Michael Rippon

~ Person

Appearances

Date Title Attributes Artist Length
performer
Interlude Arnold Schönberg 2:05
Moses und Aron, Act I: Scene 1: Moses' Berufung (Moses, Stimme) Arnold Schönberg 8:19
Moses und Aron, Act I: Scene 2: Moses begegnet Aaron in der Wüste (Aron, Moses) Arnold Schönberg 7:13
Moses und Aron, Act I: Scene 3: Moses und Aaron verkünden dem Volk die Botschaft Gottes (Junges Mädchen, junger Mann, anderer Mann, Priester, Chor) Arnold Schönberg 6:30
Moses und Aron, Act I: Scene 4: "Allmächtiger, meine Kraft ist zu Ende" (Moses, Aron, 6 Solostimmen, Chor) Arnold Schönberg 4:03
Moses und Aron, Act I: Scene 4: "Bringt ihr Erhörung" (Chor, Moses, Aron, Mädchen, junger Mann, Mann, Priester) Arnold Schönberg 6:30
Moses und Aron, Act I: Scene 4: "Ein Wunder erfüllt uns mit Schrecken" (Chor, Mädchen, junger Mann, Mann, Priester, Aron) Arnold Schönberg 3:25
Moses und Aron, Act I: Scene 4: "Er hat uns auserwählt" (Chor) Arnold Schönberg 2:42
Moses und Aron, Act I: Scene 4: "Erkennt euch darin" (Aron, 6 Solostimmen, Chor, Priester, Moses) Arnold Schönberg 8:13
Moses und Aron, Act II: Scene 1: Aaron und die 70 Ältesten vor dem Berg der Offenbarung (70 Älteste, Priester, Aron) Arnold Schönberg 3:17
Moses und Aron, Act II: Scene 2: "Wo ist Moses?" (Chor, 70 Älteste, Aron) Arnold Schönberg 7:10
Moses und Aron, Act II: Scene 3: "Dieses Bild bezeugt" (Aron) Arnold Schönberg 1:01
Moses und Aron, Act II: Scene 3: "O goldener Gott" (4 nackte Jungfrauen, Chor, 70 Älteste) Arnold Schönberg 2:56
Moses und Aron, Act II: Scene 3: "O Götterbild" (Eine Kranke, Chor, 70 Älteste, Ephraimit, Stammesfürsten, junger Mann) Arnold Schönberg 3:24
Moses und Aron, Act II: Scene 3: Feierlich (bar 320) Arnold Schönberg 3:21
Moses und Aron, Act II: Scene 3: Orgie der Trunkenheit und des Tanzes (70 Älteste) / Orgie der Vernichtung und des Selbstmordes (Mädchen) Arnold Schönberg 5:34
Moses und Aron, Act II: Scene 3: Rasch (bar 497) Arnold Schönberg 4:44
Moses und Aron, Act II: Scene 3: Tanz der Schlächter Arnold Schönberg 2:10
Moses und Aron, Act II: Scene 3: Ziemlich rasch (bar 824) / Ertische Orgie (nackter Jüngling, andere Nackte, Chor) Arnold Schönberg 5:17
Moses und Aron, Act II: Scene 4: "Moses steigt vom Berg herab!" (Ein Mann, Moses, Volk) Arnold Schönberg 1:09
Moses und Aron, Act II: Scene 5: "Aron, was hast du getan?" (Moses, Aron, Chor) Arnold Schönberg 10:22
vocal
1969-01 Ode for St Cecilia's Day (1692), Z. 328: Hail, bright Cecilia! (Bass I) bass vocals [I] Michael Rippon, English Chamber Orchestra, Charles Mackerras 0:28
1969-01 Ode for St Cecilia's Day (1692), Z. 328: Let these amongst themselves contest (Bass I & II) bass vocals [I] Michael Rippon, John Shirley‐Quirk, English Chamber Orchestra, Charles Mackerras 3:16
1969-01 Ode for St Cecilia's Day (1692), Z. 328: With rapture of delight (Countertenor I & II, Tenor, Bass I) bass vocals [I] Paul Esswood, Michael Rippon, Roland Tatnell, Alexander Young, English Chamber Orchestra, Charles Mackerras 0:57
1969-01 Ode for St Cecilia's Day (1692), Z. 328: With that sublime celestial lay (Countertenor I & II, Bass) bass vocals [I] Paul Esswood, Michael Rippon, Roland Tatnell, English Chamber Orchestra, Charles Mackerras 2:52
1970-04 Israel in Egypt, HWV 54, Part II - Moses' Song: 17. Duet (Bass I & II): The Lord is a man of war bass vocals Christopher Keyte, Michael Rippon, English Chamber Orchestra, Charles Mackerras 6:18
1974-01 Hymnus: Ave maris stella bass vocals James Bowman, Jill Gomez, Philip Langridge, Monteverdi Choir, Felicity Palmer, Michael Rippon, Salisbury Cathedral Boys' Choir, John Shirley‐Quirk, Robert Tear, David Munrow Recorder Ensemble, Monteverdi Orchestra, Philip Jones Brass Ensemble, John Eliot Gardiner 10:09
1974-01 Psalmus 109: Dixit Dominus bass vocals Jill Gomez, Philip Langridge, Monteverdi Choir, Felicity Palmer, Michael Rippon, John Shirley‐Quirk, Robert Tear, Monteverdi Orchestra, John Eliot Gardiner 8:13
1974-01 Psalmus 112: Laudate, pueri, Dominum bass vocals Jill Gomez, Philip Langridge, Monteverdi Choir, Felicity Palmer, Michael Rippon, John Shirley‐Quirk, Robert Tear, Monteverdi Orchestra, Philip Jones Brass Ensemble, John Eliot Gardiner 6:55
1974-01 Psalmus 121: Laetatus sum bass vocals James Bowman, Jill Gomez, Philip Langridge, Monteverdi Choir, Felicity Palmer, Michael Rippon, John Shirley‐Quirk, Robert Tear, Monteverdi Orchestra, Philip Jones Brass Ensemble, John Eliot Gardiner 8:01
1974-01 Quia fecit mihi magna bass vocals Monteverdi Choir, Michael Rippon, John Shirley‐Quirk, Monteverdi Orchestra, John Eliot Gardiner 1:05
1974-08 – 1975-05 Il barbiere di Siviglia: Act I, Scene II. "Ah, disgraziato Figaro!" (Bartolo, Rosina, Berta, Ambrogio) bass vocals Beverly Sills, Renato Capecchi, Fedora Barbieri 1:49
1974-08 – 1975-05 Il barbiere di Siviglia: Act II. "Ah, disgraziati noi!" (Figaro, Almaviva, Rosina, Basilio, Bartolo, Ufficiale) bass vocals Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi 2:24
1974-08 – 1975-05 Il barbiere di Siviglia: Atto II (beginning) bass vocals Sherrill Milnes, Nicolai Gedda, Renato Capecchi, Fedora Barbieri, Ruggero Raimondi 19:19
1974-08 – 1975-05 Il barbiere di Siviglia: Atto II (conclusion) bass vocals Sherrill Milnes, Nicolai Gedda, Renato Capecchi, Fedora Barbieri, Ruggero Raimondi 26:41
1974-08 – 1975-05 Il barbiere di Siviglia: Atto II (continued) bass vocals Sherrill Milnes, Nicolai Gedda, Renato Capecchi, Fedora Barbieri, Ruggero Raimondi 27:00
1974-08 – 1975-08 Il barbiere di Siviglia: Atto I (beginning) bass vocals Sherrill Milnes, Nicolai Gedda, Renato Capecchi, Fedora Barbieri, Ruggero Raimondi 23:27
1974-08 – 1975-08 Il barbiere di Siviglia: Atto I (conclusion) bass vocals Sherrill Milnes, Nicolai Gedda, Renato Capecchi, Fedora Barbieri, Ruggero Raimondi 7:57
1974-08 – 1975-08 Il barbiere di Siviglia: Atto I (continued) bass vocals Sherrill Milnes, Nicolai Gedda, Renato Capecchi, Fedora Barbieri, Ruggero Raimondi 28:38
1974-08 – 1975-08 Il barbiere di Siviglia: Atto I (continued) bass vocals Sherrill Milnes, Nicolai Gedda, Renato Capecchi, Fedora Barbieri, Ruggero Raimondi 29:12
1982-09-07 Die sieben Todsünden: I. Faulheit (Sloth) baritone vocals Anthony Rolfe Johnson, Ian Caley, Michael Rippon, John Tomlinson, City of Birmingham Symphony Orchestra, Simon Rattle 3:49
1982-09-07 Die sieben Todsünden: II. Stolz (Pride) baritone vocals Elise Ross, Anthony Rolfe Johnson, Ian Caley, Michael Rippon, John Tomlinson, City of Birmingham Symphony Orchestra, Simon Rattle 4:28
1982-09-07 Die sieben Todsünden: III. Zorn (Anger) baritone vocals Elise Ross, Anthony Rolfe Johnson, Ian Caley, Michael Rippon, John Tomlinson, City of Birmingham Symphony Orchestra, Simon Rattle 4:24
1982-09-07 Die sieben Todsünden: IV. Völlerei (Gluttony) baritone vocals Anthony Rolfe Johnson, Ian Caley, Michael Rippon, John Tomlinson, Simon Rattle 3:25
1982-09-07 Die sieben Todsünden: V. Unzucht (Lust) baritone vocals Elise Ross, Anthony Rolfe Johnson, Ian Caley, Michael Rippon, John Tomlinson, City of Birmingham Symphony Orchestra, Simon Rattle 5:37
1982-09-07 Die sieben Todsünden: VI. Habsucht (Covetousness) baritone vocals Anthony Rolfe Johnson, Ian Caley, Michael Rippon, John Tomlinson, City of Birmingham Symphony Orchestra, Simon Rattle 3:10
1982-09-07 Die sieben Todsünden: VII. Neid (Envy) baritone vocals Elise Ross, Anthony Rolfe Johnson, Ian Caley, Michael Rippon, John Tomlinson, City of Birmingham Symphony Orchestra, Simon Rattle 4:31
1986-06-28 Mong Dong baritone vocals Michael Rippon, Hong Kong Philharmonic Orchestra, Kenneth Schermerhorn 10:10
Cantata No. 80: Ein' feste Burg ist unser Gott (Reformation Festival), BWV 80: ii. Aria with Chorale (Bass, Soprano): Alles, was von Gott geboren bass vocals English Chamber Orchestra, Johannes Somary 4:06
Cantata No. 80: Ein' feste Burg ist unser Gott (Reformation Festival), BWV 80: iii. Recitative (Bass): Erwäge doch, Kind Gottes bass vocals English Chamber Orchestra, Johannes Somary 2:25
Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: iii. Recitative (bass): Ach, Jesu, ist dein Abschied schon so nah? bass vocals English Chamber Orchestra, Johannes Somary 1:19
Mass in B minor, BWV 232: Et in Spiritum Sanctum bass vocals English Chamber Orchestra, Johannes Somary 6:01
Mass in B minor, BWV 232: Quoniam Tu Solus Sanctus bass vocals English Chamber Orchestra, Johannes Somary 5:20
Missa Brevis: I. Introitus bass vocals and solo Brighton Festival Chorus, Ian Caley, Hannah Francis, Elizabeth Gale, Alfreda Hodgson, Michael Rippon, Sally Le Sage, Christopher Bowers-Broadbent, László Heltay 2:39
Missa Brevis: II. Kyrie bass vocals and solo Brighton Festival Chorus, Ian Caley, Hannah Francis, Elizabeth Gale, Alfreda Hodgson, Michael Rippon, Sally Le Sage, Christopher Bowers-Broadbent, László Heltay 2:28
Missa Brevis: III. Gloria bass vocals and solo Brighton Festival Chorus, Ian Caley, Hannah Francis, Elizabeth Gale, Alfreda Hodgson, Michael Rippon, Sally Le Sage, Christopher Bowers-Broadbent, László Heltay 4:22
Missa Brevis: IV. Credo bass vocals and solo Brighton Festival Chorus, Ian Caley, Hannah Francis, Elizabeth Gale, Alfreda Hodgson, Michael Rippon, Sally Le Sage, Christopher Bowers-Broadbent, László Heltay 6:11
Missa Brevis: V. Sanctus bass vocals and solo Brighton Festival Chorus, Ian Caley, Hannah Francis, Elizabeth Gale, Alfreda Hodgson, Michael Rippon, Sally Le Sage, Christopher Bowers-Broadbent, László Heltay 2:44
Missa Brevis: VI. Benedictus bass vocals and solo Brighton Festival Chorus, Ian Caley, Hannah Francis, Elizabeth Gale, Alfreda Hodgson, Michael Rippon, Sally Le Sage, Christopher Bowers-Broadbent, László Heltay 3:47
Missa Brevis: VII. Agnus Dei bass vocals and solo Brighton Festival Chorus, Ian Caley, Hannah Francis, Elizabeth Gale, Alfreda Hodgson, Michael Rippon, Sally Le Sage, Christopher Bowers-Broadbent, László Heltay 5:59
Missa Brevis: VIII. Ite, missa est bass vocals and solo Brighton Festival Chorus, Ian Caley, Hannah Francis, Elizabeth Gale, Alfreda Hodgson, Michael Rippon, Sally Le Sage, Christopher Bowers-Broadbent, László Heltay 3:35