|
performer |
|
Pianosonate nr. 31, op. 110, deel 2: Allegro moto |
|
|
Ludwig van Beethoven |
2:08 |
|
vocal |
1973-07-21 |
De temporum fine comoedia: I. Die Sibyllen. "Choneusó gar hapanta kai eis katharón dialéxo" |
|
solo and soprano vocals |
Kölner Rundfunk-Sinfonie-Orchester, Herbert von Karajan |
3:01 |
1973-07-21 |
De temporum fine comoedia: I. Die Sibyllen. "Heis theós estin anarchos, hypermegéthaes, agénaetos" |
|
solo and soprano vocals |
Kölner Rundfunk-Sinfonie-Orchester, Herbert von Karajan |
7:09 |
1973-07-21 |
De temporum fine comoedia: I. Die Sibyllen. "Opse theü g'aléüsi myloi" |
|
solo and soprano vocals |
Kölner Rundfunk-Sinfonie-Orchester, Herbert von Karajan |
3:18 |
1973-07-21 |
De temporum fine comoedia: I. Die Sibyllen. "Pasin homü nyx estin isae tois plüton echusin kai ptochois" |
|
solo and soprano vocals |
Kölner Rundfunk-Sinfonie-Orchester, Herbert von Karajan |
8:49 |
1973-07-21 |
De temporum fine comoedia: I. Die Sibyllen. "Vae! Ibunt impii in gehennam ignis eterni" |
|
solo and soprano vocals |
Kölner Rundfunk-Sinfonie-Orchester, Herbert von Karajan |
0:58 |
1974-01 |
Symphony no. 9 in D minor, op. 125 "Choral": IV. Presto - Allegro assai "Ode to Joy" |
|
soprano vocals |
Kinderchor des Philharmonischen Chores Dresden, Rundfunkchor Leipzig, Rundfunkchor Berlin, Gewandhausorchester Leipzig, Kurt Masur |
23:58 |
1974 |
Symphony no. 9 in D minor, op. 125: Allegro assai - Alla marcia (allegro vivace assai) - Andante maestoso - Adagio non troppo, ma divoto - Allegro energico, sempre ben marcato - Allegro ma non tanto |
|
soprano vocals |
Gewandhausorchester Leipzig, Kurt Masur |
16:50 |
1975-09-26 – 1975-09-27 |
Messe in C-Dur, KV 317 "Krönungsmesse": Agnus Dei: Agnus Dei. Andante sostenuto |
|
soprano vocals |
Anna Tomowa‐Sintow, Berliner Philharmoniker, Herbert von Karajan |
3:51 |
1975-09-26 – 1975-09-27 |
Messe in C-Dur, KV 317 "Krönungsmesse": Agnus Dei: Dona nobis pacem. Allegro con spirito |
|
soprano vocals |
Anna Tomowa‐Sintow, Agnes Baltsa, Werner Krenn, José van Dam, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan |
2:49 |
1975-09-26 – 1975-09-27 |
Messe in C-Dur, KV 317 "Krönungsmesse": Benedictus: Allegretto - Allegro assai |
|
soprano vocals |
Anna Tomowa‐Sintow, Agnes Baltsa, Werner Krenn, José van Dam, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan |
3:17 |
1975-09-26 – 1975-09-27 |
Messe in C-Dur, KV 317 "Krönungsmesse": Credo: Allegretto molto - Adagio - Tempo I |
|
soprano vocals |
Anna Tomowa‐Sintow, Agnes Baltsa, Werner Krenn, José van Dam, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan |
6:40 |
1975-09-26 – 1975-09-27 |
Messe in C-Dur, KV 317 "Krönungsmesse": Gloria: Allegretto non spirito |
|
soprano vocals |
Anna Tomowa‐Sintow, Agnes Baltsa, Werner Krenn, José van Dam, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan |
3:59 |
1975-09-26 – 1975-09-27 |
Messe in C-Dur, KV 317 "Krönungsmesse": Kyrie: Andante maestoso - Più andante |
|
soprano vocals |
Anna Tomowa‐Sintow, Werner Krenn, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan |
3:16 |
1975-09-27 – 1975-09-28 |
Requiem in D minor, K. 626 (Süßmayr completion): I. Introitus: "Requiem aeternam" |
|
soprano vocals |
Anna Tomowa‐Sintow, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan |
5:39 |
1975-09-27 – 1975-09-28 |
Requiem in D minor, K. 626 (Süßmayr completion): IIIb. Sequenz: "Tuba mirum" |
|
soprano vocals |
Anna Tomowa‐Sintow, Agnes Baltsa, Werner Krenn, José van Dam, Berliner Philharmoniker, Herbert von Karajan |
4:13 |
1975-09-27 – 1975-09-28 |
Requiem in D minor, K. 626 (Süßmayr completion): IIId. Sequenz: "Recordare" |
|
soprano vocals |
Anna Tomowa‐Sintow, Agnes Baltsa, Werner Krenn, José van Dam, Berliner Philharmoniker, Herbert von Karajan |
5:18 |
1975-09-27 – 1975-09-28 |
Requiem in D minor, K. 626 (Süßmayr completion): IVa. Offertorium: "Domine Jesu" |
|
soprano vocals |
Anna Tomowa‐Sintow, Agnes Baltsa, Werner Krenn, José van Dam, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan |
3:48 |
1975-09-27 – 1975-09-28 |
Requiem in D minor, K. 626 (Süßmayr completion): VI. "Benedictus" |
|
soprano vocals |
Anna Tomowa‐Sintow, Agnes Baltsa, Werner Krenn, José van Dam, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan |
5:14 |
1975-09-27 – 1975-09-28 |
Requiem in D minor, K. 626 (Süßmayr completion): VIII. Communio: "Lux aeterna" |
|
soprano vocals |
Anna Tomowa‐Sintow, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan |
6:17 |
1976-09-22 – 1977-02-06 |
Symphony no. 9 in D minor, op. 125 "Choral": V. Presto - "O Freunde, nicht diese Töne!" - Allegro assai - Allegro assai vivace. Alla marcia - Andante maestoso - Allegro energico, sempre ben marcato |
|
soprano vocals |
Anna Tomowa‐Sintow, Agnes Baltsa, Peter Schreier, José van Dam, Helmuth Froschauer, Berliner Philharmoniker, Herbert von Karajan |
17:56 |
1978-04 – 1978-05 |
Le nozze di Figaro, K. 492: Act II. Porgi, amor (La Contessa) |
|
|
Wiener Philharmoniker, Herbert von Karajan |
3:41 |
1978-04 – 1978-05 |
Le nozze di Figaro, K. 492: Act III. Cosa mi narri? … Sull’aria (La Contessa, Susanna) |
|
|
Wiener Philharmoniker, Herbert von Karajan |
3:05 |
1978-04 – 1978-05 |
Le nozze di Figaro, K. 492: Act III. E Susanna non vien! … Dove sono i bei momenti (La Contessa) |
|
|
Wiener Philharmoniker, Herbert von Karajan |
6:43 |
1978-04 – 1978-05 |
Le nozze di Figaro, K. 492: Act IV. Finale: Pace. pace mio dolce tesoro (Susanna, La Contessa, Marcellina, Cherubino, Don Curzio, Il Conte, Bartolo, Don Basilio, Figaro, Antonio) |
|
|
Wiener Philharmoniker, Herbert von Karajan |
7:15 |
1984-06 |
Messa da Requiem: 1. Requiem: Requiem aeternam dona eis |
|
soprano vocals |
Wiener Philharmoniker, Herbert von Karajan |
7:57 |
1984-06 |
Messa da Requiem: 2. Dies irae: Lacrymosa dies illa |
|
soprano vocals |
Wiener Philharmoniker, Herbert von Karajan |
6:01 |
1984-06 |
Messa da Requiem: 2. Dies irae: Quid sum miser tunc dicturus? |
|
soprano vocals |
Wiener Philharmoniker, Herbert von Karajan |
3:52 |
1984-06 |
Messa da Requiem: 2. Dies irae: Recordare, Jesu pie |
|
soprano vocals |
Wiener Philharmoniker, Herbert von Karajan |
4:28 |
1984-06 |
Messa da Requiem: 2. Dies irae: Rex tremendae majestatis |
|
soprano vocals |
Wiener Philharmoniker, Herbert von Karajan |
3:42 |
1984-06 |
Messa da Requiem: 3. Offertory. Domine Jesu Christe |
|
soprano vocals |
Wiener Philharmoniker, Herbert von Karajan |
11:21 |
1984-06 |
Messa da Requiem: 5. Agnus dei: Agnus dei, qui tollis peccata mundi |
|
soprano vocals |
Wiener Philharmoniker, Herbert von Karajan |
4:45 |
1984-06 |
Messa da Requiem: 7. Libera me: Libera me, Domine, de morte aeterna, in die illa tremenda |
|
soprano vocals |
Wiener Philharmoniker, Herbert von Karajan |
13:51 |
1984-06 |
Messa da Requiem: Dies irae. Confutatis |
|
soprano vocals |
Giuseppe Verdi |
3:56 |
1984-06 |
Messa da Requiem: Dies irae. Ingemisco |
|
soprano vocals |
Giuseppe Verdi |
3:56 |
1984-06 |
Messa da Requiem: Dies irae. Lacrymosa |
|
soprano vocals |
Giuseppe Verdi |
6:08 |
1985-01 |
Don Giovanni: 2. Akt. "Ah! Dove è il perfido" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Masetto, Leporello) |
|
soprano vocals |
Berliner Philharmoniker, Herbert von Karajan |
6:32 |
1985-11-18 – 1985-11-20 |
Capriccio, op. 85: Monolog der Gräfin |
|
soprano vocals |
Anna Tomowa‐Sintow, Berliner Philharmoniker, Herbert von Karajan |
15:04 |
1985-11-18 – 1985-11-20 |
Die heiligen drei Könige aus Morgenland, op. 56-6 |
|
soprano vocals |
Anna Tomowa‐Sintow, Berliner Philharmoniker, Herbert von Karajan |
6:27 |
1985-11-18 – 1985-11-20 |
Vier letzte lieder, AV 150: 1. Frühling |
|
soprano vocals |
Anna Tomowa‐Sintow, Berliner Philharmoniker, Herbert von Karajan |
3:21 |
1985-11-18 – 1985-11-20 |
Vier letzte lieder, AV 150: 2. September |
|
soprano vocals |
Anna Tomowa‐Sintow, Berliner Philharmoniker, Herbert von Karajan |
4:02 |
1985-11-18 – 1985-11-20 |
Vier letzte lieder, AV 150: 3. Beim Schlafengehen |
|
soprano vocals |
Anna Tomowa‐Sintow, Berliner Philharmoniker, Herbert von Karajan |
5:30 |
1985-11-18 – 1985-11-20 |
Vier letzte lieder, AV 150: 4. Im Abendrot |
|
soprano vocals |
Anna Tomowa‐Sintow, Berliner Philharmoniker, Herbert von Karajan |
7:15 |
1985-11 |
Capriccio, op. 85: Mondschein-Musik |
|
soprano vocals |
Anna Tomowa‐Sintow, Berliner Philharmoniker, Herbert von Karajan |
3:19 |
1985-11 |
Capriccio, op. 85: Monolog der Gräfin |
|
soprano vocals |
Anna Tomowa‐Sintow, Berliner Philharmoniker, Herbert von Karajan |
15:12 |
1985-11 |
Die heiligen drei Könige aus Morgenland, op. 56 no. 6 |
|
soprano vocals |
Anna Tomowa‐Sintow, Berliner Philharmoniker, Herbert von Karajan |
6:25 |
1985-11 |
Four Last Songs: I. Frühling |
|
soprano vocals |
Anna Tomowa‐Sintow, Berliner Philharmoniker, Herbert von Karajan |
3:18 |
1985-11 |
Four Last Songs: II. September |
|
soprano vocals |
Anna Tomowa‐Sintow, Berliner Philharmoniker, Herbert von Karajan |
4:01 |
1985-11 |
Four Last Songs: III. Beim Schlafengehen |
|
soprano vocals |
Anna Tomowa‐Sintow, Berliner Philharmoniker, Herbert von Karajan |
5:29 |
1985-11 |
Four Last Songs: IV. Im Abendrot |
|
soprano vocals |
Anna Tomowa‐Sintow, Berliner Philharmoniker, Herbert von Karajan |
7:06 |
1986-05 |
Requiem d-moll, KV 626: I. Introitus: "Requiem" (Chor, Sopran) |
|
soprano vocals |
Anna Tomowa‐Sintow, Wiener Singverein, Wiener Philharmoniker, Herbert von Karajan |
5:25 |
1986-05 |
Requiem d-moll, KV 626: III. Sequenz: No. 2."Tuba mirum" (Sopran, Alt, Tenor, Bass) |
|
soprano vocals |
Anna Tomowa‐Sintow, Helga Müller‐Molinari, Vinson Cole, Paata Burchuladze, Wiener Philharmoniker, Herbert von Karajan |
3:53 |
1986-05 |
Requiem d-moll, KV 626: III. Sequenz: No. 4. "Recordare" (Sopran, Alt, Tenor, Bass) |
|
soprano vocals |
Anna Tomowa‐Sintow, Helga Müller‐Molinari, Vinson Cole, Paata Burchuladze, Wiener Philharmoniker, Herbert von Karajan |
5:11 |
1986-05 |
Requiem d-moll, KV 626: IV. Offertorium: No. 1. "Domine Jesu" (Chor, Sopran, Atl, Tenor, Bass) |
|
soprano vocals |
Wiener Singverein, Anna Tomowa‐Sintow, Helga Müller‐Molinari, Vinson Cole, Paata Burchuladze, Wiener Philharmoniker, Herbert von Karajan |
3:50 |
1986-05 |
Requiem d-moll, KV 626: VI. "Benedictus" (Chor, Sopran, Alt, Tenor, Bass) |
|
soprano vocals |
Wiener Singverein, Anna Tomowa‐Sintow, Helga Müller‐Molinari, Vinson Cole, Paata Burchuladze, Wiener Philharmoniker, Herbert von Karajan |
5:29 |
1986-05 |
Requiem d-moll, KV 626: VIII. Communio: "Lux aeterna" (Chor, Sopran) |
|
soprano vocals |
Wiener Singverein, Anna Tomowa‐Sintow, Wiener Philharmoniker, Herbert von Karajan |
5:50 |
1987 |
Madama Butterfly: Acte I. Duo d’amour, Butterfly - Pinkerton « Viene la sera » – « Bimba dagli occhi » |
Anna Tomowa‐Sintow |
soprano vocals |
Anna Tomowa‐Sintow, Giacomo Aragall, Sofia National Opera Orchestra, Rouslan Raichev |
14:00 |
1987 |
Madama Butterfly: Acte II. “Un bel dì vedremo” |
Anna Tomowa‐Sintow |
soprano vocals |
Anna Tomowa‐Sintow, Sofia National Opera Orchestra, Rouslan Raichev |
4:29 |
1987 |
Madame Butterfly, Acte II. Duo, Suzuki - Butterfly « Una nave da guerra » – « Scuoti quella fronda di ciliegio » |
Anna Tomowa‐Sintow |
soprano vocals |
Stefka Mineva, Anna Tomowa‐Sintow, Sofia National Opera Orchestra, Rouslan Raichev |
8:39 |
1987 |
Madame Butterfly, Acte III. Finale: mort de Butterfly « Con onor muore » |
Anna Tomowa‐Sintow |
soprano vocals |
Anna Tomowa‐Sintow, Sofia National Opera Orchestra, Rouslan Raichev |
5:05 |
|
»Da geht er hin, der aufgeblasene schlechte Kerl« (Marschallin) |
|
soprano vocals |
Anna Tomowa‐Sintow, Wiener Philharmoniker, Herbert von Karajan |
5:36 |
|
»Wie du warst! Wie du bist« (Octavian, Marschallin) |
|
soprano vocals |
Aγνή Mπάλτσα, Anna Tomowa‐Sintow, Wiener Philharmoniker, Herbert von Karajan |
9:27 |
|
A German Requiem, Op. 45: V. Soprano & chorus "Ihr habt nun Traurigkeit" |
|
soprano vocals |
Rundfunk-Solistenvereinigung Berlin, Rundfunkchor Berlin, Rundfunk-Sinfonieorchester Berlin, Helmut Koch |
6:46 |
|
Der Rosenkavalier, op. 59: Dritter Aufzug. "Heut oder morgen oder den übernächten Tag" (Marschallin, Sophie, Octavian) |
|
soprano vocals |
Wiener Philharmoniker, Herbert von Karajan |
5:04 |
|
Der Rosenkavalier, op. 59: Dritter Aufzug. "Ihre hochfürstliche Gnaden, die Frau Fürstin Feldmarschall!" (Wirt, Baron, Octavian, Kommissarius, Marschallin, Sophie) |
|
soprano vocals |
Wiener Philharmoniker, Herbert von Karajan |
10:20 |
|
Der Rosenkavalier, op. 59: Dritter Aufzug. "Ist ein Traum, kann nicht wirklich sein" (Sophie, Octavian, Faninal, Marschallin) |
|
soprano vocals |
Wiener Philharmoniker, Herbert von Karajan |
6:48 |
|
Der Rosenkavalier, op. 59: Dritter Aufzug. "Ist halt vorbei" (Marschallin, Sophie, Baron, Annina, Kinder, Kellner, Wirt, Valzacchi, Musikanten, Kutscher, Hausknecht) |
|
soprano vocals |
Wiener Philharmoniker, Herbert von Karajan |
2:34 |
|
Der Rosenkavalier, op. 59: Dritter Aufzug. "Marie Theres', wie gut Sie ist" (Octavian, Marschallin, Sophie) |
|
soprano vocals |
Wiener Philharmoniker, Herbert von Karajan |
6:23 |
|
Der Rosenkavalier, op. 59: Dritter Aufzug. "Mein Gott, er war nicht mehr als eine Farce" (Sophie, Octavian, Marschallin) |
|
soprano vocals |
Wiener Philharmoniker, Herbert von Karajan |
2:28 |
|
Der Rosenkavalier, op. 59: Erster Aufzug. "Ah, du bist wieder la!" (Marschallin, Octavian) |
|
soprano vocals |
Wiener Philharmoniker, Herbert von Karajan |
6:16 |
|
Der Rosenkavalier, op. 59: Erster Aufzug. "Da geht er hin, der aufgeblasene schlechte Kerl" (Marschallin) |
|
soprano vocals |
Wiener Philharmoniker, Herbert von Karajan |
5:39 |
|
Der Rosenkavalier, op. 59: Erster Aufzug. "Der Feldmarschall sitzt im krowatischen Wald" (Octavian, Marschallin, Haushofmeister, Baron) |
|
soprano vocals |
Wiener Philharmoniker, Herbert von Karajan |
6:28 |
|
Der Rosenkavalier, op. 59: Erster Aufzug. "Macht das einen lahmen Esel aus mir?" (Baron, Marschallin, Octavian) |
|
soprano vocals |
Kurt Moll, Anna Tomowa‐Sintow, Aγνή Mπάλτσα, Wiener Philharmoniker, Herbert von Karajan |
6:27 |
|
Der Rosenkavalier, op. 59: Erster Aufzug. "Mein lieber Hippolyte, heut haben Sie ein altes Weib aus mir gemacht!" (Marschallin, Valzacchi, Baron, Annina) |
|
soprano vocals |
Wiener Philharmoniker, Herbert von Karajan |
3:56 |
|
Der Rosenkavalier, op. 59: Erster Aufzug. "Selbstverständlich empfängt mich Ihre Gnaden" (Baron, Lakaien, Marschallin, Haushofmeister, Octavian) |
|
soprano vocals |
Wiener Philharmoniker, Herbert von Karajan |
9:29 |
|
Der Rosenkavalier, op. 59: Erster Aufzug. "Wie du warst! Wie du bist!" (Octavian, Marschallin) |
|
soprano vocals |
Wiener Philharmoniker, Herbert von Karajan |
9:25 |
|
Der Rosenkavalier, op. 59: Erster Aufzug. "Zeit, die ist ein sonderbar Ding" (Marschallin, Octavian, Lakaien) |
|
soprano vocals |
Wiener Philharmoniker, Herbert von Karajan |
15:28 |
|
Der Rosenkavalier: Hab Mir's gelobt; ist ein Traum, Kann nicht wirklich sein |
|
soprano vocals |
Aγνή Mπάλτσα, Janet Perry, Anna Tomowa‐Sintow, Wiener Philharmoniker, Herbert von Karajan |
13:14 |
|
Don Giovanni, KV 527: Atto primo, no. 1. "Ah! Del padre in periglio in soccorso voliam" (Donna Anna, Don Ottavio) |
|
soprano vocals |
Berliner Philharmoniker, Herbert von Karajan |
0:11 |
|
Don Giovanni, KV 527: Atto primo, no. 2. Duetto "Fuggi, crudel, fuggi!" (Donna Anna, Don Ottavio) |
|
soprano vocals |
Berliner Philharmoniker, Herbert von Karajan |
4:21 |
|
Don Giovanni, KV 527: Atto primo, no. 2. Recitativo accompagnato "Ma qual mai s'offre, o dei" |
|
soprano vocals |
Berliner Philharmoniker, Herbert von Karajan |
3:13 |
|
Don Giovanni, KV 527: Atto primo, no. 8. "Mi par ch'oggi il demonio si diverta" (Don Giovanni, Don Ottavio, Donna Anna) |
|
soprano vocals |
Berliner Philharmoniker, Herbert von Karajan |
1:09 |
|
Don Giovanni, KV 527: Atto primo, no. 9. Quartetto "Non ti fidar, o misera, di quel ribaldo cor!" (Donna Elvira, Donna Anna, Don Ottavio, Don Giovanni) |
|
soprano vocals |
Berliner Philharmoniker, Herbert von Karajan |
4:23 |
|
Don Giovanni, KV 527: Atto primo, no. 10. Recitativo accompagnato "Don Ottavio... son morta!" (Donna Anna, Don Ottavio) |
|
soprano vocals |
Berliner Philharmoniker, Herbert von Karajan |
3:39 |
|
Don Giovanni, KV 527: Atto primo, no. 13. "Tra quest'alberi celata" (Zerlina, Don Giovanni, Masetto) |
|
soprano vocals |
Berliner Philharmoniker, Herbert von Karajan |
2:32 |
|
Don Giovanni, KV 527: Atto primo, no. 13. Finale I "Presto presto... pria ch'ei venga" (Masetto, Zerlina) |
|
soprano vocals |
Berliner Philharmoniker, Herbert von Karajan |
0:54 |
|
Don Giovanni, KV 527: Atto secondo, no. 16. "V'è gente alla finestra" (Don Giovanni) |
|
soprano vocals |
Berliner Philharmoniker, Herbert von Karajan |
0:04 |
|
Don Giovanni, KV 527: Atto secondo, no. 17. Aria "Metà di voi qua vadano" (Don Giovanni) |
|
soprano vocals |
Berliner Philharmoniker, Herbert von Karajan |
2:52 |
|
Don Giovanni, KV 527: Atto secondo, no. 18. "Di molte faci il lume S'avvicina" (Leporello, Donna Elvira) |
|
soprano vocals |
Berliner Philharmoniker, Herbert von Karajan |
0:33 |
|
Don Giovanni, KV 527: Atto secondo, no. 19. Sestetto "Sola, sola, un buio loco" (Donna Elvira, Leporello, Don Ottavio, Donna Anna, Zerlina, Masetto) |
|
soprano vocals |
Berliner Philharmoniker, Herbert von Karajan |
8:27 |
|
Don Giovanni, KV 527: Atto secondo, no. 22. "Calmatevi, idol mio; di quel rivaldo" (Don Ottavio, Donna Anna) |
|
soprano vocals |
Berliner Philharmoniker, Herbert von Karajan |
0:58 |
|
Don Giovanni, KV 527: Atto secondo, no. 23. Aria "Non mi dir, bell'idol mio" (Donna Anna) |
|
soprano vocals |
Berliner Philharmoniker, Herbert von Karajan |
5:37 |
|
Don Giovanni, KV 527: Atto secondo, no. 23. Recitativo accompagnato "Crudele! Ah no! mio bene!" (Donna Anna) |
|
soprano vocals |
Berliner Philharmoniker, Herbert von Karajan |
2:02 |
|
Don Giovanni: 1. Akt. "Or sai chi l'onore" (Donna Anna) |
|
soprano vocals |
Berliner Philharmoniker, Herbert von Karajan |
3:00 |
|
Dove sono |
|
soprano vocals |
Anna Tomowa‐Sintow, VPO, Herbert von Karajan |
6:43 |
|
Ein Deutsches Requiem Op. 45 |
|
soprano vocals |
Johannes Brahms |
6:43 |
|
Ein deutsches Requiem: V. Ihr habt nun Traurigkeit |
|
solo and soprano vocals |
Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan |
7:53 |
|
Eugene Onegin: Letter Scene (excerpt) |
|
soprano vocals |
Anna Tomowa‐Sintow, Sofia Festival Orchestra, Emil Tchakarov |
6:19 |
|
FATAL ATTRACTION: Madama Butterfly Aria 'Un Bel Di Vedremo' |
|
soprano vocals |
Anna Tomowa‐Sintow |
4:33 |
|
Lohengrin: Einsam in trüben Tagen |
|
soprano vocals |
Berliner Philharmoniker, Herbert von Karajan |
9:38 |
|
Missa Solemnis in D major, Op. 123: I. Kyrie |
|
soprano vocals |
Annelies Burmeister, MDR Rundfunkchor Leipzig, Hermann Christian Polster, Peter Schreier, Anna Tomowa‐Sintow, Gewandhausorchester Leipzig, Kurt Masur |
8:03 |
|
Missa Solemnis in D major, Op. 123: II. Gloria |
|
soprano vocals |
Annelies Burmeister, MDR Rundfunkchor Leipzig, Hermann Christian Polster, Peter Schreier, Anna Tomowa‐Sintow, Gewandhausorchester Leipzig, Kurt Masur |
16:50 |
|
Missa Solemnis in D major, Op. 123: III. Credo |
|
soprano vocals |
Annelies Burmeister, MDR Rundfunkchor Leipzig, Hermann Christian Polster, Peter Schreier, Anna Tomowa‐Sintow, Gewandhausorchester Leipzig, Kurt Masur |
19:34 |
|
Missa Solemnis in D major, Op. 123: IV. Sanctus |
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soprano vocals |
Annelies Burmeister, MDR Rundfunkchor Leipzig, Hermann Christian Polster, Peter Schreier, Anna Tomowa‐Sintow, Gewandhausorchester Leipzig, Kurt Masur |
14:10 |
|
Missa Solemnis in D major, Op. 123: V. Agnus Dei |
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soprano vocals |
Annelies Burmeister, MDR Rundfunkchor Leipzig, Hermann Christian Polster, Peter Schreier, Anna Tomowa‐Sintow, Gewandhausorchester Leipzig, Kurt Masur |
14:56 |
|
Missa solemnis, Op. 123: Agnus Dei |
|
soprano vocals |
Robert Lloyd, London Symphony Chorus, Patricia Payne, Robert Tear, Anna Tomowa‐Sintow, London Symphony Orchestra, Sir Colin Davis |
7:59 |
|
Missa solemnis, Op. 123: Agnus Dei |
|
soprano vocals |
Robert Lloyd, London Symphony Chorus, Patricia Payne, Robert Tear, Anna Tomowa‐Sintow, London Symphony Orchestra, Sir Colin Davis |
7:22 |
|
Missa solemnis, Op. 123: Credo in unum Deum |
|
soprano vocals |
Robert Lloyd, London Symphony Chorus, Patricia Payne, Robert Tear, Anna Tomowa‐Sintow, London Symphony Orchestra, Sir Colin Davis |
5:01 |
|
Missa solemnis, Op. 123: Dona nobis pacem |
|
soprano vocals |
Robert Lloyd, London Symphony Chorus, Patricia Payne, Robert Tear, Anna Tomowa‐Sintow, London Symphony Orchestra, Sir Colin Davis |
2:39 |
|
Missa solemnis, Op. 123: Et ascendit in cœlum |
|
soprano vocals |
Robert Lloyd, London Symphony Chorus, Patricia Payne, Robert Tear, Anna Tomowa‐Sintow, London Symphony Orchestra, Sir Colin Davis |
9:43 |
|
Missa solemnis, Op. 123: Et incarnatus est |
|
soprano vocals |
Robert Lloyd, London Symphony Chorus, Patricia Payne, Robert Tear, Anna Tomowa‐Sintow, London Symphony Orchestra, Sir Colin Davis |
7:45 |
|
Missa solemnis, Op. 123: Gloria in excelsis Deo |
|
soprano vocals |
Robert Lloyd, London Symphony Chorus, Patricia Payne, Robert Tear, Anna Tomowa‐Sintow, London Symphony Orchestra, Sir Colin Davis |
4:58 |
|
Missa solemnis, Op. 123: Kyrie |
|
soprano vocals |
Robert Lloyd, London Symphony Chorus, Patricia Payne, Robert Tear, Anna Tomowa‐Sintow, London Symphony Orchestra, Sir Colin Davis |
11:03 |
|
Missa solemnis, Op. 123: Kyrie II |
|
soprano vocals |
Robert Lloyd, London Symphony Chorus, Patricia Payne, Robert Tear, Anna Tomowa‐Sintow, London Symphony Orchestra, Sir Colin Davis |
5:01 |
|
Missa solemnis, Op. 123: Preludium-Benedictus |
|
soprano vocals |
Robert Lloyd, London Symphony Chorus, Patricia Payne, Robert Tear, Anna Tomowa‐Sintow, London Symphony Orchestra, Sir Colin Davis |
12:43 |
|
Missa solemnis, Op. 123: Qui tollis peccata mundi |
|
soprano vocals |
Robert Lloyd, London Symphony Chorus, Patricia Payne, Robert Tear, Anna Tomowa‐Sintow, London Symphony Orchestra, Sir Colin Davis |
6:28 |
|
Missa solemnis, Op. 123: Quoniam tu solus sanctus |
|
soprano vocals |
Robert Lloyd, London Symphony Chorus, Patricia Payne, Robert Tear, Anna Tomowa‐Sintow, London Symphony Orchestra, Sir Colin Davis |
7:28 |
|
Missa solemnis, Op. 123: Sanctus Dominus Deus Sabaoth |
|
soprano vocals |
Robert Lloyd, London Symphony Chorus, Patricia Payne, Robert Tear, Anna Tomowa‐Sintow, London Symphony Orchestra, Sir Colin Davis |
4:24 |
|
Otello: Willow Song |
|
soprano vocals |
Софийска Филхармония, Руслан Райчев, Anna Tomowa‐Sintow |
9:03 |
|
Requiem en rémineur, K. 626 : I. Introitus "Requiem" (chorus, sopran) |
|
soprano vocals |
Wolfgang Amadeus Mozart |
5:25 |
|
Requiem en rémineur, K. 626 : III. Sequenz: No. 2 "Tuba mirum" (sopran, alt, tenor, bass) |
|
soprano vocals |
Wolfgang Amadeus Mozart |
3:53 |
|
Requiem en rémineur, K. 626 : III. Sequenz: No. 4 "Recordare" (sopran, alt, tenor, bass) |
|
soprano vocals |
Wolfgang Amadeus Mozart |
5:11 |
|
Requiem en rémineur, K. 626 : IV. Offertorium: No. 1 "Domine Jesu" (chorus, sopran, alt, tenor, bass) |
|
soprano vocals |
Wolfgang Amadeus Mozart |
3:50 |
|
Requiem en rémineur, K. 626 : VI. "Benedictus" (chorus, sopran, alt, tenor, bass) |
|
soprano vocals |
Wolfgang Amadeus Mozart |
5:29 |
|
Requiem en rémineur, K. 626 : VIII. Communio "Lux aeterna" (chorus, sopran) |
|
soprano vocals |
Wolfgang Amadeus Mozart |
5:50 |
|
Don Giovanni |
|
soprano vocals |
Wolfgang Amadeus Mozart; Chor der Deutschen Oper Berlin, Berliner Philharmoniker, Herbert von Karajan |
|
|
Requiem |
|
soprano vocals |
Verdi; Anna Tomowa‐Sintow, Agnes Baltsa, José Carreras, José van Dam, Konzertvereinigung Wiener Staatsopernchor, Chor der Nationaloper Sofia, Wiener Philharmoniker, Herbert von Karajan |
|
|
Requiem |
|
soprano vocals |
Verdi; Anna Tomowa‐Sintow, Agnes Baltsa, José Carreras, José van Dam, Konzertvereinigung Wiener Staatsopernchor, Chor der Nationaloper Sofia, Wiener Philharmoniker, Herbert von Karajan |
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