Perspectives 7

~ Release by Mussorgsky, Beethoven, Liszt, Berg; Andreas Haefliger (see all versions of this release, 1 available)

Tracklist

▼ Hybrid SACD 1
# Title Artist Rating Length
1 Piano Sonata, op. 1
Alban Berg 14:33
2 Légende no. 1, S. 175/1 "St François d’Assise: La prédication aux oiseaux"
Franz Liszt 10:39
3 Piano Sonata no. 28 in A major, op. 101: I. Etwas lebhaft und mit der innigsten Empfindung (Allegretto, ma non troppo)
Ludwig van Beethoven 4:47
4 Piano Sonata no. 28 in A major, op. 101: II. Lefhaft. Marschmäßig (Vivace alla Marcia)
Ludwig van Beethoven 6:12
5 Piano Sonata no. 28 in A major, op. 101: III. Langsam und sehnsuchtsvoll (Adagio, ma non troppo, on affetto)
Ludwig van Beethoven 3:34
6 Piano Sonata no. 28 in A major, op. 101: IV. Geschwinde, doch nicht zu sehr, und mit Entschlossenheit (Allegro)
Ludwig van Beethoven 7:52
7 Pictures from an Exhibition: Promenade
Modest Mussorgsky 1:33
8 Pictures from an Exhibition: 1. Gnomus. Sempre vivo
Modest Mussorgsky 3:06
9 Pictures from an Exhibition: (Promenade). Moderato commodo assai e con delicatezza
Modest Mussorgsky 1:05
10 Pictures from an Exhibition: 2. Il vecchio castello. Andantino molto cantabile e con dolore
Modest Mussorgsky 4:40
11 Pictures from an Exhibition: (Promenade). Moderato non tanto, pesamente
Modest Mussorgsky 0:38
12 Pictures from an Exhibition: 3. Tuileries (Disputes d'enfants après jeux)
Modest Mussorgsky 1:00
13 Pictures from an Exhibition: 4. Bydlo. Sempre moderato, pesante
Modest Mussorgsky 3:04
14 Pictures from an Exhibition: (Promenade). Tranquillo
Modest Mussorgsky 1:03
15 Pictures from an Exhibition: 5. Ballet of the Unhatched Chicks. Scherzino vivo, leggiero
Modest Mussorgsky 0:59
16 Pictures from an Exhibition: 6. Samuel Goldenberg und Schmuÿle. Andante. Grave – energico
Modest Mussorgsky 2:34
17 Pictures from an Exhibition: Promenade. Allegro giusto, nel modo russico, poco sostenuto
Modest Mussorgsky 1:40
18 Pictures from an Exhibition: 7. Limoges. Le Le marché (La grande nouvelle) Allegretto vivo, sempre scherzando
Modest Mussorgsky 1:22
19 Pictures from an Exhibition: 8. Catacombae (Sepulcrum romanun). Largo
Modest Mussorgsky 2:37
20 Pictures from an Exhibition: Con mortuis in lingua mortua. Andante non troppo, con lamento
Modest Mussorgsky 2:49
21 Pictures from an Exhibition: 9. The Hut on Hen's Legs (Baba-Yaga). Allegro con brio, feroce
Modest Mussorgsky 3:25
22 Pictures from an Exhibition: 10. The Bogatyr Gate (in the Capital, in Kiev). Allegro allaa breve - Maestoso - Con grandezza
Modest Mussorgsky 6:15

Credits

Hybrid SACD 1

piano:
Andreas Haefliger (2017-07) (tracks 1–22)
composer:
Alban Berg (composer) (track 1)
Ludwig van Beethoven (1816) (tracks 3–6)
Franz Liszt (1862 – 1863) (track 2)
Модест Петрович Мусоргский (composer) (1874-06-02 – 1874-06-22) (tracks 7–22)
editor:
Markus Heiland (tracks 1–22)
mixer:
Markus Heiland (tracks 1–22)
piano technician:
Stefan Knüpfer (piano technician) (tracks 1–22)
producer:
Markus Heiland (tracks 1–22)
sound engineer:
Markus Heiland (tracks 1–22)
recorded at:
Konzerthaus: Mozartsaal in Wien, Austria (2017-07) (tracks 1–22)
arrangements:
Pictures at an Exhibition: I. Promenade (for Russian folk instruments, Boyashov) (track 7)
Pictures at an Exhibition: II. Gnome (for Russian folk instruments, Boyashov) (track 8)
Pictures at an Exhibition: III. Promenade (for Russian folk instruments, Boyashov) (track 9)
Pictures at an Exhibition: IV. The Old Castle (for Russian folk instruments, Boyashov) (track 10)
Pictures at an Exhibition: IX. Baba Yaga (for brass band, Howarth) (track 21)
Pictures at an Exhibition: IX. Ballet of Chicken's in Their Egg-Shells (for Russian folk instruments, Boyashov) (track 15)
Pictures at an Exhibition: Il vecchio castello. Andante molto cantabile e con dolore (for guitar, Segovia) (track 10)
Pictures at an Exhibition: No. 2 "Il vecchio castello" (catch-all for arrangements) (track 10)
Pictures at an Exhibition: No. 9 "Избушка на курьихъ ножкахъ" (Баба-Яга) [Izbushka na kuryikh nozhkakh (Baba-Yagá)] (catch-all for arrangements) (track 21)
Pictures at an Exhibition: V. Promenade (for Russian folk instruments, Boyashov) (track 11)
Pictures at an Exhibition: VI. The Tuileries (for Russian folk instruments, Boyashov) (track 12)
Pictures at an Exhibition: VII. Bydlo (for Russian folk instruments, Boyashov) (track 13)
Pictures at an Exhibition: VIII. Catacombae (for band, Boyd) (tracks 19–20)
Pictures at an Exhibition: VIII. Promenade (for Russian folk instruments, Boyashov) (track 14)
Pictures at an Exhibition: X. The Great Gate of Kiev (for brass band, Howarth) (track 22)
Pictures at an Exhibition: X. Two Jews, One Rich, the Other Poor (for Russian folk instruments, Boyashov) (track 16)
Pictures at an Exhibition: XI. Promenade (for Russian folk instruments, Boyashov) (track 17)
Pictures at an Exhibition: XII. Limoges. Market (for Russian folk instruments, Boyashov) (track 18)
Pictures at an Exhibition: XIII. Catacombs (for Russian folk instruments, Boyashov) (tracks 19–20)
Pictures at an Exhibition: XIV. Con mortuis in lingua mortua (for Russian folk instruments, Boyashov) (tracks 19–20)
Pictures at an Exhibition: XV. The Hut on Hen's Legs (for Russian folk instruments, Boyashov) (track 21)
Pictures at an Exhibition: XVI. The Great Gate of Kiev (for Russian folk instruments, Boyashov) (track 22)
Sonata no. 28 in A major, op. 101: I. Etwas lebhaft un mit der innigsten Empfindung (arr. David Matthews for String Quartet) (track 3)
Sonata no. 28 in A major, op. 101: II. Lebhaft. Marschmässig (arr. David Matthews for String Quartet) (track 4)
Sonata no. 28 in A major, op. 101: III. Langsam und sehnsuchtsvoll (arr. David Matthews for String Quartet) (track 5)
Sonata no. 28 in A major, op. 101: IV. Geschwind, doch nicht zu seht und mit Entschlossenheit (arr. David Matthews for String Quartet) (track 6)
The Great Gate of Kiev (for choir and orchestra, Gamley) (track 22)
is the basis for:
Quadri (tracks 10, 21–22)
The Chase (track 10)
later versions:
A Weakened Soul (track 7)
Ballet of the Chicks in Their Shells (Isao Tomita version) (track 15)
Catacombs (Isao Tomita version) (tracks 19–20)
Pictures at an Exhibition: The Great Gate at Kiev (unknown version) (track 22)
orchestrations:
Deux légendes, S. 113a: St. François d'Assise: la prédication aux oiseaux (for orchestra) (track 2)
Deux légendes, S. 175: St. François d'Assise: la prédication aux oiseaux (orchestrated by Mottl) (track 2)
Pictures at an Exhibition: I. Gnomus (orchestrated by Breiner) (track 8)
Pictures at an Exhibition: I. Gnomus (orchestrated by Funtek) (track 8)
Pictures at an Exhibition: II. Old Castle (orchestrated by Breiner) (track 10)
Pictures at an Exhibition: II. The Old Castle (orchestrated by Funtek) (track 10)
Pictures at an Exhibition: III. Tuileries (orchestrated by Funtek) (track 12)
Pictures at an Exhibition: III. Tuileries (orchestrated by Breiner) (track 12)
Pictures at an Exhibition: IV. Bydlo (orchestrated by Breiner) (track 13)
Pictures at an Exhibition: IV. Bydlo (orchestrated by Funtek) (track 13)
Pictures at an Exhibition: IX. The Hut on Fowl's Legs (orchestrated by Funtek) (track 21)
Pictures at an Exhibition: IX. The Hut on Fowl's Legs (Baba-Yaga) (orchestrated by Breiner) (track 21)
Pictures at an Exhibition: Promenade I (orchestrated by Breiner) (track 7)
Pictures at an Exhibition: Promenade I (orchestrated by Funtek) (track 7)
Pictures at an Exhibition: Promenade I (orchestrated by Ellison) (track 7)
Pictures at an Exhibition: Promenade II (orchestrated by Breiner) (track 9)
Pictures at an Exhibition: Promenade II (orchestrated by Funtek) (track 9)
Pictures at an Exhibition: Promenade III (orchestrated by Funtek) (track 11)
Pictures at an Exhibition: Promenade III (orchestrated by Breiner) (track 11)
Pictures at an Exhibition: Promenade IV (orchestrated by Funtek) (track 14)
Pictures at an Exhibition: Promenade IV (orchestrated by Breiner) (track 14)
Pictures at an Exhibition: Promenade V (orchestrated by Funtek) (track 17)
Pictures at an Exhibition: Promenade V (orchestrated by Slatkin) (track 17)
Pictures at an Exhibition: Promenade V (orchestrated by Breiner) (track 17)
Pictures at an Exhibition: V. Ballet of the Chickens in their Eggs (orchestrated by Funtek) (track 15)
Pictures at an Exhibition: V. Ballet of the Chickens in their Eggs (catch-all for unknown orchestrations) (track 15)
Pictures at an Exhibition: V. Ballet of the Chickens in their Shells (orchestrated by Breiner) (track 15)
Pictures at an Exhibition: VI. Samuel Goldenberg and Schmuyle (orchestrated by Funtek) (track 16)
Pictures at an Exhibition: VI. Samuel Goldenberg and Schmuyle (orchestrated by Breiner) (track 16)
Pictures at an Exhibition: VII. Limoges. Le marché (orchestrated by Funtek) (track 18)
Pictures at an Exhibition: VII. The Market-Place at Limoges (orchestrated by Breiner) (track 18)
Pictures at an Exhibition: VIII. Catacombae (sepulcrum romanum) - Cum mortuis in lingua morta (orchestrated by Breiner) (tracks 19–20)
Pictures at an Exhibition: VIIIa. Catacombae (orchestrated by Funtek) (tracks 19–20)
Pictures at an Exhibition: VIIIb. Con mortuis in lingua mortua (orchestrated by Funtek) (tracks 19–20)
Pictures at an Exhibition: X. The Great Gate at Kiev (orchestrated by Breiner) (track 22)
Pictures at an Exhibition: X. The Great Gate of Kiev (orchestrated by Funtek) (track 22)
Tableaux d'une exposition: Cum Mortuis in lingua mortua (orchestrated by Ravel) (tracks 19–20)
Tableaux d'une exposition: I. Gnomus (orchestrated by Ravel) (track 8)
Tableaux d'une exposition: II. Il vecchio castello (orchestrated by Ravel) (track 10)
Tableaux d'une exposition: III. Tuileries (orchestrated by Ravel) (track 12)
Tableaux d'une exposition: IV. Bydlo (orchestrated by Ravel) (track 13)
Tableaux d'une exposition: IX. La cabane sur des pattes de poules (Baba-Yaga) (orchestrated by Ravel) (track 21)
Tableaux d'une exposition: Promenade (orchestrated by Ravel, 3rd promenade) (track 11)
Tableaux d'une exposition: Promenade (orchestrated by Ravel, 2nd promenade) (track 9)
Tableaux d'une exposition: Promenade (orchestrated by Ravel, 4th promenade) (track 14)
Tableaux d'une exposition: Promenade (orchestrated by Ravel, 1st promenade) (track 7)
Tableaux d'une exposition: V. Ballet des poussins dans leurs coques (orchestrated by Ravel) (track 15)
Tableaux d'une exposition: VI. Samuel Goldenberg und Schmuyle (orchestrated by Ravel) (track 16)
Tableaux d'une exposition: VII. Limoges - le marché (orchestrated by Ravel) (track 18)
Tableaux d'une exposition: VIII. Catacombae (Sepulchrum romanum) (orchestrated by Ravel) (tracks 19–20)
Tableaux d'une exposition: X. La grande porte de Kiev (orchestrated by Ravel) (track 22)
part of:
Deux légendes, S. 175 (for piano) (track 2)
Sonata for Piano no. 28 in A major, op. 101 (movement) (tracks 3–6)
Pictures at an Exhibition (original piano version) (tracks 7–22)
partial recording of:
Pictures at an Exhibition: No. 8 "Catacombæ" (Sepulcrum romanum) and "Cum mortuis in lingua mortua" (original piano version) (2017-07) (tracks 19–20)
recording of:
Deux légendes, S. 175: St. François d'Assise: la prédication aux oiseaux (for piano) (2017-07) (track 2)
Piano Sonata, op. 1 (2017-07) (track 1)
Pictures at an Exhibition: No. 1 "Gnomus" (original piano version) (2017-07) (track 8)
Pictures at an Exhibition: No. 10 "Богатырскія ворота" (Въ стольномъ городѣ Кіевѣ) (original piano version) (2017-07) (track 22)
Pictures at an Exhibition: No. 2 "Il vecchio castello" (original piano version) (2017-07) (track 10)
Pictures at an Exhibition: No. 3 "Tuileries" (Dispute d'enfants après jeux) (original piano version) (2017-07) (track 12)
Pictures at an Exhibition: No. 4 "Bydło" (original piano version) (2017-07) (track 13)
Pictures at an Exhibition: No. 5 "Балетъ невылупившихся птенцовъ" [Balet nevylupivshikhsya ptentsov] (original piano version) (2017-07) (track 15)
Pictures at an Exhibition: No. 6 "Samuel" Goldenberg und "Schmuÿle" (original piano version) (2017-07) (track 16)
Pictures at an Exhibition: No. 7 "Limoges", le marché (La grande nouvelle) (original piano version) (2017-07) (track 18)
Pictures at an Exhibition: No. 9 "Избушка на курьихъ ножкахъ" (Баба-Яга) [Izbushka na kuryikh nozhkakh (Baba-Yagá)] (original piano version) (2017-07) (track 21)
Pictures at an Exhibition: Promenade (1st) (original piano version) (2017-07) (track 7)
Pictures at an Exhibition: Promenade (2nd) (original piano version, often called Promenade 5) (2017-07) (track 17)
Pictures at an Exhibition: [Untitled] (Interlude, Promenade theme, 1st) (original piano version, often called Promenade 2) (2017-07) (track 9)
Pictures at an Exhibition: [Untitled] (Interlude, Promenade theme, 2nd) (original piano version, often called Promenade 3) (2017-07) (track 11)
Pictures at an Exhibition: [Untitled] (Interlude, Promenade theme, 3rd) (original piano version, often called Promenade 4) (2017-07) (track 14)
Sonata for Piano no. 28 in A major, op. 101: I. Etwas lebhaft und mit der innigsten Empfindung. Allegretto ma non troppo (2017-07) (track 3)
Sonata for Piano no. 28 in A major, op. 101: II. Lebhaft, marschmäßig. Vivace alla marcia (2017-07) (track 4)
Sonata for Piano no. 28 in A major, op. 101: III. Langsam und sehnsuchtsvoll. Adagio, ma non troppo, con affeto (2017-07) (track 5)
Sonata for Piano no. 28 in A major, op. 101: IV. Geschwind, doch nicht zu sehr und mit Entschlossenheit. Allegro (2017-07) (track 6)