Tracklist

CD 1
# Title Artist Rating Length
1 Le quattro stagioni - Concerto in mi magg. RV 269 "La primavera" - Allegro
Antonio Vivaldi 3:06
2 Concerto brandeburghese n. 3 - Allegro
Johann Sebastian Bach 6:50
3 Sonata in do K 159
Domenico Scarlatti 2:24
4 Les Indes Galantes - Les sauvages - Air pour les Sauvages
Jean-Philippe Rameau 1:41
5 Canone e giga per tre violini e basso continuo in re magg. - Canone. Sostenuto - Giga. Scherzando
Johann Pachelbel 7:05
6 Herz un Mund und Tat und Leben BWV 147 - Seconda parte - Corale: "Jesus bleibet meine Freude"
Johann Sebastian Bach 3:32
7 Rinaldo - "Lascia ch'io pianga"
Georg Friedrich Händel 4:14
8 Concerto per clavicembalo e archi in fa min. BWV1056 - Largo
Johann Sebastian Bach 2:51
9 Concerto per due violini archi e clavicembalo in la min. - Allegro
Antonio Vivaldi 3:55
10 Suite inglese n. 3 in sol min. BWV 808 - Gavotta I alternativamente e Gavotta II o la Musette
Johann Sebastian Bach 3:23
11 Suite n. 4 in re min. HW 437 - Sarabanda
Georg Friedrich Händel 3:38
12 Orchestral suite n. 2 - Badinerie
Johann Sebastian Bach 1:34
13 Adagio
Tomaso Giovanni Albinoni 7:19
14 Toccata in la
Pietro Domenico Paradisi 1:30
15 Concerto per violino, oboe, archi e basso continuo in do min. BWV 1060 - Adagio
Johann Sebastian Bach 5:22
16 Concerto per due mandolini in sol magg. RV 532 - Allegro
Antonio Vivaldi 4:02
17 Concerto per la notte di Natale - Allegro, Pastorale. Largo
Arcangelo Corelli 6:04
18 Messiah - Coro: Halleluja
Georg Friedrich Händel 3:57
CD 2
# Title Artist Rating Length
1 Overture in re magg. - BWV 1068 - Aria sulla IV corda
Johann Sebastian Bach 5 6:03
2 "L'estro armonico" - RV 580 - Concerto per quattro violini op. 3 n. 10 in si min. - Allegro
Antonio Vivaldi 5 3:39
3 Concerto per flauto in sol magg. - Presto
Johann Joachim Quantz 3:59
4 Concerto per organo - "Il cucù e l'usignolo" - Allegro
Georg Friedrich Händel 3:14
5 Suite francese n. 5 in sol magg. BWV 816 - Allemanda
Johann Sebastian Bach 2:36
6 Concerto in do magg. RV 443 - Allegro
Antonio Vivaldi 3:37
7 Concerto a cinque per oboe solo e archi op. 9 n. 2 in re min. - Adagio
Tomaso Giovanni Albinoni 4:01
8 L'arte della Fuga BWV 1080 - Contrappunto 1
Johann Sebastian Bach 2:59
9 Les Folies d'Espagne
Jean‐Baptiste Lully 2:53
10 Concerto a quattro op. 8 n. 6 in sol min. - Grave. Vivace
Giuseppe Torelli 3:49
11 Concerto per liuto in re magg. - Largo
Antonio Vivaldi 5:05
12 Concerto per violino, archi e basso continuo in la min. BWV 1041
Johann Sebastian Bach 5 4:03
13 Le coucou
Louis-Claude Daquin 2:01
14 Didone ed Enea - "Thy hand Belinda - When I am laid in earth"
Henry Purcell 4:33
15 Le bourgeois gentilhomme - Marche pour la cérémonie des Turcs
Jean‐Baptiste Lully 2:47
16 Concerto italiano in fa magg. - BWV 971 - Allegro
Johann Sebastian Bach 3:12
17 Orfeo ed Euridice - "Che farò senza Euridice"
Christoph Willibald Gluck 4:26
18 Passione S. Matteo BWV 244 - Coro: "Kommt, ihr Töchter, helft mir klagen"
Johann Sebastian Bach 5 9:18
CD 3
# Title Artist Rating Length
1 Te Deum - Preludio
Marc‐Antoine Charpentier 1:21
2 Serse in fa magg. - Largo
Georg Friedrich Händel 2:57
3 Il clavicembalo ben temperato - Libro I - Preludio e Fuga in do magg. BWV 846 - Preludio
Johann Sebastian Bach 2:34
4 Le quattro stagioni op. 8 - Concerto n. 4 in fa min. RV 297 "L'inverno" - Largo
Antonio Vivaldi 2:27
5 Sonata n.5 in do - Andante
Baldassare Galuppi 7:51
6 Concerto per due violini archi e basso continuo in re min. BWV 1043 - Largo ma non tanto
Johann Sebastian Bach 7:33
7 Capriccio sopra la Battaglia
Girolamo Frescobaldi 3:03
8 Musica da tavola - Quartetto in sol magg. - Vivace
Georg Philipp Telemann 2:29
9 Variazioni Goldberg BWV 988 - Aria
Johann Sebastian Bach 4:49
10 Concerto per flauto "La tempesta di mare" - Allegro
Antonio Vivaldi 2:45
11 Stabat Mater per soprano, contralto, archi e basso continuo - Duetto. Grave - "Stabat Mater dolorosa"
Giovanni Battista Pergolesi 4:39
12 Stabat Mater per soprano, contralto, archi e basso continuo - Duetto. Allegro - "Fac, ut ardeat cor meum"
Giovanni Battista Pergolesi 2:43
13 Concerto in fa magg. - Réjouissanc
Johann David Heinichen 1:24
14 Vespro della Beata Vergine - Deus in auditorium, Domine ad adiuvandum
Claudio Monteverdi 2:12
15 Concerto per oboe d'amore archi e basso continuo in la magg. BWV 1055 - Allegro ma non tanto
Johann Sebastian Bach 4:52
16 Fandango in re min.
Padre Antonio Soler 13:00
17 Concerto op. 10 n. 2 "La notte" per flauto, archi e clavicembalo in sol mi. RV 439 - Il sonno: Largo. Allegro
Antonio Vivaldi 3:40
18 Salomone - Atto III - "L'arrivo della Regina di Saba" in si bem. magg. HWV 67
Georg Friedrich Händel 3:06
CD 4
# Title Artist Rating Length
1 Le quattro stagioni op. 8 - Concerto n. 3 in fa magg. RV 293 "L'autunno" - Allegro (La caccia)
Antonio Vivaldi 3:34
2 Suite n. 1 per violoncello in sol magg. BWV 1007 - Preludio
Johann Sebastian Bach 2:40
3 Sonata in si bem. magg. BuxWV 273 - Giga
Dietrich Buxtehude 1:17
4 Suite per clavicembalo in la min. - La Piemontese
François Couperin 1:47
5 Musica per i fuochi d'artificio reali HWV 351 - La Réjouissance. Allegro
Georg Friedrich Händel 3:06
6 Minuetto in sol magg. BWV App. 114
Johann Sebastian Bach 1:26
7 Stabat mater per contralto, archi e basso continuo RV 621
Antonio Vivaldi 3:21
8 Battalia a 10 - Sonata. Allegro
Heinrich Ignaz Franz von Biber 0:59
9 Oratorio di Natale BWV 248
Johann Sebastian Bach 3:19
10 Sonata op. 1 n. 4 "Il trillo del diavolo" in sol min. - Allegro
Giuseppe Tartini 2:55
11 Concerto per due trombe archi e clavicembalo in do magg. RV 537
Antonio Vivaldi 3:04
12 Orfeo ed Euridice - Danza degli spiriti beati
Christoph Willibald Gluck 6:46
13 Toccata e Fuga "Dorica" BWV 538 - Toccata
Johann Sebastian Bach 5:18
14 Concerto per tromba e orchestra d'archi in re magg. - Allegro
Giuseppe Torelli 2:34
15 Sinfonia in si bem magg. - Allegro
William Boyce 1:58
16 Magnificat BWV 243 - Coro: "Magnificat"
Johann Sebastian Bach 3:14
17 Concerto op. 10 n. 3 per flauto "Il gardellino" in re magg. RV 428 - Cantabile
Antonio Vivaldi 2:49
18 La Poule
Jean-Philippe Rameau 2:58
19 Sonata da concerto per tromba, archi e clavicembalo in re magg. - Moderato e grazioso
Georg Philipp Telemann 3:19
20 Partita per violino solo n. 2 in re min. BWV 1004 - Ciaccona
Johann Sebastian Bach 14:21
CD 5
# Title Artist Rating Length
1 Musica per il funerale della Regina Maria - Marcia per il funerale della regina (processione)
Henry Purcell 2:25
2 Toccata e fuga in re min. - Toccata. Fuga
Johann Sebastian Bach 8:24
3 Suite in re magg. HWV 349 - Alla Hornpipe
Georg Friedrich Händel 2:44
4 Concerto "Alla rustica" in sol magg. RV 151 - Presto
Antonio Vivaldi 1:07
5 Wache auf, ruft uns die Stimme BWV 140 - Corale (tenore) "Zion hört die Wächter singen"
Johann Sebastian Bach 5:59
6 Abdelazer - Rondò
Henry Purcell 1:37
7 Concerto per clavicembalo e orchestra in sol min. - Vivace
Thomas Arne 4:31
8 Nulla in mundo pax sincera RV 630
Antonio Vivaldi 2:49
9 Concerto per oboe in re min. - Adagio
Alessandro Marcello 4:24
10 Suite inglese n. 2 in la min. BWV 807
Johann Sebastian Bach 4:04
11 Les elémens - Suite per orchestra - Tambourins I & II
Jean‐Féry Rebel 1:42
12 Le carillon Cithère
François Couperin 2:21
13 Concerto per violoncello archi e basso con3tinuo in la magg. WQ 172 - Largo con sordini, mesto
Carl Philipp Emanuel Bach 7:37
14 Quintetto per archi in mi magg. G 281
Luigi Boccherini 3:22
15 Invenzione a tre voci BWV 787-801 - Invenzione n. 2 in do min.
Johann Sebastian Bach 2:12
16 Le quattro stagioni op. 8 concerto RV 315 in sol min. "L'estate" - Presto (Tempo impetuoso d'estate)
Antonio Vivaldi 2:46
17 Zadok the priest (Inno d'incoronazione n. 1 HWV 258) - "Zadok the Priest", "And all the people rejoic'd", "God save the King"
Georg Friedrich Händel 6:04
18 Concerto brandeburghese n. 2 in fa magg. BWV 1047 - Allegro
Johann Sebastian Bach 5:26
19 Gloria per soli, coro e orchestra in re magg. RV 589 - "Gloria in excelsis Deo" (Allegro)
Antonio Vivaldi 2:21

Credits

CD 1

premiered in:
Leipzig, Sachsen, Germany (1723-07-02) (track 6)
recorded in:
Rome, Roma, Italy (1965-03-04) (track 3)
London, England, United Kingdom (1982-06) (track 15)
violin:
David Oistrakh (1961-03) (track 9)
Igor Oistrakh (1961-03) (track 9)
Monica Huggett (1978-06) (track 12)
Simon Standage (1978-06) (track 12)
Gidon Kremer (1980-02) (track 1)
Gidon Kremer (1982-06) (track 15)
Eriko Sato (violinist) (1989-04) (track 13)
Naoko Tanaka (1989-04) (track 17)
Eric Wyrick (1989-04) (track 17)
cello:
Anthony Pleeth (1978-06) (track 12)
Eric Bartlett (1989-04) (track 17)
oboe:
Heinz Holliger (1982-06) (track 15)
viola:
Trevor Jones (British violist, ex. Salomon Quartet) (1978-06) (track 12)
mandolin:
Robin Jeffrey (1985-10) (track 16)
James Tyler (1985-10) (track 16)
organ:
Leslie Pearson (1980-02) (track 1)
Edward Brewer (1989-04) (track 13)
double bass:
Richard Webb (cellist) (1978-06) (track 12)
piano:
Arturo Benedetti Michelangeli (1965-03-04) (track 3)
András Schiff (1988-01) (track 10)
harpsichord:
George Malcolm (English harpsichordist, conductor) (track 14)
Edith Picht‐Axenfeld (1964-08-17 – 1964-08-24) (track 2)
Trevor Pinnock (1978-06) (track 12)
Trevor Pinnock (1981-02) (track 8)
Frank Maus (1983-09-28 – 1983-09-30) (track 5)
Edward Brewer (1989-04) (track 17)
violone:
Richard Webb (cellist) (1978-06) (track 12)
transverse flute:
Stephen Preston (1978-06) (track 12)
arranger:
Max Seiffert (track 5)
balance engineer:
Andreas Neubronner (engineer/producer) (track 17)
Hans-Peter Schweigmann (tracks 1, 16)
Günter Hermanns (producer/engineer) (1964-08-17 – 1964-08-24) (track 2)
Günter Hermanns (producer/engineer) (1983-09-28 – 1983-09-30) (track 5)
Andreas Neubronner (engineer/producer) (1989-04) (track 13)
Dick van Schuppen (1992-10) (track 4)
choir vocals:
Münchener Bach‐Chor (1961-07) (track 6)
The English Concert Choir (1988-01) (track 18)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (tracks 2, 8, 10, 10, 12, 15)
Arcangelo Corelli (tracks 17, 17)
Remo Giazotto (track 13)
George Frideric Handel (German‐British baroque composer) (track 11)
Johann Pachelbel (track 5)
Jean‐Philippe Rameau (French composer of the Baroque era) (track 4)
Domenico Scarlatti (track 3)
Antonio Vivaldi (tracks 9, 16)
George Frideric Handel (German‐British baroque composer) (1711) (track 7)
Johann Sebastian Bach (German Baroque period composer & musician) (1723) (track 6)
Antonio Vivaldi (1723) (track 1)
George Frideric Handel (German‐British baroque composer) (1741) (track 18)
concertmaster:
Trevor Pinnock (1981-02) (track 8)
conductor:
David Oistrakh (1961-03) (track 9)
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (1961-07) (track 6)
Herbert von Karajan (1964-08-17 – 1964-08-24) (track 2)
Trevor Pinnock (1978-06) (track 12)
Claudio Abbado (1980-02) (track 1)
Heinz Holliger (1982-06) (track 15)
Herbert von Karajan (1983-09-28 – 1983-09-30) (track 5)
Trevor Pinnock (1985-10) (track 16)
Trevor Pinnock (1988-01) (track 18)
Frans Brüggen (1992-10) (track 4)
engineer:
Henk Jansen (1992-10) (track 4)
executive producer:
Dr. Steven Paul (Classical arranger/producer for Deutsche Grammophon) (tracks 13, 17)
librettist:
Giacomo Rossi (track 7)
orchestra:
Royal Philharmonic Orchestra (1961-03) (track 9)
Munich Bach Orchestra (1961-07) (track 6)
Berliner Philharmoniker (1964-08-17 – 1964-08-24) (track 2)
The English Concert (1978-06) (track 12)
London Symphony Orchestra (1980-02) (track 1)
The English Concert (1981-02) (track 8)
Academy of St Martin in the Fields (1982-06) (track 15)
Berliner Philharmoniker (1983-09-28 – 1983-09-30) (track 5)
The English Concert (1985-10) (track 16)
The English Concert (1988-01) (track 18)
Orpheus Chamber Orchestra (US orchestra) (1989-04) (tracks 13, 17)
Orchestra of the 18th Century (1992-10) (track 4)
previously attributed to:
Tomaso Giovanni Albinoni (Italian Baroque composer) (track 13)
producer:
Rainer Brock (track 1)
Wolf Erichson (engineer/producer) (tracks 13, 17)
Anthony Freud (track 4)
Michel Glotz (track 5)
Hans Hickmann (track 6)
Gerd Ploebsch (track 16)
Sieuwert Verster (track 4)
Hans Weber (producer/engineer) (track 2)
soprano vocals:
Kiri Te Kanawa (track 7)
vocals:
Münchener Bach‐Chor (1961-07) (track 6)
phonographic copyright by:
Polydor International GmbH (not for release label use!) (1964) (track 6)
publisher:
Ricordi London (Casa Ricordi sublabel for Classical music) (track 13)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent, London, England, United Kingdom (1961-03) (track 9)
Herkulessaal in Munich, Bayern, Germany (1961-07) (track 6)
Münster zu Heilsbronn in Heilsbronn, Bayern, Germany (1961-07) (track 6)
Victoria Konzertsaal in St. Moritz, Graubünden, Switzerland (1964-08-17 – 1964-08-24) (track 2)
Henry Wood Hall (London) in London, England, United Kingdom (1978-06) (track 12)
Henry Wood Hall (London) in London, England, United Kingdom (1981-02) (track 8)
Berliner Philharmonie in Berlin, Germany (1983-09-28 – 1983-09-30) (track 5)
Performing Arts Center (Purchase College) in Purchase, Harrison, New York, United States (1989-04) (tracks 13, 17)
Muziekcentrum Vredenburg (old venue, closed 2008) in Utrecht, Utrecht, Netherlands (1992-10) (track 4)
part of:
arrangement of:
arrangements:
"Jesus bleibet meine Freude" from Cantata, BWV 147 (for piano, Chuquisengo) (track 6)
Adagio for Strings and Organ in G minor (catch all for arrangements) (track 13)
Adagio of the Sky (track 13)
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. (for piano, Friedman) (track 2)
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. (Allegro) (catch-all for arrangements) (track 2)
Cold is Being (track 13)
Concerto for Flute in A minor, BWV1056: II. Largo (arrangement of keyboard concerto) (track 8)
Concerto for Violin & Oboe in D minor, BWV 1060R: II. Adagio (catch all for arrangements) (track 15)
Englische Suite Nr. 3 g-Moll, BWV 808: V. Gavotte I (catch all for arrangements) (track 10)
Gavotte I (from English Suite No. 3, BWV 808) (for violin and piano, arr. Heifetz) (track 10)
Gavotte II (Musette) (from English Suite No. 3, BWV 808) (for violin and piano, arr. Heifetz) (track 10)
Jesu, Joy of Man's Desire, from BWV 147 (for piano, Myra Hess) (track 6)
Jesu, Joy of Man's Desiring (for band, Reed) (track 6)
Jesu, Joy of Men's Desiring (Sportiello arrangement) (track 6)
Jesu, bleibet meine Freunde (Jesu, Joy of Man’s Desiring) (arr. for piano by Richard Tilling) (track 6)
Jesus bleibet meine Freude (for organ, Duruflé) (track 6)
Jesus bleibet meine Freude (for trumpet and organ, Alain) (track 6)
Jesus bleibet meine Freude, BWV 147 (arr. Wilhelm Kempff for piano) (track 6)
Kantate, BWV 147 "Herz und Mund und Tat und Leben": Teil II, X. Choral "Jesus bleibet meine Freude" (Jesu, Joy of Mans Desiring; catch-all for arrangements) (track 6)
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (catch-all for arrangements) (track 12)
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (for piano 4 hands, Reger) (track 12)
Three Chorales: Jesu, Joy of Man‘s Desiring (Milko Kelemen arrangement) (track 6)
Toccata (for violin and piano, arr. Heifetz) (track 14)
is the basis for:
Adagio (track 13)
Anytime, Anywhere (track 13)
Ecos (track 6)
Lady Lynda (track 6)
Peace Planet (track 12)
later parody versions:
later translated versions:
orchestrations:
Arioso form Keyboard Concerto no. 5 in F minor, BWV 1056 (Stokowski orchestration) (track 8)
Jesu, Joy of Man’s Desiring, BWV 147/10 (Stokowski orchestration) (track 6)
part of:
Concerto for Violin & Oboe in C minor, BWV 1060R (reconstructed arrangement of the concerto for harpsichord and strings) (track 15)
Sonata no. 6 (track 14)
Englische Suite Nr. 3 g-Moll, BWV 808 (movement) (tracks 10, 10)
parts:
Canon and Gigue in D major: I. Canon (arr. Max Seiffert) (track 5)
Canon and Gigue in D major: II. Gigue (arr. Max Seiffert) (track 5)
recording of:
Sonata no. 6: II. Allegro (Toccata in A) (track 14)
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. Allegro (1964-08-17 – 1964-08-24) (track 2)
Concerto for Violin & Oboe in C minor, BWV 1060R: II. Adagio (reconstructed arrangement for violin & oboe of BWV 1060) (1982-06) (track 15)
Canon and Gigue in D major, T. 377 (arr. Max Seiffert) (1983-09-28 – 1983-09-30) (track 5)
referred to in medleys:
Hooked on Bach (tracks 2, 12)

CD 2

violin:
David Oistrakh (1962-06) (track 12)
Thomas Brandis (1970-08-19 – 1970-08-23) (track 10)
Emil Maas (1970-08-19 – 1970-08-23) (track 10)
Reinhard Goebel (1984-06) (track 8)
Guillermo Figueroa (1989-04) (track 2)
Liang-Ping How (1989-04) (track 2)
Joanna Jenner (1989-04) (track 2)
Eriko Sato (violinist) (1989-04) (track 2)
cello:
Ottomar Borwitzky (1970-08-19 – 1970-08-23) (track 10)
Phoebe Carrai (1984-06) (track 8)
Eric Bartlett (1989-04) (track 2)
oboe:
David Reichenberg (1984-06) (track 7)
viola:
Hajo Bäß (1984-06) (track 8)
Karlheinz Steeb (1984-06) (track 8)
classical guitar:
Göran Söllscher (classical guitarist) (1984-09) (track 11)
flute:
organ:
David Bell (organist) (1983-09-28 – 1983-09-30) (track 1)
Simon Preston (organist, conductor, composer) (1984) (track 4)
piano:
Alexis Weissenberg (1987-08) (track 16)
Andrei Gavrilov (1993-10) (track 5)
harpsichord:
Trevor Pinnock (track 13)
Georg Fischer (1962-06) (track 12)
Waldemar Döling (1970-08-19 – 1970-08-23) (track 10)
Wolfgang Meyer (organist, harpsichordist) (1970-08-19 – 1970-08-23) (track 10)
Trevor Pinnock (1984) (track 4)
Edward Brewer (1989-04) (track 2)
sopranino recorder:
Michael Copley (1984-09) (track 6)
balance engineer:
Andreas Neubronner (engineer/producer) (track 2)
Günter Hermanns (producer/engineer) (1962-06) (track 12)
Günter Hermanns (producer/engineer) (1970-08-19 – 1970-08-23) (track 10)
Günter Hermanns (producer/engineer) (1971-12-14 – 1972-11-01) (track 18)
Günter Hermanns (producer/engineer) (1983-09-28 – 1983-09-30) (track 1)
Hans-Peter Schweigmann (1984-09) (tracks 6, 11)
choir vocals:
Chor der Deutschen Oper Berlin (1972-01) (track 18)
Staats‐ und Domchor Berlin (1972-01) (track 18)
Wiener Singverein (1972-01) (track 18)
chorus master:
Helmuth Froschauer (1972-01) (track 18)
Walter Hagen-Groll (chorus master) (1972-01) (track 18)
Karl-Heinz Kaiser (1972-01) (track 18)
composer:
Tomaso Giovanni Albinoni (Italian Baroque composer) (track 7)
Johann Sebastian Bach (German Baroque period composer & musician) (tracks 5, 8, 12, 18)
Louis-Claude Daquin (track 13)
George Frideric Handel (German‐British baroque composer) (track 4)
Henry Purcell (baroque composer) (track 14)
Giuseppe Torelli (track 10)
Antonio Vivaldi (tracks 2, 6, 11)
Henry Purcell (baroque composer) (1689) (track 14)
Johann Sebastian Bach (German Baroque period composer & musician) (1730) (track 1)
Johann Sebastian Bach (German Baroque period composer & musician) (1735) (track 16)
concertmaster:
Thomas Füri (1984-09) (track 6)
conductor:
Piero Gamba (track 17)
Reinhard Goebel (tracks 9, 15)
Jacques Roussel (track 3)
David Oistrakh (1962-06) (track 12)
Herbert von Karajan (1970-08-19 – 1970-08-23) (track 10)
Herbert von Karajan (1971-12-14 – 1972-11-01) (track 18)
Herbert von Karajan (1983-09-28 – 1983-09-30) (track 1)
Trevor Pinnock (1984) (track 4)
Reinhard Goebel (1984-06) (track 8)
Trevor Pinnock (1984-06) (track 7)
Thomas Füri (1984-09) (tracks 6, 11)
Trevor Pinnock (1988) (track 14)
editor:
Hans-Rudolf Müller (track 11)
Gregor Zielinsky (Balance engineer) (track 11)
executive producer:
Günther Breest (track 1)
Dr. Steven Paul (Classical arranger/producer for Deutsche Grammophon) (track 2)
librettist:
Picander (track 18)
Nahum Tate (tracks 14, 14)
mezzo-soprano vocals:
Anne Sofie von Otter (1988) (track 14)
orchestra:
Musica Antiqua Köln (tracks 9, 15)
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (track 17)
Vienna Symphony Orchestra (1962-06) (track 12)
Berliner Philharmoniker (1970-08-19 – 1970-08-23) (track 10)
Berliner Philharmoniker (1971-12-14 – 1972-11-01) (track 18)
Berliner Philharmoniker (1983-09-28 – 1983-09-30) (track 1)
The English Concert (1984) (track 4)
The English Concert (1984-06) (track 7)
Musica Antiqua Köln (1984-06) (track 8)
Camerata Bern (1984-09) (tracks 6, 11)
The English Concert (1988) (track 14)
Orpheus Chamber Orchestra (US orchestra) (1989-04) (track 2)
producer:
Wolf Erichson (engineer/producer) (track 2)
Michel Glotz (track 1)
Wolfgang Lohse (track 12)
Dr. Steven Paul (Classical arranger/producer for Deutsche Grammophon) (tracks 6, 11)
Gerd Ploebsch (tracks 6–7)
Hans Weber (producer/engineer) (tracks 10, 18)
recording engineer:
Hans-Peter Schweigmann (1984-06) (track 7)
tenor vocals:
Luciano Pavarotti (track 17)
recorded at:
Konzerthaus: Mozartsaal in Wien, Austria (1962-06) (track 12)
Mozarteum: Großer Saal in Salzburg, Salzburg, Austria (1962-06) (track 12)
Französische Kirche (St. Moritz) in St. Moritz, Graubünden, Switzerland (1970-08-19 – 1970-08-23) (track 10)
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (1971-12-14 – 1972-11-01) (track 18)
Berliner Philharmonie in Berlin, Germany (1983-09-28 – 1983-09-30) (track 1)
Henry Wood Hall (London) in London, England, United Kingdom (1984-06) (track 7)
Studio Radio DRS in Bern, Bern, Switzerland (1984-09) (tracks 6, 11)
Performing Arts Center (Purchase College) in Purchase, Harrison, New York, United States (1989-04) (track 2)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/1) (track 8)
arrangements:
Air on a G String (Guitar + modern ensemble arr. Myers) (track 1)
Air on the G String (for cello and orchestra, arr. Cullen) (track 1)
Air on the G String (for violin & piano, arr. Wilhelmj) (track 1)
Concerto for Lute in D major, RV 93: II. Largo (catch-all for arrangements) (track 11)
Concerto for Lute in D major, RV 93: II. Largo (for guitar and orchestra, arr. Romero) (track 11)
Concerto for Lute in D major, RV 93: II. Largo (for guitar and orchestra, arr. Malipiero) (track 11)
Concerto for Oboe in D minor, op. 9 no. 2: II. Adagio (arr. trumpet & organ: Marie-Claire Alain) (track 7)
Contrapunctus I (for choir, Schnebel) (track 8)
Die Kunst der Fuge, BWV 1080: I. Contrapunctus 1 (catch all for arrangements) (track 8)
Französische Suite Nr. 5 G-dur, BWV 816: I. Allemande (catch all for arrangements) (track 5)
Italienisches Konzert F-Dur, BWV 971: I. Allegro (catch-all for arrangements) (track 16)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (for violin and piano, arr. Windsperger) (track 1)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (for piano, Siloti) (track 1)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (for piano 4 hands, Reger) (track 1)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (catch-all for unknown versions/arrangements) (track 1)
Orchestersuite no. 3 D-dur, BWV 1068: II. Air (arr. Nigel Kennedy, John Lenehan) (track 1)
Solo Amore (track 1)
Violin Concerto in A minor, BWV 1041: I. Allegro (catch-all for arrangements) (track 12)
Vivace (track 12)
is the basis for:
Again (track 18)
Bach Aire (track 1)
Sweetest Love (track 1)
later translated versions:
later versions:
Remember Me (track 14)
orchestrations:
Aria from Overture no. 3, BWV 1068 ("Air on the G-string", Stokowski orchestration) (track 1)
Dido's Lament (track 14)
Die Kunst der Fuge, BWV 1080: I. Contrapunctus 1 (orch. Barshai, early version) (track 8)
part of:
Concerto for Lute in D major, RV 93 (movement) (track 11)
Dido and Aeneas, Z. 626: Act III (number) (tracks 14, 14)
recording of:
Che farò senza Euridice (excerpt from “Orfeo ed Euridice”, act 3) (track 17)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (1983-09-28 – 1983-09-30) (track 1)
referred to in medleys:
Hooked on Romance (track 1)
Suite (track 14)

CD 3

recorded in:
Rome, Roma, Italy (1965) (track 5)
Cremona, Cremona, Italy (1987-09) (track 4)
violin:
David Oistrakh (1961-02) (track 6)
Igor Oistrakh (1961-02) (track 6)
Salvatore Accardo (1987-09) (track 4)
oboe:
Randall Wolfgang (1989-04) (track 2)
flute:
Andreas Blau (1983-09-28 – 1983-09-30) (track 17)
Patrick Gallois (1992-12) (track 10)
organ:
Leslie Pearson (1983-12) (tracks 11–12)
piano:
harpsichord:
Rafael Puyana (track 16)
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (track 15)
Helmut Walcha (track 3)
George Malcolm (English harpsichordist, conductor) (1961-02) (track 6)
Frank Maus (1983-09-28 – 1983-09-30) (track 17)
Edward Brewer (1989-04) (track 2)
oboe d'amore:
Manfred Clement (track 15)
balance engineer:
Hans Lauterslager (track 4)
Andreas Neubronner (engineer/producer) (track 2)
Harald Baudis (1961-02) (track 6)
Günter Hermanns (producer/engineer) (1983-09-28 – 1983-09-30) (track 17)
Klaus Hiemann (1983-12) (tracks 11–12)
Hans-Peter Schweigmann (1984-03) (track 18)
Andrew Wedman (producer and engineer) (1992-09) (track 9)
Andreas Neubronner (engineer/producer) (1992-12) (track 10)
choir vocals:
Regensburger Domspatzen (Regensburg Cathedral Choir) (track 14)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (tracks 9, 15)
Baldassare Galuppi (track 5)
George Frideric Handel (German‐British baroque composer) (track 2)
Claudio Monteverdi (track 14)
Giovanni Battista Pergolesi (tracks 11–12)
Padre Antonio Soler (track 16)
Antonio Vivaldi (tracks 10, 17, 17, 17, 17)
Girolamo Frescobaldi (1637) (track 7)
Johann Sebastian Bach (German Baroque period composer & musician) (1722) (track 3)
Antonio Vivaldi (1723) (track 4)
Johann Sebastian Bach (German Baroque period composer & musician) (1730 – 1731) (track 6)
George Frideric Handel (German‐British baroque composer) (1748) (track 18)
conductor:
Reinhard Goebel (tracks 8, 13)
Sir Eugene Goossens (1961-02) (track 6)
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (1980-06) (track 15)
Herbert von Karajan (1983-09-28 – 1983-09-30) (track 17)
Claudio Abbado (1983-12) (tracks 11–12)
Trevor Pinnock (1984-03) (track 18)
Marc Minkowski (1997-03) (track 1)
contralto vocals:
Lucia Valentini Terrani (1983-12) (tracks 11–12)
editor:
Stephan Flock (track 1)
Fiona Gale (track 4)
Albert Kos (engineer/editor) (track 4)
engineer:
Roger de Schot (track 4)
Gregor Zielinsky (Balance engineer) (track 1)
executive producer:
Dr. Peter Czornyj (track 1)
Dr. Steven Paul (Classical arranger/producer for Deutsche Grammophon) (track 2)
orchestra:
Musica Antiqua Köln (tracks 8, 13)
Royal Philharmonic Orchestra (1961-02) (track 6)
Münchener Bach‐Orchester (1980-06) (track 15)
Berliner Philharmoniker (1983-09-28 – 1983-09-30) (track 17)
London Symphony Orchestra (1983-12) (tracks 11–12)
The English Concert (1984-03) (track 18)
Orpheus Chamber Orchestra (US orchestra) (1989-04) (track 2)
Orpheus Chamber Orchestra (US orchestra) (1992-12) (track 10)
Les Musiciens du Louvre (1997-03) (track 1)
producer:
Alison Ames (track 10)
Rainer Brock (tracks 11–12)
Wolf Erichson (engineer/producer) (track 2)
Christian Gansch (track 10)
Michel Glotz (track 17)
Werner Mayer (classical producer) (track 9)
Gerd Ploebsch (tracks 15, 18)
Arend Prohmann (track 1)
Erik Smith (British producer, pianist and harpsichordist) (track 4)
Hans Weber (producer/engineer) (track 6)
Roger Wright (pianist) (track 10)
recording engineer:
Jürgen Bulgrin (track 1)
Hans-Peter Schweigmann (1984-03) (track 18)
solo piano:
Andrei Gavrilov (1992-09) (track 9)
soprano vocals:
Margaret Marshall (Scots soprano active in late 20th century) (1983-12) (tracks 11–12)
phonographic copyright by:
Philips Digital Classics (this may likely be a series than an actual label) (1988) (track 4)
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (1993) (track 9)
publisher:
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent, London, England, United Kingdom (1961-02) (track 6)
Herkulessaal in Munich, Bayern, Germany (1980-06) (track 15)
Berliner Philharmonie in Berlin, Germany (1983-09) (track 17)
Berliner Philharmonie in Berlin, Germany (1983-09-28 – 1983-09-30) (track 17)
Kingsway Hall in London, England, United Kingdom (1983-12) (tracks 11–12)
Henry Wood Hall (London) in London, England, United Kingdom (1984-03) (track 18)
Performing Arts Center (Purchase College) in Purchase, Harrison, New York, United States (1989-04) (track 2)
Performing Arts Center (Purchase College) in Purchase, Harrison, New York, United States (1992-12) (track 10)
part of:
Frescobaldi Thematic Catalogue Online (number: F 2.31) (track 7)
arrangement of:
arrangements:
BWV 1043: II. Largo ma non tanto (catch all for arrangements) (track 6)
Bach Lullaby (track 3)
Concerto in A major, BWV 1055R: III. Allegro ma non tanto (catch-all for arrangements) (track 15)
Fandango in D minor (catch-all for arrangements) (track 16)
Goldberg-Variationen, BWV 988: Aria (catch-all for arrangements) (track 9)
has revision:
is the basis for:
Ave Maria (Bach/Gounod) (track 3)
later versions:
part of:
Te Deum, H. 146 (track 1)
Vespro della Beata Vergine, SV 206 (for chorus & instruments) (track 14)
Concerto in G minor, op. 10 no. 2, RV 439 "La notte" (movement) (tracks 17, 17, 17, 17)
recording of:
Serse, HWV 40: Atto I. Arioso "Ombra mai fù" (catch-all for arrangements) (1989-04) (track 2)
Te Deum, H. 146: Prélude (1997-03) (track 1)
referred to in medleys:

CD 4

composed in:
Leipzig, Sachsen, Germany (1728 – 1731) (track 16)
Leipzig, Sachsen, Germany (1734 – 1735) (track 9)
premiered in:
Leipzig, Sachsen, Germany (1733-07-02) (track 16)
recorded in:
Vevey, Vaud, Switzerland (1968-06) (track 17)
Cremona, Cremona, Italy (1987-09) (track 1)
violin:
Arthur Grumiaux (Belgian violinist) (track 10)
Henryk Szeryng (1967-07) (track 20)
Salvatore Accardo (1987-09) (track 1)
cello:
Mischa Maisky (cellist) (1984-10) (track 2)
trumpet:
Maurice André (French trumpeter) (1976-05) (track 11)
Maurice André (French trumpeter) (1976-09) (tracks 14, 19)
pipe organ:
Ton Koopman (conductor, organist and harpsichordist) (1983-06) (track 13)
flute:
Severino Gazzelloni (1968-06) (track 17)
Karlheinz Zöller (1983-09-28 – 1983-09-30) (track 12)
organ:
Hedwig Bilgram (tracks 11, 14)
Trevor Pinnock (1995-11) (track 7)
piano:
Riccardo Castagnone (track 10)
Carl Seemann (track 6)
harpsichord:
Alan Curtis (harpsichordist, musicologist, and conductor) (track 4)
Maurits Sillem (1976-05) (track 11)
Maurits Sillem (1976-09) (track 19)
harpsichord [Cembalo]:
Henk Bouman (1980-08) (track 3)
arranger:
Ray Farr (conductor, arranger) (track 13)
balance engineer:
Hans Lauterslager (track 1)
Klaus Scheibe (editor/engineer) (track 8)
Hans-Peter Schweigmann (1965-02 – 1965-06) (track 9)
Günter Hermanns (producer/engineer) (1975-02-21 – 1979-02-21) (track 16)
Heinz Wildhagen (1976-05) (track 11)
Heinz Wildhagen (1976-09) (track 14)
Wolfgang Mitlehner (harpsichord) (1980-08) (track 3)
Günter Hermanns (producer/engineer) (1983-09-28 – 1983-09-30) (track 12)
Stephan Schellmann (engineer) (1990-12) (track 5)
choir vocals:
Münchener Bach‐Chor (1965-02 – 1965-06) (track 9)
Chor der Deutschen Oper Berlin (1975-02-21 – 1979-02-21) (track 16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (tracks 2, 9, 13, 16)
William Boyce (track 15)
Louis Couperin (track 4)
Christian Petzold (track 6)
Giuseppe Tartini (track 10)
Giuseppe Torelli (track 14)
Antonio Vivaldi (tracks 7, 11, 17)
Johann Sebastian Bach (German Baroque period composer & musician) (1717 – 1723) (track 20)
Antonio Vivaldi (1723) (track 1)
George Frideric Handel (German‐British baroque composer) (1749) (track 5)
concertmaster:
Guillermo Figueroa (1990-12) (track 5)
conductor:
Trevor Pinnock (track 15)
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (1965-02 – 1965-06) (track 9)
Nikolaus Harnoncourt (1965-03) (track 8)
Herbert von Karajan (1975-02-21 – 1979-02-21) (track 16)
Charles Mackerras (Australian conductor) (1976-05) (track 11)
Charles Mackerras (Australian conductor) (1976-09) (tracks 14, 19)
Reinhard Goebel (1980-08) (track 3)
Herbert von Karajan (1983-09-28 – 1983-09-30) (track 12)
Trevor Pinnock (1995-11) (track 7)
countertenor vocals:
Michael Chance (British countertenor) (1995-11) (track 7)
editor:
Manfred Bartel (tracks 11, 19)
Fiona Gale (track 1)
Ingmar Haas (Engineer) (track 7)
Albert Kos (engineer/editor) (track 1)
Reinhild Schmidt (tracks 11, 19)
engineer:
Klaus Behrens (Engineer) (track 7)
Roger de Schot (track 1)
Heinz Wildhagen (tracks 11, 19)
executive producer:
Gerd Ploebsch (track 9)
Rudolf Werner (producer at Deutsche Grammophon) (tracks 11, 19)
lyricist:
Paul Gerhardt (17th century hymn writer) (track 9)
miscellaneous support:
Gerd Ploebsch (track 3)
orchestra:
The English Concert (track 15)
Münchener Bach‐Orchester (1965-02 – 1965-06) (track 9)
Concentus Musicus Wien (1965-03) (track 8)
I Musici (1968-06) (track 17)
Berliner Philharmoniker (1975-02-21 – 1979-02-21) (track 16)
English Chamber Orchestra (1976-05) (track 11)
English Chamber Orchestra (1976-09) (tracks 14, 19)
Musica Antiqua Köln (1980-08) (track 3)
Berliner Philharmoniker (1983-09-28 – 1983-09-30) (track 12)
I solisti di Napoli (1987-09) (track 1)
Orpheus Chamber Orchestra (US orchestra) (1990-12) (track 5)
The English Concert (1995-11) (track 7)
performer:
Maurits Sillem (1976-05) (track 11)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician) (track 6)
producer:
Rainer Brock (track 8)
Helmut Burk (track 7)
Wolf Erichson (engineer/producer) (track 5)
Michel Glotz (tracks 12, 16)
Vittorio Negri (track 20)
Gerd Ploebsch (track 3)
Erik Smith (British producer, pianist and harpsichordist) (track 1)
Hans Weber (producer/engineer) (track 9)
Rudolf Werner (producer at Deutsche Grammophon) (tracks 11, 14)
phonographic copyright by:
Polydor International GmbH (not for release label use!) (1977) (track 19)
Polydor International GmbH (not for release label use!) (1981) (track 3)
Philips Digital Classics (this may likely be a series than an actual label) (1988) (track 1)
recorded at:
Herkulessaal in Munich, Bayern, Germany (1965-02 – 1965-06) (track 9)
Palais Schönburg in Wien, Austria (1965-03) (track 8)
Berliner Philharmonie in Berlin, Germany (1975-02-21 – 1979-02-21) (track 16)
Henry Wood Hall (London) in London, England, United Kingdom (1976-05) (track 11)
Herkulessaal in Munich, Bayern, Germany (1976-09) (track 14)
Residenz (former royal palace in Munich, Germany) in Munich, Bayern, Germany (1976-09) (track 19)
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in Munich, Bayern, Germany (1980-08) (track 3)
Grote Kerk (Maassluis) in Maassluis, Zuid-Holland, Netherlands (1983-06) (track 13)
Berliner Philharmonie in Berlin, Germany (1983-09-28 – 1983-09-30) (track 12)
Zentralsaal in Bamberg, Bayern, Germany (1984-10) (track 2)
Performing Arts Center (Purchase College) in Purchase, Harrison, New York, United States (1990-12) (track 5)
Henry Wood Hall (London) in London, England, United Kingdom (1995-11) (track 7)
part of:
Louis Couperin's Harpsichord Works (Alan Curtis numbering) (number: 6) (track 4)
Louis Couperin's Harpsichord Works (Gustafson numbering) (number: 102) (track 4)
Breitkopf 389 Choralgesänge (number: 165) (track 9)
Bach-Werke-Verzeichnis (number: BWV Anh. 114) (track 6)
arrangements:
Ballet des ombres heureuses (for solo piano, Friedman) (track 12)
Chaconne for piano and violin (after chaconne BWV 1004, Schumann) (track 20)
Chaconne from Partita no. 2 in D minor, BWV 1004 (orchestrated by Casella) (track 20)
Chaconne from Partita, BWV 1004 (for organ, Messerer) (track 20)
Chaconne, BWV 1004, KiV B24 (for piano, Busoni) (track 20)
Ciaconna (ed. Prof. Helga Thoene) (track 20)
Five Studies, anh. Ia/1: 5. Chaconne by J. S. Bach (Brahms arr. for left hand of Partita BWV 1004) (track 20)
Menuet in G major, BWV Anh. 114 (catch all for arrangements) (track 6)
Mélodie (Dance of the Blessed Spirits) (for violin and piano, arr. Kreisler) (track 12)
Mélodie de Gluck (Dance of the Blessed Spirits, arr. Sgambati for solo piano) (track 12)
Orfeo ed Euridice: Dance of the Blessed Spirits (Melodie) (catch-all for arrangements) (track 12)
Suite no. 1 G-Dur, BWV 1007: I. Prélude (catch-all for arrangements) (track 2)
Suite no. 1 in G major, BWV 1007: I. Prélude (arr. Joachim Raff for piano) (track 2)
Suite no. 1 in G major, BWV 1007: I. Prélude (for viola, arr. Rowland-Jones) (track 2)
Toccata and Fugue in D minor "Dorian", BWV 538: I. Toccata (for piano solo, Kabalevsky) (track 13)
Toccata and Fugue in D minor "Dorian", BWV 538: I. Toccata (for piano solo, d'Albert) (track 13)
Toccata and Fugue in D minor "Dorian", BWV 538: I. Toccata (catch all for arrangements) (track 13)
Violin Partita no. 2 in D minor, BWV 1004: V. Chaconne (catch-all for arrangements) (track 20)
Violin Partita no. 2 in D minor, BWV 1004: V. Chaconne (for piano solo, Siloti) (track 20)
is the basis for:
Anthem (track 2)
The Cello Song (track 2)
orchestrations:
Chaconne (arr. Mendelssohn, Milone) (track 20)
Chaconne from Partita no. 2 in D minor, BWV 1004 (Raff orchestration) (track 20)
Chaconne in D minor (Stokowski orchestration) (track 20)
Partita in D-minor, BWV 1004: Chaconne (Saito orchestration) (track 20)
part of:
Orfeo ed Euridice, Wq. 30: Atto II (Italian version) (track 12)
Suite in a-Moll (track 4)
Battalia à 10 (track 8)
Stabat Mater, RV 621 (movement) (track 7)
recording of:
La Piémontoise (track 4)
Menuet in G major, BWV Anh. 114 (for keyboard) (track 6)
Battalia à 10: I. Sonata (1965-03) (track 8)
Magnificat D-Dur, BWV 243: I. Coro "Magnificat anima mea" (1975-02-21 – 1979-02-21) (track 16)
Sonata B-dur, BuxWV 273: 5. Gigue (1980-08) (track 3)
Orfeo ed Euridice, Wq. 30: Atto II: Danza degli spiriti beati (instrumental ballet, for the original 1762 Italian version) (1983-09-28 – 1983-09-30) (track 12)
referred to in medleys:
Hooked on Bach (track 6)

CD 5

premiered in:
Leipzig, Sachsen, Germany (1731-11-25) (track 5)
violin:
Michel Schwalbé (Polish violinist) (1964-08-17 – 1964-08-24) (track 18)
Gidon Kremer (1980-02) (track 16)
cello:
Matt Haimovitz (track 13)
oboe:
Lothar Koch (oboist) (1964-08-17 – 1964-08-24) (track 18)
Heinz Holliger (1986-07) (track 9)
Paul Goodwin (conductor / oboist) (1992-12) (track 19)
trumpet:
Adolf Scherbaum (trumpeter) (1964-08) (track 18)
Mark Bennett (trumpeter) (1992-12) (track 19)
flute:
Matthias Rütters (flautist) (1964-08-17 – 1964-08-24) (track 18)
Karlheinz Zöller (1964-08-17 – 1964-08-24) (track 18)
organ:
Leslie Pearson (1980-02) (track 16)
Simon Preston (organist, conductor, composer) (1988-09) (track 2)
piano:
András Schiff (1983-09) (track 15)
András Schiff (1988-01) (track 10)
harpsichord:
Robert Aldwinckle (track 13)
George Malcolm (English harpsichordist, conductor) (track 12)
Trevor Pinnock (track 7)
Edith Picht‐Axenfeld (1964-08-17 – 1964-08-24) (track 18)
balance engineer:
Hans-Peter Schweigmann (tracks 4–5, 16)
Günter Hermanns (producer/engineer) (1964-08-17 – 1964-08-24) (track 18)
Stephan Schellmann (engineer) (1990-12) (track 3)
Hans-Peter Schweigmann (1992-12) (track 19)
choir vocals:
The English Concert Choir (1992-12) (track 19)
composer:
Thomas Arne (track 7)
Johann Sebastian Bach (German Baroque period composer & musician) (tracks 2, 10, 10, 15, 18)
Henry Purcell (baroque composer) (tracks 1, 6)
Antonio Vivaldi (tracks 4, 19)
George Frideric Handel (German‐British baroque composer) (1717) (track 3)
François Couperin (French composer of the Baroque era) (1722) (track 12)
Antonio Vivaldi (1723) (track 16)
George Frideric Handel (German‐British baroque composer) (1727) (track 17)
Johann Sebastian Bach (German Baroque period composer & musician) (1731) (track 5)
Antonio Vivaldi (1735) (track 8)
Jean‐Féry Rebel (1737) (track 11)
Carl Philipp Emanuel Bach (1753) (track 13)
Luigi Boccherini (1771) (track 14)
concertmaster:
Guillermo Figueroa (1990-12) (track 3)
conductor:
Sir Andrew Davis (conductor, keyboardist, composer, arranger) (track 13)
Geraint Jones (conductor, organist/harpsichordist) (track 17)
Simon Standage (track 7)
Herbert von Karajan (1964-08-17 – 1964-08-24) (track 18)
Christopher Hogwood (1974-03) (track 6)
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (1978-05) (track 5)
Claudio Abbado (1980-02) (track 16)
Trevor Pinnock (1985-10) (track 4)
David Hill (organist and conductor) (1992-06) (track 1)
Trevor Pinnock (1992-12) (track 19)
Reinhard Goebel (1994-01) (track 11)
editor:
Matthew Hutchinson (track 1)
engineer:
Simon Eadon (track 1)
Philip Wade (engineer) (track 6)
lyricist:
[anonymous] (Special Purpose Artist) (track 8)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (track 14)
Berliner Philharmoniker (1964-08-17 – 1964-08-24) (track 18)
Academy of Ancient Music (1974-03) (track 6)
Münchener Bach‐Orchester (1978-05) (track 5)
London Symphony Orchestra (1980-02) (track 16)
The English Concert (1985-10) (track 4)
I Musici (1986-07) (track 9)
Orpheus Chamber Orchestra (US orchestra) (1990-12) (track 3)
Baroque Brass of London (1992-06) (track 1)
The English Concert (1992-12) (track 19)
Musica Antiqua Köln (1994-01) (track 11)
producer:
Rainer Brock (track 16)
Wolf Erichson (engineer/producer) (track 3)
Chris Hazell (track 1)
Gerd Ploebsch (tracks 4–5)
Peter Wadland (track 6)
Hans Weber (producer/engineer) (track 18)
soprano vocals:
Emma Kirkby (soprano) (track 8)
tenor vocals:
Peter Schreier (tenor) (1978-05) (track 5)
phonographic copyright by:
The Decca Record Company Ltd. (not for release label use!) (1976) (track 6)
Polydor International GmbH (not for release label use!) (1979) (track 5)
premiered at:
Westminster Abbey in London, England, United Kingdom (1727-10-11) (track 17)
recorded at:
Victoria Konzertsaal in St. Moritz, Graubünden, Switzerland (1964-08-17 – 1964-08-24) (track 18)
Herkulessaal in Munich, Bayern, Germany (1978-05) (track 5)
[unknown] (only use for recorded at if explicitly stated to be at an unknown place.) (1986-07) (track 9)
Kreuzbergkirche in Bonn, Nordrhein-Westfalen, Germany (1988-09) (track 2)
Performing Arts Center (Purchase College) in Purchase, Harrison, New York, United States (1990-12) (track 3)
Basilica di Santa Maria Maggiore in Rome, Roma, Italy (1992-12) (track 19)
compilation of:
part of:
15 Sinfonias, BWV 787 - 801 (Three part inventions) (number: 2) (track 15)
Händel-Werke-Verzeichnis (number: HWV 258) (track 17)
Ryom-Verzeichnis (number: RV 630) (track 8)
Bach-Werke-Verzeichnis (number: BWV 565) (track 2)
Bach-Werke-Verzeichnis (number: BWV 788) (track 15)
arrangements:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: I. (Allegro) (catch-all for arrangements) (track 18)
Celebrated Menuet (for violin and piano, Haddock) (track 14)
Concerto per oboe, archi e continuo in re minore: II. Adagio (catch-all for arrangements) (track 9)
Englische Suite Nr. 2 a-Moll, BWV 807: V. Bourrée I (catch all for arrangements) (track 10)
Menuette (Comedian Harmonists arrangement) (track 14)
Minuet (for cello and piano, arr. Goltermann) (track 14)
Sinfonia Nr. 2 c-Moll, BWV 788 (catch-all for arrangements) (track 15)
The Four Coronation Anthems: "Zadok The Priest", HWV 258 (catch-all for arrangements) (track 17)
Toccata and Fugue in D minor (arr. Mike Batt) (track 2)
Toccata und Fuge d-Moll, BWV 565 (for piano, Grainger) (track 2)
Toccata und Fuge d-Moll, BWV 565 (catch-all for arrangements) (track 2)
Toccata und Fuge d-Moll, BWV 565 (for solo piano, Cortot) (track 2)
Toccata und Fuge d-Moll, BWV 565 (for band, Leidzén) (track 2)
Toccata und Fuge d-Moll, BWV 565 (for piano solo, Reger) (track 2)
Toccata und Fuge d-Moll, BWV 565 (for piano 4 hands, Reger) (track 2)
Toccata und Fuge d-Moll, BWV 565 (for piano, Tausig) (track 2)
Toccata und Fuge d-Moll, BWV 565 (for piano, Friedman) (track 2)
Toccata und Fugue d-Moll, BWV 565, BV B 29 no. 2 (Busoni piano arrangement) (track 2)
is based on:
is the basis for:
Music for the Funeral of Queen Mary (Electronic derivative) (track 1)
Obiad rodzinny (track 14)
The Real Thing (track 2)
Toccata (track 2)
later translated versions:
later versions:
orchestrations:
Quintet in E major, G. 275, op. 11 no. 5: III. Minuetto (orchestrated by Stokowski) (track 14)
Toccata and Fugue in D minor, BWV 565 (arr. S. Skrowaczewski) (track 2)
Toccata and Fugue in D minor, BWV 565 (Stokowski orchestration) (track 2)
Toccata und Fuge d-Moll, BWV 565 (orchestrated by H. Wood) (track 2)
part of:
Gloria in D major, RV 589 (movement) (track 19)
Concerto no. 5 in G minor (movement) (track 7)
Englische Suite Nr. 2 a-Moll, BWV 807 (movement) (tracks 10, 10)
Les Élémens (track 11)
partial recording of:
parts:
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: I. (Allegro) (1964-08-17 – 1964-08-24) (track 18)
Sinfonia Nr. 2 c-Moll, BWV 788 (1983-09) (track 15)
Toccata und Fuge d-Moll, BWV 565 (1988-09) (track 2)
referred to in medleys:
Hooked on Bach (track 18)

Release

ASIN: DE: B001JZ9BP0 [info]