Tracklist

CD 1
# Title Rating Length
1 Messe en si mineur, BWV 232: Chœur "Gloria in excelsis Deo"
7:03
2 Messe en si mineur, BWV 232: Aria "Laudamus te"
4:25
3 Messe en si mineur, BWV 232: Chœur "Et incarnatus est"
3:07
4 Messe en si mineur, BWV 232: Aria "Agnus Dei"
5:29
5 Messe en si mineur, BWV 232: Chœur "Osanna in excelsis"
2:37
6 Cantate "Herz und Mund und Tat und Leben", BWV 147: Choral "Jesu bleibet meine Freude"
2:15
7 Cantate "Jauchzet Gott in allen Landen", BWV 51: Aria "Jauchzet Gott in allen Landen"
4:18
8 Cantate "Ich habe genug", BWV 82a: Aria "Ich habe genug"
7:45
9 Magnificat en ré majeur, BWV 243: Chœur "Magnificat anima mea"
3:00
10 Magnificat en ré majeur, BWV 243: Aria "Deposuit potentes"
2:04
11 Oratorio de Noël, BWV 248, Cantate pour le premier jour de la fête de Noël: Choral "Wie soll ich dich empfangen"
1:18
12 Oratorio de Noël, BWV 248, Cantate pour le dimanche après le Nouvel An: Aria "Erleucht auch meine finstre Sinnen"
4:22
13 Passion selon Saint Jean, BWV 245: Choral "Ach, großer König"
1:34
14 Passion selon Saint Jean, BWV 245: Aria "Es is vollbracht"
5:10
15 Passion selon Saint Jean, BWV 245: Chœur "Ruht wohl, ihr heiligen Gebeine"
8:05
16 Cantate "Jesu, der du meine Seele", BWV 78: Duetto "Wir eilen mit Schwachen"
5:14
17 Cantate "Gottes Zeit ist die allerbeste Zeit", BWV 106 "Actus tragicus": Sonatina, molto adagio
2:15
18 Cantate "Gottes Zeit ist die allerbeste Zeit", BWV 106 "Actus tragicus": Chœur "Gottes Zeit ist die allerbeste Zeit"
8:59
CD 2
# Title Rating Length
1 Passion selon Saint Matthieu, BWV 244: Aria "Erbarme dich, mein Gott"
6:23
2 Passion selon Saint Matthieu, BWV 244: Choral "O Haupt voll Blut und Wunden"
2:30
3 Passion selon Saint Matthieu, BWV 244: Aria "Ich will bei meinem Jesu wachen"
6:06
4 Passion selon Saint Matthieu, BWV 244: Chœur "Wir setzen uns mit Tränen"
7:20
5 Oratorio de Pâques, BWV 249: Chœur "Kommt, eilet und laufet"
5:13
6 Cantate "Was mir behagt, ist die muntr'e Jagd", BWV 208: Aria "Schafe können sicher weiden"
4:19
7 Cantate "Wachet auf, ruft uns die Stimme", BWV 140: Chœur "Wachet auf"
8:11
8 Choral "Nun komm der Heiden Heiland", BWV 659
4:25
9 Toccata & fugue en ré mineur, BWV 565: Toccata
2:27
10 Toccata & fugue en ré mineur, BWV 565: Fugue
5:49
11 Concerto en la mineur d'après Vivaldi, BWV 593: I. Allegro
4:09
12 Concerto en la mineur d'après Vivaldi, BWV 593: II. Adagio
3:31
13 Concerto en la mineur d'après Vivaldi, BWV 593: III. Allegro
3:58
14 Passacaille en ut mineur, BWV 582
13:30
CD 3
# Title Rating Length
1 Suite pour orchestre No. 3 en ré majeur, BWV 1068: Ouverture
7:30
2 Suite pour orchestre No. 3 en ré majeur, BWV 1068: Air
4:47
3 Suite pour orchestre No. 3 en ré majeur, BWV 1068: Gavotte
4:07
4 Concerto pour 2 violons & cordes en ré mineur, BWV 1043: I. Vivace
3:50
5 Concerto pour 2 violons & cordes en ré mineur, BWV 1043: II. Largo ma non tanto
6:51
6 Concerto pour 2 violons & cordes en ré mineur, BWV 1043: III. Allegro
4:42
7 Suite pour orchestre No. 2 en si mineur, BWV 1067: I. Rondeau - II. Sarabande - III. Bourrées I & II
6:50
8 Suite pour orchestre No. 2 en si mineur, BWV 1067: IV. Polonaise - V. Menuet - VI. Badinerie
6:00
9 Concerto brandebourgeois No. 4 en sol majeur, BWV 1049: I. Allegro
7:27
10 Concerto brandebourgeois No. 4 en sol majeur, BWV 1049: II. Andante
3:41
11 Concerto brandebourgeois No. 4 en sol majeur, BWV 1049: III. Presto
5:01
12 Concerto pour clavecin & cordes en fa mineur, BWV 1056: I. Allegro
3:22
13 Concerto pour clavecin & cordes en fa mineur, BWV 1056: II. Largo
2:31
14 Concerto pour clavecin & cordes en fa mineur, BWV 1056: III. Presto
3:21
15 L'Offrande musicale, BWV 1079: Ricercare a 6
7:12
CD 4
# Title Rating Length
1 Concerto brandebourgeois No. 2 en fa majeur, BWV 1047: I. Allegro
5:07
2 Concerto brandebourgeois No. 2 en fa majeur, BWV 1047: II. Andante
3:45
3 Concerto brandebourgeois No. 2 en fa majeur, BWV 1047: III. Allegro assai
2:41
4 Concerto pour violon, hautbois & cordes en ut mineur, BWV 1060: I. Allegro
4:55
5 Concerto pour violon, hautbois & cordes en ut mineur, BWV 1060: II. Adagio
4:50
6 Concerto pour violon, hautbois & cordes en ut mineur, BWV 1060: III. Allegro
3:30
7 Concerto pour 4 clavecins & cordes d'après Vivaldi en la mineur, BWV 1065: I. Allegro
4:20
8 Concerto pour 4 clavecins & cordes d'après Vivaldi en la mineur, BWV 1065: II. Largo
2:19
9 Concerto pour 4 clavecins & cordes d'après Vivaldi en la mineur, BWV 1065: III. Allegro
3:31
10 Concerto brandebourgeois No. 3 en sol majeur, BWV 1048: I. Allegro
5:37
11 Concerto brandebourgeois No. 3 en sol majeur, BWV 1048: II. Adagio - Allegro
4:53
12 Concerto pour violon & cordes en la mineur, BWV 1041: I. Allegro
3:53
13 Concerto pour violon & cordes en la mineur, BWV 1041: II. Andante
5:46
14 Concerto pour violon & cordes en la mineur, BWV 1041: III. Allegro assai
3:34
15 Concerto brandebourgeois No. 5 en ré majeur, BWV 1050: I. Allegro
9:23
16 Concerto brandebourgeois No. 5 en ré majeur, BWV 1050: II. Affettuoso
5:47
17 Concerto brandebourgeois No. 5 en ré majeur, BWV 1050: III. Allegro
5:13
CD 5
# Title Rating Length
1 Partita pour flûte seule en la mineur, BWV 1013: I. Allemande
5:02
2 Sonate pour viole de gambe & clavecin, BWV 1029: I. Vivace
5:30
3 Sonate pour viole de gambe & clavecin, BWV 1029: II. Adagio
5:59
4 Sonate pour viole de gambe & clavecin, BWV 1029: III. Allegro
3:59
5 Concerto pour clavecin en fa majeur "dans le goût italien", BWV 971: I. Allegro
4:15
6 Concerto pour clavecin en fa majeur "dans le goût italien", BWV 971: II. Andante
4:51
7 Concerto pour clavecin en fa majeur "dans le goût italien", BWV 971: III. Presto
4:08
8 Partita No. 2 pour violon seul en ré mineur, BWV 1004: Ciaccona
12:54
9 Suite pour violoncelle seul No. 1 en sol majeur, BWV 1007: I. Prélude
2:36
10 Suite pour violoncelle seul No. 3 en ut majeur, BWV 1009: Bourrées I & II
3:22
11 Suite pour violoncelle seul No. 3 en ut majeur, BWV 1009: Gigue
3:09
12 Suite pour "Lautenwerk" en mi mineur, BWV 996: Sarabande
3:57
13 Suite pour "Lautenwerk" en mi mineur, BWV 996: Bourrée
1:00
14 Suite pour "Lautenwerk" en mi mineur, BWV 996: Gigue
2:39
15 Partita No. 1 pour clavecin en si bémol majeur, BWV 825: Praeludium
2:02
16 Partita No. 1 pour clavecin en si bémol majeur, BWV 825: Allemande
2:25
17 Partita No. 1 pour clavecin en si bémol majeur, BWV 825: Courante
1:31
18 Partita No. 1 pour clavecin en si bémol majeur, BWV 825: Sarabande
2:37
19 Partita No. 1 pour clavecin en si bémol majeur, BWV 825: Menuets I & II
2:21
20 Partita No. 1 pour clavecin en si bémol majeur, BWV 825: Gigue
1:36
CD 6
# Title Rating Length
1 Partita No. 3 pour violon seul en mi majeur, BWV 1006: Preludio
4:12
2 Partita No. 3 pour violon seul en mi majeur, BWV 1006: Gavotte en rondeaux - Menuets I & II - Bourrée
10:16
3 Le Clavier bien tempéré, Livre I: Prélude & fugue No. 3 en ut dièse majeur, BWV 848
3:33
4 Le Clavier bien tempéré, Livre II: Prélude & fugue No. 14 en fa dièse mineur, BWV 883
7:55
5 Fantaisie chromatique & fugue en ré mineur, BWV 903: Fantaisie
5:45
6 Fantaisie chromatique & fugue en ré mineur, BWV 903: Fugue
5:54
7 Sonate pour flûte & clavecin en mi bémol majeur, BWV 1031: I. Allegro moderato
4:14
8 Sonate pour flûte & clavecin en mi bémol majeur, BWV 1031: II. Siciliano
2:22
9 Sonate pour flûte & clavecin en mi bémol majeur, BWV 1031: III. Allegro
3:28
10 Variations Goldberg, BWV 988: Aria
4:33
11 Sonate pour violon & basse continue, BWV 1023: I. Prélude: Adagio ma non tanto
4:18
12 Sonate pour violon & basse continue, BWV 1023: II. Allemande
3:46
13 Sonate pour violon & basse continue, BWV 1023: III. Gigue
2:58
14 Toccata, adagio & fugue pour orgue en ut majeur, BWV 564: Toccata
5:45
15 Toccata, adagio & fugue pour orgue en ut majeur, BWV 564: Adagio
4:25
16 Toccata, adagio & fugue pour orgue en ut majeur, BWV 564: Fugue
4:39

Credits

CD 1

composed in:
Leipzig, Sachsen, Germany (1728 – 1731) (tracks 9–10)
Leipzig, Sachsen, Germany (1734 – 1735) (tracks 11–12)
Leipzig, Sachsen, Germany (1747 – 1749) (tracks 1, 1–5)
premiered in:
Leipzig, Sachsen, Germany (1723-07-02) (track 6)
Leipzig, Sachsen, Germany (1733-07-02) (tracks 9–10)
Leipzig, Sachsen, Germany (1734-12-25) (track 11)
trumpet:
Crispian Steele‐Perkins (1993-02-25 – 1993-02-28) (track 7)
alto vocals:
Sybil Michelow (1965-05-31 – 1965-06-03) (track 16)
Charles Brett (English counter-tenor active in late 20th century) (1988-04) (track 4)
Caroline Trevor (1990-04) (track 14)
bass vocals:
Franz Crass (track 18)
Peter Kooij (1989-01) (track 12)
choir vocals:
Süddeutscher Madrigalchor (1965-05-31 – 1965-06-03) (track 18)
Taverner Choir (1987) (track 6)
Taverner Consort (1987) (track 6)
Collegium Vocale Gent (1988-04) (tracks 1, 3, 5)
Nederlands Kamerkoor (1988-12) (track 9)
Collegium Vocale Gent (1989-01) (track 11)
Taverner Choir (1990-04) (track 15)
Taverner Consort (1990-04) (tracks 13, 15)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (tracks 1, 1–5, 8–15)
Johann Sebastian Bach (German Baroque period composer & musician) (1707) (tracks 17–18, 18, 18, 18)
Johann Sebastian Bach (German Baroque period composer & musician) (1723) (track 6)
Johann Sebastian Bach (German Baroque period composer & musician) (1724) (track 16)
Johann Sebastian Bach (German Baroque period composer & musician) (1730) (track 7)
conductor:
Wolfgang Gönnenwein (conductor) (track 17)
Wolfgang Gönnenwein (conductor) (1965-05-31 – 1965-06-03) (tracks 16, 18)
Andrew Parrott (1987) (track 6)
Philippe Herreweghe (Belgian conductor) (1988-04) (tracks 1–5)
Sigiswald Kuijken (1988-12) (tracks 9–10)
Philippe Herreweghe (Belgian conductor) (1989-01) (tracks 11–12)
Andrew Parrott (1990-04) (tracks 13–15)
Monica Huggett (1993-02-25 – 1993-02-28) (track 7)
Fabio Biondi (2000-03-25 – 2000-03-30) (track 8)
librettist:
[anonymous] (Special Purpose Artist) (track 8)
lyricist:
Johann Heermann (track 13)
Johann von Rist (track 16)
orchestra:
Consortium Musicum (1965-05-31 – 1965-06-03) (tracks 16–18)
Taverner Players (1987) (track 6)
Collegium Vocale Gent (1988-04) (tracks 1–5)
La Petite Bande (Belgian chamber orchestra) (1988-12) (tracks 9–10)
Collegium Vocale Gent (1989-01) (tracks 11–12)
Taverner Consort (1990-04) (tracks 13–14)
Taverner Players (1990-04) (tracks 13–15)
Sonnerie (1993-02-25 – 1993-02-28) (track 7)
Europa Galante (2000-03-25 – 2000-03-30) (track 8)
performer:
Wolfgang Gönnenwein (conductor) (1965-05-31 – 1965-06-03) (track 17)
soprano vocals:
Edith Mathis (track 18)
Edith Mathis (1965-05-31 – 1965-06-03) (track 16)
Catherine Patriasz (mezzo-soprano) (1988-04) (track 2)
Nancy Argenta (1993-02-25 – 1993-02-28) (track 7)
tenor vocals:
Theo Altmeyer (German tenor) (track 18)
Christoph Prégardien (1988-12) (track 10)
Ian Bostridge (2000-03-25 – 2000-03-30) (track 8)
recorded at:
Strassenbahner Erholungsheim in Stuttgart, Baden-Württemberg, Germany (1965-05-31 – 1965-06-03) (tracks 16–18)
Augustinuskerk in Amsterdam, Noord-Holland, Netherlands (1988-12) (tracks 9–10)
Mindersbroederskerk in Ghent, Oost-Vlaanderen, Belgium (1989-01) (tracks 11–12)
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, United Kingdom (1993-02-25 – 1993-02-28) (track 7)
part of:
Breitkopf 389 Choralgesänge (number: 169) (track 13)
arrangements:
"Jesus bleibet meine Freude" from Cantata, BWV 147 (for piano, Chuquisengo) (track 6)
Agnus Dei from Mass in B minor, BWV 232 (arr. Henry Wood) (track 4)
Jesu, Joy of Man's Desire, from BWV 147 (for piano, Myra Hess) (track 6)
Jesu, Joy of Man's Desiring (for band, Reed) (track 6)
Jesu, Joy of Men's Desiring (Sportiello arrangement) (track 6)
Jesu, bleibet meine Freunde (Jesu, Joy of Man’s Desiring) (arr. for piano by Richard Tilling) (track 6)
Jesus bleibet meine Freude (for organ, Duruflé) (track 6)
Jesus bleibet meine Freude (for trumpet and organ, Alain) (track 6)
Jesus bleibet meine Freude, BWV 147 (arr. Wilhelm Kempff for piano) (track 6)
Kantate, BWV 147 "Herz und Mund und Tat und Leben": Teil II, X. Choral "Jesus bleibet meine Freude" (Jesu, Joy of Mans Desiring; catch-all for arrangements) (track 6)
Three Chorales: Jesu, Joy of Man‘s Desiring (Milko Kelemen arrangement) (track 6)
is based on:
is the basis for:
Ecos (track 6)
Lady Lynda (track 6)
later translated versions:
later versions:
St. John Passion, BWV 245: Es ist vollbracht! (Stokowski orchestration) (track 14)
orchestrations:
Jesu, Joy of Man’s Desiring, BWV 147/10 (Stokowski orchestration) (track 6)
part of:
Kantate, BWV 82a "Ich habe genug" (for soprano) (track 8)
Magnificat D-Dur, BWV 243 (tracks 9–10)
h-Moll-Messe, BWV 232 (tracks 1, 1–5)
Johannes-Passion, BWV 245 (tracks 13–15)
recording of:
referred to in medleys:

CD 2

composed in:
Weimar, Thüringen, Germany (track 6)
Leipzig, Sachsen, Germany (1725-04-01) (track 5)
premiered in:
Weißenfels, Sachsen-Anhalt, Germany (1713-02) (track 6)
Leipzig, Sachsen, Germany (1725-04-01) (track 5)
Leipzig, Sachsen, Germany (1731-11-25) (track 7)
recorder:
Eckart Haupt (track 6)
Gudrun Jahn (track 6)
organ:
Lionel Rogg (tracks 8, 10, 14)
Lionel Rogg (1972-09-11 – 1972-09-16) (tracks 11–13)
Lionel Rogg (1975-11-25 – 1975-12-04) (track 9)
additional conductor:
Wolfgang Gönnenwein (conductor) (1968-05-26 – 1968-06-18) (track 4)
alto vocals:
Stephanie Blythe (2000-12) (track 1)
balance engineer:
Wolfgang Gülich (engineer) (tracks 2–4)
Ernst Rothe (engineer) (tracks 2–4)
choir vocals:
Süddeutscher Madrigalchor (1967-07) (track 7)
Süddeutscher Madrigalchor (1968-05-25 – 1968-06-16) (tracks 2–4)
Süddeutscher Madrigalchor (1968-05-26 – 1968-06-18) (tracks 2–4)
Taverner Choir (1993-04) (track 5)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (tracks 1–2, 2–3, 3–4, 4–5, 8–13)
Antonio Vivaldi (tracks 11–13)
Johann Sebastian Bach (German Baroque period composer & musician) (1708 – 1712) (track 14)
Johann Sebastian Bach (German Baroque period composer & musician) (1713) (track 6)
Johann Sebastian Bach (German Baroque period composer & musician) (1731) (track 7)
conductor:
Wolfgang Gönnenwein (conductor) (1967-07) (track 7)
Wolfgang Gönnenwein (conductor) (1968-05-25 – 1968-06-16) (tracks 2–4)
Wolfgang Gönnenwein (conductor) (1968-05-26 – 1968-06-18) (tracks 2–4)
Peter Schreier (tenor) (1989-07) (track 6)
Andrew Parrott (1993-04) (track 5)
John Nelson (American conductor) (2000-12) (track 1)
librettist:
Salomon Franck (track 6)
Picander (tracks 1–2, 2–3, 3–4, 4)
lyricist:
Paul Gerhardt (17th century hymn writer) (tracks 2, 2)
orchestra:
Consortium Musicum (1967-07) (track 7)
Consortium Musicum (1968-05-25 – 1968-06-16) (tracks 2–4)
Consortium Musicum (1968-05-26 – 1968-06-18) (track 4)
Taverner Players (1993-04) (track 5)
Ensemble Orchestral de Paris (2000-12) (track 1)
orchestrator:
Ton Koopman (conductor, organist and harpsichordist) (track 1)
performer:
Consortium Musicum (1968-05-26 – 1968-06-18) (tracks 2–3)
producer:
Gerd Berg (producer) (1968-05 – 1968-06) (tracks 2–4)
solo tenor vocals [Arien]:
Nicolai Gedda (1968-05-25 – 1968-06-16) (track 3)
soprano vocals:
Barbara Hendricks (1989-07) (track 6)
tenor vocals:
Nicolai Gedda (1968-05-26 – 1968-06-18) (track 3)
phonographic copyright by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (track 4)
recorded at:
Johanneskirche (Kirche Schwaigern, Evangelische Stadtkirche) in Schwaigern, Baden-Württemberg, Germany (1968-05-25 – 1968-06-16) (tracks 2–4)
Johanneskirche (Kirche Schwaigern, Evangelische Stadtkirche) in Schwaigern, Baden-Württemberg, Germany (1968-05-26 – 1968-06-18) (tracks 2–4)
St. Nicolai in Aabenraa, Region of Southern Denmark, Denmark (1972-09-11 – 1972-09-16) (tracks 11–13)
Cathédrale Saint-Pierre in Geneva, Genève, Switzerland (1975-11-25 – 1975-12-04) (track 9)
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (1989-07) (track 6)
part of:
Breitkopf 389 Choralgesänge (number: 162) (tracks 2, 2)
Bach Compendium (number: K82) (track 8)
Bach-Werke-Verzeichnis (number: BWV 582) (track 14)
Bach-Werke-Verzeichnis (number: BWV 659) (track 8)
arrangements:
Aria "Erbarme dich" (for voice, violin and organ, Liszt) (track 1)
Nun komm' der Heiden Heiland, BWV 659 (for piano, Kempff) (track 8)
Nun komm' der Heiden Heiland, BWV 659, KiV B27/3 (for piano, Busoni) (track 8)
Nun komm’ der Heiden Heiland, BWV 659 (for piano, Feinberg) (track 8)
Nun komm’ der Heiden Heiland, BWV 659 (for piano, Friedman) (track 8)
Nun komm’ der Heiden Heiland, BWV 659 (catch-all for arrangements) (track 8)
Passacaglia and Fugue in C minor, BWV 582 (catch all for arrangements) (track 14)
Passacaglia in C minor, BWV 582 (for piano, Catoire) (track 14)
Sheep May Safely Graze (arr. for piano, Egon Petri) (track 6)
Sheep May Safely Graze from Cantata, BWV 208 (for organ, Taylor) (track 6)
Sheep May Safely Graze from Cantata, BWV 208 (for piano, Friedman) (track 6)
Toccata (for brass band, Sykes) (track 9)
Toccata and Fugue in D minor, BWV 565: Fugue (arr. S. Skrowaczewski) (track 10)
Toccata und Fuge d-Moll, BWV 565: I. Toccata (catch all for arrangements) (track 9)
Toccata und Fuge d-Moll, BWV 565: I. Toccata (for piano 4 hands, Reger) (track 9)
Toccata und Fuge d-Moll, BWV 565: II. Fuge (for piano 4 hands, Reger) (track 10)
Toccata und Fuge d-Moll, BWV 565: II. Fuge (catch all for arrangements) (track 10)
Toccata und Fugue d-Moll, BWV 565, BV B 29 no. 2: II. Fugue (Busoni piano arrangement) (track 10)
is based on:
is the basis for:
Blithe Bells (for piano) (track 6)
Blithe Bells (for orchestra) (track 6)
I Hear a Voice Calling Me to Awaken (Parasite Eve) (track 7)
Toccata (lyrics by Tanzwut) (track 9)
the Fifth Death (UnEpic) (track 9)
later translated versions:
later versions:
Toccata (track 9)
medley of:
Nun komm’ der Heiden Heiland, BWV 659 (catch-all for arrangements) (track 8)
orchestrations:
Matthäus-Passion, BWV 244: O Haupt voll Blut und Wunden (Stokowski orchestration) (tracks 2, 2)
Nun komm' der Heiden Heiland, BWV 659 (Stokowski orchestration) (track 8)
Passacaglia and Fugue in C minor, BWV 582 (Stokowski orchestration) (track 14)
Passacaglia and Fugue in C minor, BWV 582, P. 159 (Respighi orchestration) (track 14)
Sheep May Safely Graze (from Cantata 208) (Stokowski orchestration) (track 6)
Toccata and Fugue in D minor, BWV 565: Toccata (arr. S. Skrowaczewski) (track 9)
part of:
Matthäus-Passion, BWV 244: Teil II (tracks 1–2, 2, 4, 4)
parts:
recording of:
Toccata und Fuge d-Moll, BWV 565: I. Toccata (1975-11-25 – 1975-12-04) (track 9)
revision of:

CD 3

violin:
Jane Murdoch (violinist) (tracks 4–6)
Jonathan Rees (tracks 4–6)
harpsichord:
Bob van Asperen (tracks 12–14)
Sally Heath (track 5)
balance engineer:
Tony Faulkner (recording engineer) (track 5)
Tony Kime (track 5)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (tracks 1, 3, 7, 7, 7–8, 8, 8–15)
Johann Sebastian Bach (German Baroque period composer & musician) (1730) (track 2)
Johann Sebastian Bach (German Baroque period composer & musician) (1730 – 1731) (tracks 4–6)
conductor:
Philip Ledger (tracks 1–3, 7–8)
Jonathan Rees (tracks 5, 9–11)
orchestra:
English Chamber Orchestra (tracks 1–3, 7–8)
Melante Amsterdam (tracks 12–14)
Scottish Ensemble (tracks 4–6, 9–11)
orchestrator:
Anton Webern (track 15)
performer:
Sonnerie (track 15)
producer:
Michael Purton (track 5)
arrangements:
Air on a G String (Guitar + modern ensemble arr. Myers) (track 2)
Air on the G String (for cello and orchestra, arr. Cullen) (track 2)
Air on the G String (for violin & piano, arr. Wilhelmj) (track 2)
Arioso from Keyboard Concerto no. 5 in F minor, BWV 1056 (for solo piano, Cortot) (track 13)
BWV 1043: II. Largo ma non tanto (catch all for arrangements) (track 5)
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049: I. Allegro (catch all for arrangements) (track 9)
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049: II. Andante (catch all for arrangements) (track 10)
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049: III. Presto (catch all for arrangements) (track 11)
Concerto for 2 Violins in D minor, BWV 1043: I. Vivace (catch all for arrangements) (track 4)
Concerto for Flute in A minor, BWV1056: I. Moderato (arrangement of keyboard concerto) (track 12)
Concerto for Flute in A minor, BWV1056: II. Largo (arrangement of keyboard concerto) (track 13)
Concerto for Flute in A minor, BWV1056: III. Presto (arrangement of keyboard concerto) (track 14)
Orchestersuite Nr. 2 h-Moll, BWV 1067: II. Rondeau (for piano 4 hands, Reger) (track 7)
Orchestersuite Nr. 2 h-Moll, BWV 1067: III. Sarabande (for piano 4 hands, Reger) (track 7)
Orchestersuite Nr. 2 h-Moll, BWV 1067: IV. Bourrée (for piano 4 hands, Reger) (track 7)
Orchestersuite Nr. 2 h-Moll, BWV 1067: IV. Bourrée I & II (catch-all for arrangements) (track 7)
Orchestersuite Nr. 2 h-Moll, BWV 1067: V. Polonaise (for piano 4 hands, Reger) (track 8)
Orchestersuite Nr. 2 h-Moll, BWV 1067: VI. Menuet (catch all for arrangements) (track 8)
Orchestersuite Nr. 2 h-Moll, BWV 1067: VI. Menuet (for piano 4 hands, Reger) (track 8)
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (catch-all for arrangements) (track 8)
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (for piano 4 hands, Reger) (track 8)
Orchestersuite Nr. 3 D-Dur, BWV 1068: I. Ouverture (for piano 4 hands, Reger) (track 1)
Orchestersuite Nr. 3 D-Dur, BWV 1068: I. Ouverture (catch all for arrangements) (track 1)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (for piano, Siloti) (track 2)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (for piano 4 hands, Reger) (track 2)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (for violin and piano, arr. Windsperger) (track 2)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (catch-all for unknown versions/arrangements) (track 2)
Orchestersuite Nr. 3 D-Dur, BWV 1068: III. Gavotte (for piano 4 hands, Reger) (track 3)
Orchestersuite Nr. 3 D-Dur, BWV 1068: III. Gavotte I & II (Catch-all for unknown arrangements) (track 3)
Orchestersuite no. 3 D-dur, BWV 1068: II. Air (arr. Nigel Kennedy, John Lenehan) (track 2)
Solo Amore (track 2)
is the basis for:
Bach Aire (track 2)
Peace Planet (track 8)
Sweetest Love (track 2)
Vivace (track 4)
orchestration of:
orchestrations:
Aria from Overture no. 3, BWV 1068 ("Air on the G-string", Stokowski orchestration) (track 2)
Arioso form Keyboard Concerto no. 5 in F minor, BWV 1056 (Stokowski orchestration) (track 13)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (tracks 7, 7, 7–8, 8, 8)
recording of:
referred to in medleys:
Hooked on Bach (tracks 3, 7–8)
Hooked on Romance (track 2)

CD 4

violin:
Fabio Biondi (tracks 4–6)
Alison Bury (tracks 10–11)
John Holloway (violinist/conductor) (tracks 15–17)
Monica Huggett (tracks 1–3)
Elizabeth Wallfisch (track 14)
Elizabeth Wallfisch (1990-08 – 1991-06) (tracks 12–13)
oboe:
Alfredo Bernardini (tracks 4–6)
Paul Goodwin (conductor / oboist) (tracks 1–3)
trumpet:
Mark Bennett (trumpeter) (tracks 1–3)
recorder:
Rachel Beckett (tracks 1–3)
flute:
Rachel Beckett (tracks 2–3)
Janet See (tracks 15–17)
harpsichord:
Bob van Asperen (tracks 8–9)
Marcelo Bussi (tracks 8–9)
Bernhard Klapprott (tracks 8–9)
Carsten Lohff (tracks 8–9)
John Toll (organ- and harpsichordist) (tracks 15–17)
Marcelo Bussi (1994-12-19 – 1994-12-23) (track 7)
Bernhard Klapprott (1994-12-19 – 1994-12-23) (track 7)
Carsten Lohff (1994-12-19 – 1994-12-23) (track 7)
Bob van Asperen (1994-12-19 – 1994-12-23) (track 7)
balance engineer:
Mike Clements (engineer) (1990-08 – 1991-06) (tracks 12–13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (tracks 1–17)
conductor:
Andrew Parrott (tracks 15–17)
Bob van Asperen (1994-12-19 – 1994-12-23) (track 7)
orchestra:
Europa Galante (tracks 4–6)
Melante Amsterdam (tracks 8–9)
Taverner Players (tracks 15–17)
Orchestra of the Age of Enlightenment (1990-08 – 1991-06) (tracks 12–13)
Melante Amsterdam (1994-12-19 – 1994-12-23) (track 7)
producer:
Nicholas Parker (producer, engineer) (tracks 12–13)
recorded at:
St Michael’s Church (Highgate) in Highgate, Islington, London, United Kingdom (1990-08 – 1991-06) (tracks 12–13)
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands (1994-12-19 – 1994-12-23) (track 7)
arrangement of:
arrangements:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: I. (Allegro) (catch-all for arrangements) (track 1)
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: II. Andante (catch-all for arrangements) (track 2)
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. (for piano, Friedman) (track 10)
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. (Allegro) (catch-all for arrangements) (track 10)
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: II. Adagio (original (>1m) Bach part) (track 10)
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: III. Allegro (catch-all for arrangements) (track 11)
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: I. Allegro (catch-all for arrangements) (track 15)
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: II. Affettuoso (catch-all for arrangements) (track 16)
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: III. Allegro (catch-all for arrangements) (track 17)
Concerto for Violin & Oboe in D minor, BWV 1060R: II. Adagio (catch all for arrangements) (track 5)
Concerto in A minor, BWV 1065: I. [Allegro] (catch all for arrangements) (track 7)
Violin Concerto in A minor, BWV 1041: I. Allegro (catch-all for arrangements) (track 12)
Violin Concerto in A minor, BWV 1041: II. Andante (catch-all for arrangements) (track 13)
Violin Concerto in A minor, BWV 1041: III. Allegro assai (catch-all for arrangements) (track 14)
Vivace (track 12)
is the basis for:
later versions:
Concerto in A minor, BWV 1041: II. Andante (for mandolin and orchestra, arr. Avi Avital) (track 13)
Concerto in A minor, BWV 1041: III. Allegro assai (for mandolin and orchestra, arr. Avi Avital) (track 14)
part of:
Concerto for Violin & Oboe in C minor, BWV 1060R (reconstructed arrangement of the concerto for harpsichord and strings) (tracks 4–6)
recording of:
Concerto for Violin & Oboe in C minor, BWV 1060R: I. Allegro (reconstructed arrangement for violin & oboe of BWV 1060) (track 4)
Concerto for Violin & Oboe in C minor, BWV 1060R: II. Adagio (reconstructed arrangement for violin & oboe of BWV 1060) (track 5)
Concerto for Violin & Oboe in C minor, BWV 1060R: III. Allegro (reconstructed arrangement for violin & oboe of BWV 1060) (track 6)
Violin Concerto in A minor, BWV 1041: I. Allegro (1990-08 – 1991-06) (track 12)
Violin Concerto in A minor, BWV 1041: II. Andante (1990-08 – 1991-06) (track 13)
referred to in medleys:
Hooked on Bach (tracks 1, 10)
version of:

CD 5

violin:
Christian Tetzlaff (1993-11) (track 8)
cello:
Ralph Kirshbaum (tracks 10–11)
Ralph Kirshbaum (1993-01) (track 9)
flute:
Marc Hantaï (classical flute player) (track 1)
viola da gamba:
Jordi Savall (tracks 2–4)
harpsichord:
Ton Koopman (conductor, organist and harpsichordist) (tracks 2–4)
Davitt Moroney (tracks 5–7)
Gustav Leonhardt (1986-02-13) (tracks 15–20)
Pierre Hantaï (claveciniste) (1997-06) (tracks 12–14)
balance engineer:
Mike Hatch (engineer/editor) (track 8)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (tracks 1–4, 9–19, 19–20)
Johann Sebastian Bach (German Baroque period composer & musician) (1717 – 1723) (track 8)
Johann Sebastian Bach (German Baroque period composer & musician) (1735) (tracks 5–7)
editor:
Andrew Keener (engineer/editor/producer) (track 8)
John H. West (classical engineer/producer) (track 8)
producer:
Andrew Keener (engineer/editor/producer) (track 8)
recorded at:
Doopsgezinde kerk in Haarlem, Noord-Holland, Netherlands (1986-02-13) (tracks 15–20)
St George's Bristol (Brandon Hill) in Bristol, England, United Kingdom (1993-01) (track 9)
St George's Bristol (Brandon Hill) in Bristol, England, United Kingdom (1993-03) (track 8)
St George's Bristol (Brandon Hill) in Bristol, England, United Kingdom (1993-11) (track 8)
Doopsgezinde kerk in Haarlem, Noord-Holland, Netherlands (1997-06) (tracks 12–14)
arrangements:
Bach Allegro (track 4)
Chaconne for piano and violin (after chaconne BWV 1004, Schumann) (track 8)
Chaconne from Partita no. 2 in D minor, BWV 1004 (orchestrated by Casella) (track 8)
Chaconne from Partita, BWV 1004 (for organ, Messerer) (track 8)
Chaconne, BWV 1004, KiV B24 (for piano, Busoni) (track 8)
Ciaconna (ed. Prof. Helga Thoene) (track 8)
Five Studies, anh. Ia/1: 5. Chaconne by J. S. Bach (Brahms arr. for left hand of Partita BWV 1004) (track 8)
Italienisches Konzert F-Dur, BWV 971: I. Allegro (catch-all for arrangements) (track 5)
Italienisches Konzert F-Dur, BWV 971: II. Andante (catch-all for arrangements) (track 6)
Italienisches Konzert F-Dur, BWV 971: III. Presto (catch-all for arrangements) (track 7)
Partita in A minor, BWV 1013: I. Allemande (catch all for arrangements) (track 1)
Partita no. 1 in B-flat major, BWV 825: I. Prelude (catch all for arrangements) (track 15)
Partita no. 1 in B-flat major, BWV 825: II. Allemande (catch all for arrangements) (track 16)
Partita no. 1 in B-flat major, BWV 825: III. Courante (catch all for arrangements) (track 17)
Partita no. 1 in B-flat major, BWV 825: IV. Sarabande (catch all for arrangements) (track 18)
Partita no. 1 in B-flat major, BWV 825: V. Menuet I (catch all for arrangements) (track 19)
Partita no. 1 in B-flat major, BWV 825: VI. Menuet II (catch all for arrangements) (track 19)
Partita no. 1 in B-flat major, BWV 825: VII. Gigue (catch all for arrangements) (track 20)
Suite in E minor, BWV 996: IV. Sarabande (catch all for arrangements) (track 12)
Suite in E minor, BWV 996: V. Bourrée (catch all for arrangements) (track 13)
Suite in E minor, BWV 996: VI. Gigue (catch all for arrangements) (track 14)
Suite no. 1 G-Dur, BWV 1007: I. Prélude (catch-all for arrangements) (track 9)
Suite no. 1 in G major, BWV 1007: I. Prélude (arr. Joachim Raff for piano) (track 9)
Suite no. 1 in G major, BWV 1007: I. Prélude (for viola, arr. Rowland-Jones) (track 9)
Suite no. 3 C-Dur, BWV 1009: V. Bourrée I & II (catch-all for arrangements) (track 10)
Suite no. 3 C-Dur, BWV 1009: VI. Gigue (catch-all for arrangements) (track 11)
Suite no. 3 in C major, BWV 1009: V. Bourrée I & II (arr. Joachim Raff for piano) (track 10)
Suite no. 3 in C major, BWV 1009: V. Bourrée I - Bourrée II (for viola, arr. Rowland-Jones) (track 10)
Suite no. 3 in C major, BWV 1009: VI. Gigue (for viola, arr. Rowland-Jones) (track 11)
Suite no. 3 in C major, BWV 1009: VI. Gigue (arr. Joachim Raff for piano) (track 11)
Violin Partita no. 2 in D minor, BWV 1004: V. Chaconne (catch-all for arrangements) (track 8)
Violin Partita no. 2 in D minor, BWV 1004: V. Chaconne (for piano solo, Siloti) (track 8)
is the basis for:
Anthem (track 9)
Bourée (Jethro Tull version) (track 13)
Hommage à Poulenc (track 18)
The Cello Song (track 9)
orchestrations:
Chaconne (arr. Mendelssohn, Milone) (track 8)
Chaconne from Partita no. 2 in D minor, BWV 1004 (Raff orchestration) (track 8)
Chaconne in D minor (Stokowski orchestration) (track 8)
Partita in D-minor, BWV 1004: Chaconne (Saito orchestration) (track 8)
part of:
Suite in E minor, BWV 996 (original for lute, lute harpsichord) (tracks 12–14)
Partita no. 1 in B-flat major, BWV 825 (movement) (tracks 15–19, 19–20)
recording of:

CD 6

violin:
John Holloway (violinist/conductor) (tracks 11–13)
Monica Huggett (track 2)
Monica Huggett (1995-09 – 1995-12) (track 1)
cello:
Susan Sheppard (tracks 11–13)
flute:
Michel Debost (tracks 7–9)
organ:
Lionel Rogg (1975-11-25 – 1975-12-04) (tracks 14–16)
harpsichord:
Bob van Asperen (tracks 3–4)
Maggie Cole (tracks 5–6)
Davitt Moroney (tracks 11–13)
Lionel Rogg (tracks 7–9)
Maggie Cole (1990-06) (track 10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (tracks 5–16)
Johann Sebastian Bach (German Baroque period composer & musician) (1720) (tracks 1–2, 2, 2, 2)
Johann Sebastian Bach (German Baroque period composer & musician) (1722) (track 3)
Johann Sebastian Bach (German Baroque period composer & musician) (1744) (track 4)
recorded at:
Fenton House (Hampstead) in Hampstead, Camden, London, United Kingdom (tracks 5–6)
Cathédrale Saint-Pierre in Geneva, Genève, Switzerland (1975-11-25 – 1975-12-04) (tracks 14–16)
Henry Wood Hall (London) in London, England, United Kingdom (1990-06) (track 10)
part of:
Bach-Werke-Verzeichnis (number: BWV 848) (track 3)
Bach-Werke-Verzeichnis (number: BWV 883) (track 4)
arrangements:
Chromatische Fantasie und Fuge d-Moll, BWV 903: I. Fantasie (catch all for arrangements) (track 5)
Chromatische Fantasie und Fuge d-Moll, BWV 903: II. Fuge (catch all for arrangements) (track 6)
Flute Sonata in E-flat major, BWV 1031: II. Siciliano (for 2 pianos 8 hands, Wilberg) (track 8)
Flute Sonata in E-flat major, BWV 1031: II. Siciliano (catch-all for arrangements) (track 8)
Flute Sonata in E-flat major, BWV 1031: II. Siciliano (for piano, unspecified arranger) (track 8)
Gavotte from Partita no. 3 for Solo Violin, BWV 1006 (for piano, Saint-Säens) (track 2)
Gavotte in E major (for violin and piano, Kreisler) (track 2)
Goldberg-Variationen, BWV 988: Aria (catch-all for arrangements) (track 10)
Sonata in E minor, BWV 1023: II. Adagio ma non tanto (catch-all for arrangements) (track 11)
Sonata in E minor, BWV 1023: III. Allemande (catch-all for arrangements) (track 12)
Sonata in E minor, BWV 1023: IV. Gigue (catch-all for arrangements) (track 13)
Toccata, Adagio, and Fugue in C major, BWV 564: I. Toccata (catch all for arrangements) (track 14)
Toccata, Adagio, and Fugue in C major, BWV 564: II. Adagio (for cello and piano, arr. Siloti & Casals) (track 15)
Toccata, Adagio, and Fugue in C major, BWV 564: II. Adagio (catch-all for arrangements) (track 15)
Toccata, Adagio, and Fugue in C major, BWV 564: III. Fugue (catch all for arrangements) (track 16)
Violin Partita no. 3 in E major, BWV 1006: I. Preludio (catch-all for arrangements) (track 1)
Violin Partita no. 3 in E major, BWV 1006: IV. Menuet I (catch-all for arrangements) (track 2)
Violin Partita no. 3 in E major, BWV 1006: V. Menuet II (catch-all for arrangements) (track 2)
Violin Partita no. 3 in E major, BWV 1006: VI. Bourrée (catch-all for arrangements) (track 2)
is the basis for:
Edge of the Moon (track 8)
later versions:
orchestrations:
Gavotte en Rondeau (arr. Schumann, Milone) (track 2)
Violin Partita no. 3 in E major, BWV 1006: I. Preludio (orchestrated by Pick-Mangiagalli) (track 1)
Violin Partita no. 3 in E major, BWV 1006: I. Preludio (Stokowski orchestration) (track 1)
Violin Sonata in E minor, BWV 1023: III. Allemande (Allegro moderato) (arr. O. Respighi for violin and string orchestra) (track 12)
Violin Sonata in E minor, BWV 1023: IV. Giga (Vivace assai) (arr. O. Respighi for violin and string orchestra) (track 13)
part of:
Violin Partita no. 3 in E major, BWV 1006 (movement) (tracks 1–2, 2, 2, 2)
parts:
recording of:
Toccata, Adagio, and Fugue in C major, BWV 564: I. Toccata (1975-11-25 – 1975-12-04) (track 14)
Toccata, Adagio, and Fugue in C major, BWV 564: II. Adagio (1975-11-25 – 1975-12-04) (track 15)
Toccata, Adagio, and Fugue in C major, BWV 564: III. Fugue (1975-11-25 – 1975-12-04) (track 16)

Release

ASIN: FR: B000GLKMIS [info]