Appears on releases

# Title Length Release Title Release Artist Date Country Label Catalog#
Official
1.2 Mass in B Minor, BWV 232: Gloria 37:16 Mass in B Minor Johann Sebastian Bach; Atlanta Symphony Orchestra and Chamber Chorus, Robert Shaw Telarc, Telarc Digital CD 80233, CD-80233

Relationships

choir vocals: Atlanta Symphony Orchestra Chamber Chorus (1990-03)
conductor: Robert Shaw (conductor) (1990-03)
mezzo-soprano vocals: Marietta Simpson (1990-03)
orchestra: Atlanta Symphony Orchestra (1990-03)
soprano vocals: Sylvia McNair (1990-03)
tenor vocals: John Aler (1990-03)
recording of: h-Moll-Messe, BWV 232: I. Missa: IV. Gloria in excelsis Deo (1990-03)
h-Moll-Messe, BWV 232: I. Missa: IX. Qui tollis peccata mundi (1990-03)
h-Moll-Messe, BWV 232: I. Missa: V. Et in terra pax (1990-03)
h-Moll-Messe, BWV 232: I. Missa: VI. Laudamus te (1990-03)
h-Moll-Messe, BWV 232: I. Missa: VII. Gratias agimus tibi (1990-03)
h-Moll-Messe, BWV 232: I. Missa: VIII. Domine Deus (1990-03)
h-Moll-Messe, BWV 232: I. Missa: X. Qui sedes ad dextram Patris (1990-03)
h-Moll-Messe, BWV 232: I. Missa: XI. Quoniam tu solus Sanctus (1990-03)
h-Moll-Messe, BWV 232: I. Missa: XII. Cum Sancto Spiritu (1990-03)

h-Moll-Messe, BWV 232: I. Missa: IV. Gloria in excelsis Deo

composed in: Leipzig, Sachsen, Germany (1747 – 1749)
composer: Johann Sebastian Bach (German Baroque period composer & musician)
is the basis for: Kantate, BWV 191 "Gloria in excelsis Deo": I. Coro "Gloria in excelsis Deo"
part of: h-Moll-Messe, BWV 232

h-Moll-Messe, BWV 232: I. Missa: IX. Qui tollis peccata mundi

composed in: Leipzig, Sachsen, Germany (1747 – 1749)
composer: Johann Sebastian Bach (German Baroque period composer & musician)
arrangements: h-Moll-Messe, BWV 232: I. Missa: IX. Qui tollis peccata mundi (catch all for arrangements)
is based on: Kantate, BWV 46 "Schauet doch und sehet, ob irgendein Schmerz sei": I. Coro "Schauet doch und sehet, ob irgendein Schmerz sei"
part of: h-Moll-Messe, BWV 232

h-Moll-Messe, BWV 232: I. Missa: V. Et in terra pax

composed in: Leipzig, Sachsen, Germany (1747 – 1749)
composer: Johann Sebastian Bach (German Baroque period composer & musician)
is the basis for: Kantate, BWV 191 "Gloria in excelsis Deo": I. Coro "Gloria in excelsis Deo"
part of: h-Moll-Messe, BWV 232

h-Moll-Messe, BWV 232: I. Missa: VI. Laudamus te

composed in: Leipzig, Sachsen, Germany (1747 – 1749)
composer: Johann Sebastian Bach (German Baroque period composer & musician)
part of: h-Moll-Messe, BWV 232

h-Moll-Messe, BWV 232: I. Missa: VII. Gratias agimus tibi

composed in: Leipzig, Sachsen, Germany (1747 – 1749)
composer: Johann Sebastian Bach (German Baroque period composer & musician)
is based on: Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": II. Coro "Wir danken dir, Gott, wir danken dir"
part of: h-Moll-Messe, BWV 232

h-Moll-Messe, BWV 232: I. Missa: VIII. Domine Deus

composed in: Leipzig, Sachsen, Germany (1747 – 1749)
composer: Johann Sebastian Bach (German Baroque period composer & musician)
is the basis for: Kantate, BWV 191 "Gloria in excelsis Deo": II. Duetto (Sopran, Tenor) "Gloria Patri et Filio et Spiritui sancto"
part of: h-Moll-Messe, BWV 232

h-Moll-Messe, BWV 232: I. Missa: X. Qui sedes ad dextram Patris

composed in: Leipzig, Sachsen, Germany (1747 – 1749)
composer: Johann Sebastian Bach (German Baroque period composer & musician)
part of: h-Moll-Messe, BWV 232

h-Moll-Messe, BWV 232: I. Missa: XI. Quoniam tu solus Sanctus

composed in: Leipzig, Sachsen, Germany (1747 – 1749)
composer: Johann Sebastian Bach (German Baroque period composer & musician)
arrangements: h-Moll-Messe, BWV 232: I. Missa: XI. Quoniam tu solus Sanctus (catch all for arrangements)
part of: h-Moll-Messe, BWV 232

h-Moll-Messe, BWV 232: I. Missa: XII. Cum Sancto Spiritu

composed in: Leipzig, Sachsen, Germany (1747 – 1749)
composer: Johann Sebastian Bach (German Baroque period composer & musician)
is the basis for: Kantate, BWV 191 "Gloria in excelsis Deo": III. Coro "Sicut erat in principio"
part of: h-Moll-Messe, BWV 232