Tracklist

12" Vinyl 1
# Title Artist Rating Length
1 Trois chansons de Bilitis: La Flûte de Pan
Claude Debussy 2:37
2 Trois chansons de Bilitis: La Chevelure
Claude Debussy 3:29
3 Trois chansons de Bilitis: Le Tombeau des Naïades
Claude Debussy 2:53
4 Mandoline
Claude Debussy 1:29
5 Le Jet d'eau (from "Cinq poèmes de Baudelaire")
Claude Debussy 5:37
6 Ballade de Femmes de Paris (from "Trois ballades de François Villon")
Claude Debussy 2:04
7 Fêtes galantes: En sourdine
Claude Debussy 2:42
8 Fêtes galantes: Fantoches
Claude Debussy 1:26
9 Fêtes galantes: Clair de lune
Claude Debussy 2:49
10 Chère nuit
Alfred Bachelet 4:36
11 Ici-bas
Gabriel Fauré 2:05
12 Après un rêve
Gabriel Fauré 2:48
13 Le Temps des lilas (from "Poème de l'amour et de la mer")
Ernest Chausson 4:21
14 La Vie antérieure
Henri Duparc 4:36
15 Phidylé
Henri Duparc 4:44
16 Ouvre ton cœur
Georges Bizet 2:16
12" Vinyl 2
# Title Artist Rating Length
1 Siete canciones populares españolas: El paño moruno
Manuel de Falla 1:30
2 Siete canciones populares españolas: Seguidilla murciana
Manuel de Falla 1:24
3 Siete canciones populares españolas: Asturiana
Manuel de Falla 2:54
4 Siete canciones populares españolas: Jota
Manuel de Falla 2:54
5 Siete canciones populares españolas: Nana
Manuel de Falla 1:44
6 Siete canciones populares españolas: Canción
Manuel de Falla 1:21
7 Siete canciones populares españolas: Polo
Manuel de Falla 1:33
8 Combat del somni: Damunt de tu només les flors
Federico Mompou 3:48
9 Combat del somni: Aquesta nit un mateix vent
Federico Mompou 2:58
10 Combat del somni: Jo et pressentia com la mar
Federico Mompou 2:42
11 Romance de Solita (from "La romería de los cornudos")
Gustavo Pittaluga 2:40
12 Canciones negras: Canción de cuna para dormir a un negrito
Xavier Montsalvatge 2:09
13 Canciones negras: Canto negro
Xavier Montsalvatge 1:13
14 Farruca (from Tríptico)
Joaquín Turina 3:17
15 La Giralda (from Canto a Sevilla)
Joaquín Turina 3:27
16 Corazón, por qué pasáis
Fernando Obradors 1:40
17 El majo celoso
Fernando Obradors 2:36
18 Con amores, la mi madre
Fernando Obradors 1:33
19 Del cabello más sutil
Fernando Obradors 1:18
20 El vito
Fernando Obradors 1:55

Credits

12" Vinyl 1

piano:
Gerald Moore (pianist) (1954-02-02 – 1954-02-21) (tracks 1–16)
composer:
Alfred Bachelet (track 10)
Ernest Chausson (track 13)
Henri Duparc (track 14)
Georges Bizet (French romantic composer) (1860) (track 16)
Gabriel Fauré (French composer) (1874) (track 11)
Gabriel Fauré (French composer) (1877) (track 12)
Henri Duparc (1882) (track 15)
Claude Debussy (1882-11-15) (track 4)
Claude Debussy (1889-03) (track 5)
Claude Debussy (1891 – 1892) (tracks 7–9)
Claude Debussy (1897-06 – 1898-08) (tracks 1–3)
Claude Debussy (1910-05) (track 6)
dedicated to:
lyricist:
Charles Baudelaire (tracks 5, 14)
Maurice Bouchor (track 13)
Louis Delâtre (track 16)
Leconte de Lisle (track 15)
Pierre Louÿs (tracks 1–3)
Sully Prudhomme (track 11)
Paul Verlaine (tracks 4, 7–9)
François Villon (track 6)
[anonymous] (Special Purpose Artist) (track 12)
mezzo-soprano vocals:
Nan Merriman (mezzo-soprano) (1954-02-02 – 1954-02-21) (tracks 1–11, 13–16)
producer:
Alec Robertson (tracks 1–16)
translator:
Romain Bussine (track 12)
vocals:
Nan Merriman (mezzo-soprano) (1954-02-02 – 1954-02-21) (track 12)
publisher:
Choudens (1878) (track 12)
Revue illustrée (1890-09) (track 4)
premiered at:
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London, United Kingdom (1954-02-02 – 1954-02-21) (tracks 1–16)
part of:
Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 "L.") (number: L. 29) (track 4)
Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 "CD") (number: CD 43) (track 4)
arrangements:
Après un rêve, op. 7 no. 1 (catch-all arrangement for cello and piano) (track 12)
Après un rêve, op. 7 no. 1 (catch-all for arrangements) (track 12)
Après un rêve, op. 7 no. 1 (for violin and piano, Casals) (track 12)
Après un rêve, op. 7 no. 1 (for cello and orchestra, Dubensky) (track 12)
Après un rêve, op. 7 no. 1 (for cello and piano, arr. Katims) (track 12)
Après un rêve, op. 7 no. 1 (for piano, Grainger) (track 12)
Après un rêve, op. 7 no. 1 (for cello and piano, Casals) (track 12)
Chansons de Bilitis: La Chevelure (arr. Heifetz for violin and piano) (track 2)
Cinq poèmes de Baudelaire, L. 64, CD 70: III. Le Jet d'eau (catch-all for arrangements) (track 5)
Mandoline, L. 29, CD 43 "Les donneurs de sérénades" (catch-all for arrangements) (track 4)
Un rêve (track 12)
orchestrations:
Mandoline (orch. Beydts) (track 4)
part of:
Ballades de François Villon, L. 119 (for voice and piano) (track 6)
Chansons de Bilitis, L. 90, CD 97 (for voice and piano) (tracks 1–3)
Cinq poèmes de Baudelaire, L. 64, CD 70 (for voice and piano) (track 5)
Fêtes galantes (1er recueil), L. 80, CD 86 (for voice and piano) (tracks 7–9)
recording of:
Après un rêve, op. 7 no. 1 (1954-02-02 – 1954-02-21) (track 12)
Chère Nuit (1954-02-02 – 1954-02-21) (track 10)
Cinq poèmes de Baudelaire, L. 64, CD 70: III. Le Jet d'eau (for voice and piano) (1954-02-02 – 1954-02-21) (track 5)
Fêtes galantes (1er recueil), L. 80, CD 86 : I. En sourdine "Calmes dans le demi-jour" (for voice and piano) (1954-02-02 – 1954-02-21) (track 7)
Fêtes galantes (1er recueil), L. 80, CD 86 : II. Fantoches "Scaramouche et Pulcinella" (for voice and piano) (1954-02-02 – 1954-02-21) (track 8)
Ici-bas !, op. 8 no. 3 (1954-02-02 – 1954-02-21) (track 11)
La Vie antérieure (1954-02-02 – 1954-02-21) (track 14)
Le temps des lilas (1954-02-02 – 1954-02-21) (track 13)
Mandoline, L. 29, CD 43 "Les donneurs de sérénades" (for voice and piano) (1954-02-02 – 1954-02-21) (track 4)
Ouvre ton cœur (for voice and piano) (1954-02-02 – 1954-02-21) (track 16)
Phidylé (1954-02-02 – 1954-02-21) (track 15)
Trois Ballades de François Villon, L. 119: III. Ballade des femmes de Paris (for voice and piano) (1954-02-02 – 1954-02-21) (track 6)
version of:
Clair de lune, L. 32, CD 45 "Votre âme est un paysage choisi" (for voice and piano, 1st version) (track 9)
En sourdine, L. 28, CD 42 "Calmes dans le demi-jour " (for voice and piano, 1st version) (track 7)
Fantoches, L. 21, CD 26 "Scaramouche et Pulcinella" (première version, for voice and piano) (track 8)

12" Vinyl 2

piano:
Gerald Moore (pianist) (1954-07-08 – 1954-07-09) (tracks 1–20)
composer:
Federico Mompou (tracks 9–10)
Fernando Obradors (tracks 16–20)
Gustavo Pittaluga (track 11)
Manuel de Falla (Spanish composer) (1914) (tracks 1–7)
Joaquín Turina (1925) (track 15)
Joaquín Turina (1927-09-12 – 1927-10-06) (track 14)
Federico Mompou (1942) (track 8)
Xavier Montsalvatge (1945) (tracks 12–13)
lyricist:
Ramón de Campoamor (track 14)
Nicolás Guillén (track 13)
Josep Janés i Olivé (tracks 8–10)
José Muñoz San Román (poet) (track 15)
[anonymous] (Special Purpose Artist) (track 16)
mezzo-soprano vocals:
Nan Merriman (mezzo-soprano) (1954-07-08 – 1954-07-09) (tracks 1–15, 17–20)
producer:
Alec Robertson (tracks 1–20)
vocals:
Nan Merriman (mezzo-soprano) (1954-07-08 – 1954-07-09) (track 16)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London, United Kingdom (1954-07-08 – 1954-07-09) (tracks 1–20)
arrangements:
Nana ("Canción de cuna para dormir a un negrito" for violin and piano) (track 12)
Siete canciones populares españolas, G. 40, nº 3: Asturiana (catch-all for arrangements) (track 3)
Siete canciones populares españolas, G. 40, nº 4: Jota (catch-all for arrangements) (track 4)
Siete canciones populares españolas, G. 40, nº 4: Jota (for cello and guitar, Maréchal) (track 4)
Siete canciones populares españolas, G. 40, nº 5: Nana (catch-all for arrangements) (track 5)
Siete canciones populares españolas, G. 40, nº 5: Nana (for string quartet, arr. Andrew Haveron) (track 5)
Siete canciones populares españolas, G. 40, nº 6: Canción (catch-all for arrangements) (track 6)
Siete canciones populares españolas, G. 40, nº 7: Polo (catch-all for arrangements) (track 7)
Siete canciones populares españolas, G. 40, nº 7: Polo (for string quartet, arr. Andrew Haveron) (track 7)
Siete canciones populares españolas: N.º 1. El paño moruno (for voice and guitar, Llobet/Pujol) (track 1)
Siete canciones populares españolas: N.º 2. Seguidilla murciana (for voice and guitar, Llobet/Pujol) (track 2)
Siete canciones populares españolas: N.º 3. Asturiana (for voice and guitar, Llobet/Pujol) (track 3)
Siete canciones populares españolas: N.º 4. Jota (for voice and guitar, Llobet/Pujol) (track 4)
Siete canciones populares españolas: N.º 5. Nana (for voice and guitar, Llobet/Pujol) (track 5)
Siete canciones populares españolas: N.º 6. Canción (for voice and guitar, Llobet/Pujol) (track 6)
Siete canciones populares españolas: N.º 7. Polo (for voice and guitar, Llobet/Pujol) (track 7)
Suite populaire espagnole: I. El paño moruno (for violin and piano, arr. Kochanski) (track 1)
Suite populaire espagnole: II. Nana (for violin and piano, arr. Kochanski) (track 5)
Suite populaire espagnole: III. Canción (for violin and piano, arr. Kochanski) (track 6)
Suite populaire espagnole: IV. Nana (arr. Maréchal for cello and piano) (track 5)
Suite populaire espagnole: IV. Polo (for violin and piano, arr. Kochanski) (track 7)
Suite populaire espagnole: V. Asturiana (for violin and piano, arr. Kochanski) (track 3)
Suite populaire espagnole: VI. Jota (for violin and piano, arr. Kochanski) (track 4)
later translated versions:
orchestrations:
Cinco canciones negras, nº 5: Canto negro (for orchestra) (track 13)
Siete canciones populares españolas: No. 3. Asturiana (orchestrated by Berio) (track 3)
Siete canciones populares españolas: No. 4. Jota (orchestrated by Berio) (track 4)
Siete canciones populares españolas: No. 5. Nana (orchestrated by Berio) (track 5)
Siete canciones populares españolas: No. 6. Canción (orchestrated by Berio) (track 6)
Siete canciones populares españolas: No. 7. Polo (orchestrated by Berio) (track 7)
part of:
Canciones clásicas españolas (tracks 16–18, 20)
Tríptico, op. 45 (track 14)
El combat del somni (tracks 8–10)
Cinco canciones negras (for piano) (tracks 12–13)
recording of:
Canto a Sevilla, op. 37: VI. La Giralda (1954-07-08 – 1954-07-09) (track 15)
Cinco canciones negras, nº 4: Canción de cuna para dormir a un negrito (for piano) (1954-07-08 – 1954-07-09) (track 12)
Cinco canciones negras, nº 5: Canto negro (for piano) (1954-07-08 – 1954-07-09) (track 13)
Con amores, la mi madre (1954-07-08 – 1954-07-09) (track 18)
Corazón, por qué pasáis (1954-07-08 – 1954-07-09) (track 16)
Del cabello más sutil (1954-07-08 – 1954-07-09) (track 19)
El combat del somni: I. Damunt de tu, només les flors (1954-07-08 – 1954-07-09) (track 8)
El combat del somni: II. Aquesta nit un mateix vent (1954-07-08 – 1954-07-09) (track 9)
El combat del somni: III. Jo et pressentia com la mar (1954-07-08 – 1954-07-09) (track 10)
El majo celoso (1954-07-08 – 1954-07-09) (track 17)
El vito (1954-07-08 – 1954-07-09) (track 20)
La romería de los cornudos: Romance de Solita (1954-07-08 – 1954-07-09) (track 11)
Siete canciones populares españolas, G. 40, nº 4: Jota (1954-07-08 – 1954-07-09) (track 4)
Siete canciones populares españolas, G. 40, nº 5: Nana (1954-07-08 – 1954-07-09) (track 5)
Siete canciones populares españolas, G. 40, nº 6: Canción (1954-07-08 – 1954-07-09) (track 6)
Siete canciones populares españolas, G. 40, nº 7: Polo (1954-07-08 – 1954-07-09) (track 7)
Tríptico, op. 45: I. Farruca (1954-07-08 – 1954-07-09) (track 14)