Tracklist

CD 1
# Title Artist Rating Length
1 Adagio in sol min.
Tomaso Giovanni Albinoni 11:52
2 Aria da Ouverture n. 3
Johann Sebastian Bach 5 6:05
3 Canone, sostenuto
Johann Pachelbel 5:10
4 Sinfonia "al Santo Sepolcro": Adagio molto
Antonio Vivaldi 3:35
5 Divertimento i si bem mag. K287: Adagio
Wolfgang Amadeus Mozart 7:21
6 Sinfonia n. 7: Allegretto
Ludwig van Beethoven 7:47
7 Sinfonia n. 3: Andante
Johannes Brahms 8:16
8 Méditation da Thais
Jules Massenet 6:05
9 Peer Gynt: La morte di Aase
Edvard Grieg 4:41
10 Sinfonia n. 5: Adagietto
Gustav Mahler 11:58
11 Valse triste, Lento
Jean Sibelius 6:03

Credits

CD 1

violin:
Michel Schwalbé (Polish violinist) (1967-09-22 – 1967-09-25) (track 8)
Leon Spierer (1983-09-28 – 1983-09-30) (track 1)
organ:
David Bell (organist) (1983-09-28 – 1983-09-30) (tracks 1–2)
harpsichord:
Frank Maus (1983-11) (track 3)
arranger:
Max Seiffert (tracks 3, 3)
audio engineer:
Günter Hermanns (producer/engineer) (track 5)
balance engineer:
Günter Hermanns (producer/engineer) (1967-09-22 – 1967-09-25) (track 8)
Günter Hermanns (producer/engineer) (1970-08-20 – 1970-08-23) (track 4)
Günter Hermanns (producer/engineer) (1973-02-13 – 1973-02-16) (track 10)
Günter Hermanns (producer/engineer) (1982-01-27 – 1982-02-18) (track 9)
Günter Hermanns (producer/engineer) (1983-09-28 – 1983-09-30) (tracks 1–2)
Günter Hermanns (producer/engineer) (1983-12-01 – 1983-12-05) (track 6)
Günter Hermanns (producer/engineer) (1984-02-19 – 1984-02-24) (track 11)
Günter Hermanns (producer/engineer) (1987-09) (track 5)
Günter Hermanns (producer/engineer) (1988-10) (track 7)
composer:
Remo Giazotto (track 1)
Johann Pachelbel (track 3)
Johann Sebastian Bach (German Baroque period composer & musician) (1730) (track 2)
Antonio Vivaldi (1730) (tracks 4, 4)
Wolfgang Amadeus Mozart (classical composer) (1777) (track 5)
Ludwig van Beethoven (1811 – 1812) (track 6)
Edvard Grieg (1875) (track 9)
Johannes Brahms (1883) (track 7)
Jules Massenet (1894) (track 8)
Gustav Mahler (1901 – 1902) (track 10)
Jean Sibelius (1903) (track 11)
conductor:
Herbert von Karajan (1967-09-22 – 1967-09-25) (track 8)
Herbert von Karajan (1970-08-20 – 1970-08-23) (track 4)
Herbert von Karajan (1973-02-13 – 1973-02-16) (track 10)
Herbert von Karajan (1982-01-27 – 1982-02-18) (track 9)
Herbert von Karajan (1983-09-28 – 1983-09-30) (tracks 1–2)
Herbert von Karajan (1983-11) (track 3)
Herbert von Karajan (1983-12-01 – 1983-12-05) (track 6)
Herbert von Karajan (1984-02-19 – 1984-02-24) (track 11)
Herbert von Karajan (1987-09) (track 5)
Herbert von Karajan (1988-10) (track 7)
editor:
Reinhild Schmidt (track 6)
engineer:
Günter Hermanns (producer/engineer) (1983-11) (track 3)
executive producer:
Günther Breest (tracks 1–2, 6, 9, 11)
Jürgen Bulgrin (track 5)
Otto Gerdes (track 8)
Volker Martin (track 5)
orchestra:
Berliner Philharmoniker (1967-09-22 – 1967-09-25) (track 8)
Berliner Philharmoniker (1970-08-20 – 1970-08-23) (track 4)
Berliner Philharmoniker (1973-02-13 – 1973-02-16) (track 10)
Berliner Philharmoniker (1982-01-27 – 1982-02-18) (track 9)
Berliner Philharmoniker (1983-09-28 – 1983-09-30) (tracks 1–2)
Berliner Philharmoniker (1983-11) (track 3)
Berliner Philharmoniker (1983-12-01 – 1983-12-05) (track 6)
Berliner Philharmoniker (1984-02-19 – 1984-02-24) (track 11)
Berliner Philharmoniker (1987-09) (track 5)
Berliner Philharmoniker (1988-10) (track 7)
previously attributed to:
Tomaso Giovanni Albinoni (Italian Baroque composer) (track 1)
producer:
Michel Glotz (tracks 1–2, 5–6, 9)
Werner Mayer (classical producer) (track 3)
Hans Weber (producer/engineer) (tracks 4, 8, 10)
Michel Glotz (1988) (track 7)
revised by:
Edvard Grieg (1888) (track 9)
Jean Sibelius (1904) (track 11)
solo violin:
Michel Schwalbé (Polish violinist) (1967-09-22 – 1967-09-25) (track 8)
premiered at:
Konsertti (1904-04-25) (track 11)
phonographic copyright by:
Polydor International GmbH (not for release label use!) (1968) (track 8)
Polydor International GmbH (not for release label use!) (1985) (track 6)
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (1989) (track 7)
publisher:
Ricordi London (Casa Ricordi sublabel for Classical music) (track 1)
premiered at:
Svenska Teatern in Helsinki, Uusimaa, Finland (1904-04-25) (track 11)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (1967-09-22 – 1967-09-25) (track 8)
Französische Kirche (St. Moritz) in St. Moritz, Graubünden, Switzerland (1970-08) (track 4)
Französische Kirche (St. Moritz) in St. Moritz, Graubünden, Switzerland (1970-08-20 – 1970-08-23) (track 4)
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (1973-02-13 – 1973-02-16) (track 10)
Berliner Philharmonie in Berlin, Germany (1982-01-27 – 1982-02-18) (track 9)
Berliner Philharmonie in Berlin, Germany (1983-09-28 – 1983-09-30) (tracks 1–2)
Berliner Philharmonie in Berlin, Germany (1983-11) (track 3)
Berliner Philharmonie in Berlin, Germany (1983-12-01 – 1983-12-05) (track 6)
Berliner Philharmonie in Berlin, Germany (1984-02-19 – 1984-02-24) (track 11)
Berliner Philharmonie in Berlin, Germany (1987-09) (track 5)
Berliner Philharmonie in Berlin, Germany (1988-10) (track 7)
arrangement of:
arrangements:
Adagietto From Symphony no. 5 (arr. J. Nurse for piano quintet) (track 10)
Adagietto aus der 5. Symphonie (for violin and piano, Wittinger) (track 10)
Adagio for Strings and Organ in G minor (catch all for arrangements) (track 1)
Adagio of the Sky (track 1)
Air on a G String (Guitar + modern ensemble arr. Myers) (track 2)
Air on the G String (for violin & piano, arr. Wilhelmj) (track 2)
Air on the G String (for cello and orchestra, arr. Cullen) (track 2)
Cold is Being (track 1)
Meditation from Thaïs (for orchestra, arr. Cullen) (track 8)
Meditation from Thaïs (for violin and piano, arr. Marsick) (track 8)
Meditation from Thaïs (catch-all for arrangements) (track 8)
Meditation from Thaïs (for trumpet and orchestra, arr. Nakariakov) (track 8)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (catch-all for unknown versions/arrangements) (track 2)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (for violin and piano, arr. Windsperger) (track 2)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (for piano, Siloti) (track 2)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (for piano 4 hands, Reger) (track 2)
Orchestersuite no. 3 D-dur, BWV 1068: II. Air (arr. Nigel Kennedy, John Lenehan) (track 2)
Solo Amore (track 2)
Symphony no. 3 in F major, op. 90: II. Andante (for piano four hands, Brahms) (track 7)
Symphony no. 3 in F major, op. 90: II. Andante (for two pianos, Brahms) (track 7)
Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam (catch-all for arrangements) (track 10)
Symphony no. 7 in A major, S. 463d: II. Allegretto (for piano solo, Liszt) (track 6)
Symphony no. 7 in A major, op. 92: II. Allegretto (catch-all for arrangements) (track 6)
Valse Triste, op. 44 no. 1 (catch-all for arrangements) (track 11)
Valse triste, op. 44 no. 1 (for cello and piano, arr. Hermann) (track 11)
is the basis for:
Acid Serum (Electronic derivative of Beethoven's 7th) (track 6)
Adagio (track 1)
Anytime, Anywhere (track 1)
Bach Aire (track 2)
Dieron las doce (track 6)
Kuolema, op. 44: I. Valse triste (for piano) (track 11)
Sweetest Love (track 2)
later versions:
Symphony no. 7 in A major, op. 92: II. Allegretto (for piano four hands) (track 6)
orchestrations:
Aria from Overture no. 3, BWV 1068 ("Air on the G-string", Stokowski orchestration) (track 2)
part of:
Thaïs: Acte II (track 8)
2 Pieces from Kuolema, op. 44 (part of collection) (track 11)
Canon and Gigue in D major, T. 377 (arr. Max Seiffert) (track 3)
Symphony no. 3 in F major, op. 90 (movement) (track 7)
Symphony no. 7 in A major, op. 92 (movement) (track 6)
Symphony no. 5 (movement) (track 10)
recording of:
Thaïs: Acte II. Entr'acte "Méditation" (1967-09-22 – 1967-09-25) (track 8)
Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam (1973-02-13 – 1973-02-16) (track 10)
Peer Gynt Suite no. 1, op. 46: II. Åses død (1982-01-27 – 1982-02-18) (track 9)
Adagio for Strings and Organ in G minor (1983-09-28 – 1983-09-30) (track 1)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (1983-09-28 – 1983-09-30) (track 2)
Canon and Gigue in D major: I. Canon (arr. Max Seiffert) (1983-11) (track 3)
Symphony no. 7 in A major, op. 92: II. Allegretto (1983-12-01 – 1983-12-05) (track 6)
Valse triste, op. 44 no. 1 (for orchestra) (1984-02-19 – 1984-02-24) (track 11)
referred to in medleys:
Hooked on Romance (track 2)
revision of:
version of:

Release

ASIN: FR: B00004UGJ5 [info]