor (unknown orchestration, please fix) (track 21)
Hungarian Dance no. 18 in D major (Darvas orchestration) (track 18)
Hungarian Dance no. 19 in B minor (Darvas orchestration) (track 19)
Hungarian Dance no. 21 in E minor (Darvas orchestration) (track 21)
part of:
Hungarian Dances for orchestra (orchestrated by Hallén) (track 2)
Hungarian Dances for orchestra (Parlow orchestration) (tracks 11–16)
Hungarian Dances for orchestra (Schmeling orchestration) (tracks 5–7)
Hungarian Dances for orchestra, WoO 1 (Brahms orchestration) (tracks 1, 3, 10)
Hungarian Dances nos. 8 and 9 for orchestra (orchestrated by Gál) (tracks 8–9)
Hungarian Dances for orchestra (orchestrated by Dvořák) (tracks 17–21)
Hungarian Dances for orchestra (unknown orchestration, do not merge works, move recordings to the correct work) (tracks 1–21)
recording of:
Hungarian Dance for Orchestra no. 5 in G minor: Allegro - Vivace (for unknown orchestrations - please move recordings to the correct work) (track 5)
Hungarian Dance for orchestra no. 1 in G minor (catch all for unknown orchestration) (track 1)
Hungarian Dance for orchestra no. 10 in F major (unknown orchestration, please fix) (track 10)
Hungarian Dance for orchestra no. 11 in C major (unknown orchestration, please fix) (track 11)
Hungarian Dance for orchestra no. 12 in D minor (unknown orchestration, please fix) (track 12)
Hungarian Dance for orchestra no. 14 in D minor (unknown orchestration, please fix) (track 14)
Hungarian Dance for orchestra no. 15 in B-flat major (unknown orchestration, please fix) (track 15)
Hungarian Dance for orchestra no. 16 in F minor (unknown orchestration, please fix) (track 16)
Hungarian Dance for orchestra no. 17 in F-sharp minor (unknown orchestration, please fix) (track 17)
Hungarian Dance for orchestra no. 18 in D major (unknown orchestration, please fix) (track 18)
Hungarian Dance for orchestra no. 19 in B minor (unknown orchestration, please fix) (track 19)
Hungarian Dance for orchestra no. 2 in D minor (unknown orchestration, please fix) (track 2)
Hungarian Dance for orchestra no. 20 in E minor (unknown orchestration, please fix) (track 20)
Hungarian Dance for orchestra no. 21 in E minor (unknown orchestration, please fix) (track 21)
Hungarian Dance for orchestra no. 6 in D major: Vivace (unknown orchestration) (track 6)
Hungarian Dance for orchestra no. 8 in A minor (unknown orchestration, please fix) (track 8)
Hungarian Dance for orchestra no. 9 in E minor (unknown orchestration, please fix) (track 9)

CD 8: Ein Sommernachtstraum / Die Heimkehr aus der Fremde / Rosamunde, Fürstin von Zypern

composer:
Felix Mendelssohn (1826) (track 1)
Felix Mendelssohn (1842) (tracks 2–5)
conductor:
Alberto Lizzio (conductor, an Alfred Scholz pseudonym) (tracks 7–10)
Alexander von Pitamic (an Alfred Scholz pseudonym) (tracks 1–5)
orchestra:
Nürnberger Symphoniker (real orchestra, not the Alfred Scholz pseudonym) (track 6)
Philharmonia Slavonica (an Alfred Scholz pseudonym) (tracks 7–10)
Süddeutsche Philharmonie (an Alfred Scholz pseudonym) (tracks 1–5)
part of:
Works of Felix Mendelssohn by opus number (number: op. 21) (track 1)
arrangements:
A Midsummer Night’s Dream: Overture (for organ, Warren) (track 1)
Ein Sommernachtstraum, op. 61: Ouvertüre (for piano four-hands) (track 1)
Ein Sommernachtstraum, op. 61: Scherzo (for piano four-hands) (track 2)
Wedding March from "A Midsummer Night's Dream" (for organ, Woods) (track 4)
is the basis for:
later versions:
part of:
recording of:
referred to in medleys:

CD 9: Ouvertüren & Orchester - Vorspiele

composer:
Richard Wagner (1834) (track 2)
Richard Wagner (1846 – 1848) (track 1)
conductor:
Hanspeter Gmür (likely Alfred Scholz pseudonym) (track 5)
Alfred Scholz (tracks 1–4)
orchestra:
Münchner Symphoniker (an Alfred Scholz pseudonym, not the former Symphonie-Orchester Graunke) (track 5)
Philharmonia Slavonica (an Alfred Scholz pseudonym) (tracks 2–4)
arrangements:
Lohengrin: Act III. Vorspiel (for brass band, Wright) (track 1)
is the basis for:
part of:
Das Liebesverbot, WWV 38 (movement) (track 2)
Lohengrin: Act III (track 1)
recording of:
referred to in medleys:

CD 10: Brilliante Trompetenkonzerte

trumpet:
Vaclav Brezina (track 13)
Rolf Quinque (tracks 1–10, 14–16)
composer:
Johann Nepomuk Hummel (tracks 14–16)
Franz Xaver Richter (18C composer) (tracks 8–10)
Georg Philipp Telemann (tracks 4–7)
Jeremiah Clarke (1700) (track 1)
Joseph Haydn (1796) (tracks 11, 11–13)
conductor:
Hanspeter Gmür (likely Alfred Scholz pseudonym) (tracks 2–10, 14–16)
Alberto Lizzio (conductor, an Alfred Scholz pseudonym) (tracks 11–13)
Frank Shipway (track 1)
orchestra:
Camerata Rhenania (an Alfred Scholz pseudonym) (tracks 2–10, 14–16)
Camerata Romana (an Alfred Scholz pseudonym) (tracks 2–16)
arrangements:
The Prince of Denmark's March (catch-all for arrangements, somtimes called trumpet voluntary) (track 1)
is the basis for:
Plenty of Horn (track 1)
later versions:
Flumpet Voluntary (track 1)
Trumpet Prelude (Stokowski orchestration of "Prince of Denmark/Trumpet Voluntary") (track 1)
orchestrations:
The Prince of Denmark's March (orchestrated by H. Wood) (track 1)
part of:
Suite in D major (track 1)
Trompetenkonzert Es-dur (tracks 14–16)
recording of:
The Prince of Denmark’s March (erroneously called “Trumpet Voluntary”) (track 1)
referred to in medleys:
version of: