|
vocal |
1988-01-30 – 1988-01-31 |
Missa Solemnis C-dur KV 337: 2. Gloria |
soprano vocals |
Joachim Gebhardt, Barbara Hölzl, Münchner MotettenChor, Christiane Oelze, Andreas Schulist, Michael Grill, Residenzorchester München, Hans Rudolf Zöbeley |
3:33 |
1988-01-30 – 1988-01-31 |
Missa Solemnis C-dur KV 337: 4. Et incarnatus est - et resurrexit |
soprano vocals |
Joachim Gebhardt, Barbara Hölzl, Münchner MotettenChor, Christiane Oelze, Andreas Schulist, Michael Grill, Residenzorchester München, Hans Rudolf Zöbeley |
3:52 |
1988-01-30 – 1988-01-31 |
Missa Solemnis C-dur KV 337: 5. Sanctus - Osanna in excelsis |
soprano vocals |
Joachim Gebhardt, Barbara Hölzl, Münchner MotettenChor, Christiane Oelze, Michael Grill, Residenzorchester München, Hans Rudolf Zöbeley |
1:53 |
1988-01-30 – 1988-01-31 |
Missa Solemnis C-dur KV 337: 6. Benedictus - Osanna repetatur |
soprano vocals |
Joachim Gebhardt, Barbara Hölzl, Münchner MotettenChor, Christiane Oelze, Michael Grill, Residenzorchester München, Hans Rudolf Zöbeley |
2:38 |
1988-01-30 – 1988-01-31 |
Missa Solemnis C-dur KV 337: 7. Agnus Dei |
soprano vocals |
Joachim Gebhardt, Barbara Hölzl, Münchner MotettenChor, Christiane Oelze, Michael Grill, Residenzorchester München, Hans Rudolf Zöbeley |
4:13 |
1988-01-30 – 1988-01-31 |
Missa Solemnis C-dur KV 337: 8. Dona nobis |
soprano vocals |
Joachim Gebhardt, Barbara Hölzl, Münchner MotettenChor, Christiane Oelze, Michael Grill, Residenzorchester München, Hans Rudolf Zöbeley |
2:10 |
1988-01-30 – 1988-01-31 |
Regina Coeli C-dur KV 276 |
soprano vocals |
Joachim Gebhardt, Barbara Hölzl, Münchner MotettenChor, Christiane Oelze, Andreas Schulist, Michael Grill, Residenzorchester München, Hans Rudolf Zöbeley |
6:54 |
1988-07-16 – 1988-07-17 |
Credo-Messe C-dur KV 257: 1. Kyrie |
soprano vocals |
Joachim Gebhardt, Barbara Hölzl, Münchner MotettenChor, Christiane Oelze, Andreas Schulist, Michael Grill, Das ResidenzOrchester München, Hans Rudolf Zöbeley |
2:34 |
1988-07-16 – 1988-07-17 |
Credo-Messe C-dur KV 257: 2. Gloria |
soprano vocals |
Joachim Gebhardt, Barbara Hölzl, Münchner MotettenChor, Christiane Oelze, Andreas Schulist, Michael Grill, Das ResidenzOrchester München, Hans Rudolf Zöbeley |
3:38 |
1988-07-16 – 1988-07-17 |
Credo-Messe C-dur KV 257: 3. Credo |
soprano vocals |
Joachim Gebhardt, Barbara Hölzl, Münchner MotettenChor, Christiane Oelze, Andreas Schulist, Michael Grill, Das ResidenzOrchester München, Hans Rudolf Zöbeley |
9:03 |
1988-07-16 – 1988-07-17 |
Credo-Messe C-dur KV 257: 5. Benedictus |
soprano vocals |
Andreas Schulist, Joachim Gebhardt, Barbara Hölzl, Münchner MotettenChor, Christiane Oelze, Michael Grill, Das ResidenzOrchester München, Hans Rudolf Zöbeley |
5:05 |
1988-07-16 – 1988-07-17 |
Credo-Messe C-dur KV 257: 6. Agnus Dei |
soprano vocals |
Joachim Gebhardt, Barbara Hölzl, Münchner MotettenChor, Christiane Oelze, Andreas Schulist, Michael Grill, Das ResidenzOrchester München, Hans Rudolf Zöbeley |
5:22 |
1992-10 |
3 Songs, op. 18: I. “Schatzerl klein”: Sehr ruhig |
soprano vocals |
Christiane Oelze, Ensemble intercontemporain, Pierre Boulez |
0:56 |
1992-10 |
3 Songs, op. 18: II. Erlösung “Mein Kind, sieh an”: Bewegt |
soprano vocals |
Christiane Oelze, Ensemble intercontemporain, Pierre Boulez |
1:11 |
1992-10 |
3 Songs, op. 18: III. “Ave, Regina coelorum”: Langsam |
soprano vocals |
Christiane Oelze, Ensemble intercontemporain, Pierre Boulez |
1:29 |
1992-10 |
3 Traditional Rhymes, op. 17: I. “Armer Sünder, du”: Gemächlich |
soprano vocals |
Christiane Oelze, Ensemble intercontemporain, Pierre Boulez |
0:45 |
1992-10 |
3 Traditional Rhymes, op. 17: II. “Liebste Jungfrau, wir sind dein”: Fließend |
soprano vocals |
Christiane Oelze, Ensemble intercontemporain, Pierre Boulez |
1:03 |
1992-10 |
3 Traditional Rhymes, op. 17: III. “Heiland, unsre Missetaten”: Langsam |
soprano vocals |
Christiane Oelze, Ensemble intercontemporain, Pierre Boulez |
0:53 |
1992-10 |
5 Canons, op. 16: I. “Christus factus est”: Rasch |
soprano vocals |
Christiane Oelze, Ensemble intercontemporain, Pierre Boulez |
0:31 |
1992-10 |
5 Canons, op. 16: II. “Dormi Jesu, mater ridet”: Ruhig |
soprano vocals |
Christiane Oelze, Ensemble intercontemporain, Pierre Boulez |
1:05 |
1992-10 |
5 Canons, op. 16: III. “Crux fidelis”: Langsam |
soprano vocals |
Christiane Oelze, Ensemble intercontemporain, Pierre Boulez |
0:50 |
1992-10 |
5 Canons, op. 16: IV. “Asperges me, Domine”: Ser lebhaft |
soprano vocals |
Christiane Oelze, Ensemble intercontemporain, Pierre Boulez |
0:37 |
1992-10 |
5 Canons, op. 16: V. “Crucem tuam adoramus, Domine” |
soprano vocals |
Christiane Oelze, Ensemble intercontemporain, Pierre Boulez |
0:31 |
1992-10 |
5 Sacred Songs, op. 15: I. “Das Kreuz, das mußt’ er tragen”: Getragen |
soprano vocals |
Christiane Oelze, Ensemble intercontemporain, Pierre Boulez |
0:59 |
1992-10 |
5 Sacred Songs, op. 15: II. Morgenlied: “Steht auf, ihr lieben Kinderlein”: Zart bewegt |
soprano vocals |
Christiane Oelze, Ensemble intercontemporain, Pierre Boulez |
0:52 |
1992-10 |
5 Sacred Songs, op. 15: III. “In Gottes Namen aufstehn”: Gemächlich |
soprano vocals |
Christiane Oelze, Ensemble intercontemporain, Pierre Boulez |
0:59 |
1992-10 |
5 Sacred Songs, op. 15: IV. “Mein Weg geht jetzt vorüber”: Sehr ruhig |
soprano vocals |
Christiane Oelze, Ensemble intercontemporain, Pierre Boulez |
0:59 |
1992-10 |
5 Sacred Songs, op. 15: V. “Fahr hin, o Seel’, zu deinem Gott”: Doppelcanon in motu cantrario, fließend |
soprano vocals |
Christiane Oelze, Ensemble intercontemporain, Pierre Boulez |
1:38 |
1993-12-03 – 1993-12-05 |
Weihnachts-Oratorium, BWV 248: Dritter Teil, XXIX. Aria duetto (Soprano, Basso) "Herr, dein Mitleid" |
soprano vocals |
Drottningholm Baroque Ensemble, Eric Ericson |
8:00 |
1993-12-03 – 1993-12-05 |
Weihnachts-Oratorium, BWV 248: Erster Teil, VII. Choral con Recitativo (Basso) "Er ist auf Erden kommen arm" |
soprano vocals |
Drottningholm Baroque Ensemble, Eric Ericson |
3:05 |
1993-12-03 – 1993-12-05 |
Weihnachts-Oratorium, BWV 248: Fünfter Teil, LI. Aria Terzetto (Soprano, Alto, Tenore) "Ach, wenn wird die Zeit erscheinen" |
soprano vocals |
Drottningholm Baroque Ensemble, Eric Ericson |
5:45 |
1993-12-03 – 1993-12-05 |
Weihnachts-Oratorium, BWV 248: Sechster Teil, LVI. Recitativo (Soprano) "Du Falscher, suche nur den Herrn zu fällen" |
soprano vocals |
Drottningholm Baroque Ensemble, Eric Ericson |
0:55 |
1993-12-03 – 1993-12-05 |
Weihnachts-Oratorium, BWV 248: Sechster Teil, LVII. Aria (Soprano) "Nur ein Wink von seinen Händen" |
soprano vocals |
Drottningholm Baroque Ensemble, Eric Ericson |
3:56 |
1993-12-03 – 1993-12-05 |
Weihnachts-Oratorium, BWV 248: Sechster Teil, LXIII. Recitativo (Soprano, Alto, Tenore, Basso) "Was will der Höllen Schrecken nun" |
soprano vocals |
Drottningholm Baroque Ensemble, Eric Ericson |
0:47 |
1993-12-03 – 1993-12-05 |
Weihnachts-Oratorium, BWV 248: Vierter Teil, XL. Recitativo (Basso) con Chorale "Wohlan, dein Name soll allein" |
soprano vocals |
Drottningholm Baroque Ensemble, Eric Ericson |
1:20 |
1993-12-03 – 1993-12-05 |
Weihnachts-Oratorium, BWV 248: Vierter Teil, XXXIX. (Soprano) "Flößt, mein Heiland, flößt dein Namen" |
soprano vocals |
Drottningholm Baroque Ensemble, Eric Ericson |
5:30 |
1993-12-03 – 1993-12-05 |
Weihnachts-Oratorium, BWV 248: Vierter Teil, XXXVIII. Recitativo (Basso) con Chorale "Immanuel, o süßes Wort" |
soprano vocals |
Drottningholm Baroque Ensemble, Eric Ericson |
2:18 |
1994-09 |
Kantate no. 1, op. 29: I. “Zündender Lichtblitz des Lebens”: Getragen - lebhaft |
soprano vocals |
BBC Singers, Christiane Oelze, Berliner Philharmoniker, Pierre Boulez |
2:17 |
1994-09 |
Kantate no. 1, op. 29: II. “Kleiner Flügel Ahornsamen”: Leicht bewegt |
soprano vocals |
Christiane Oelze, Berliner Philharmoniker, Pierre Boulez |
2:19 |
1994-09 |
Kantate no. 1, op. 29: III. “Tönen die seligen Saiten”: Ruhig |
soprano vocals |
BBC Singers, Christiane Oelze, Berliner Philharmoniker, Pierre Boulez |
4:11 |
1994-09 |
Kantate no. 2, op. 31: I. “Schweigt auch die Welt”: Sehr lebhaft - ruhig |
soprano vocals |
Gerald Finley, Christiane Oelze, Berliner Philharmoniker, Pierre Boulez |
2:08 |
1994-09 |
Kantate no. 2, op. 31: II. “Sehr tief verhalten innerst Leben”: Sehr verhalten |
soprano vocals |
Gerald Finley, Christiane Oelze, Berliner Philharmoniker, Pierre Boulez |
3:49 |
1994-09 |
Kantate no. 2, op. 31: III. “Schöpfen aus Brunnen des Himmels”: Sehr bewegt |
soprano vocals |
BBC Singers, Gerald Finley, Christiane Oelze, Berliner Philharmoniker, Pierre Boulez |
2:25 |
1994-09 |
Kantate no. 2, op. 31: IV. “Leichteste Bürde der Bäume”: Sehr lebhaft |
soprano vocals |
Gerald Finley, Christiane Oelze, Berliner Philharmoniker, Pierre Boulez |
1:12 |
1994-09 |
Kantate no. 2, op. 31: V. “Feindselig ist das Wort”: Sehr mäßig |
soprano vocals |
BBC Singers, Gerald Finley, Christiane Oelze, Berliner Philharmoniker, Pierre Boulez |
3:41 |
1994-09 |
Kantate no. 2, op. 31: VI. “Gelockert aus dem Schoße”: Sehr fließend |
soprano vocals |
BBC Singers, Gerald Finley, Christiane Oelze, Berliner Philharmoniker, Pierre Boulez |
2:12 |
1994 |
Jephtha: Act I. Air "Take the heart you fondly gave" (Iphis) |
soprano vocals |
Christiane Oelze, Akademie für Alte Musik Berlin, Marcus Creed |
3:57 |
1994 |
Jephtha: Act I. Air "The smiling dawn of happy days" (Iphis) |
soprano vocals |
Christiane Oelze, Akademie für Alte Musik Berlin, Marcus Creed |
3:18 |
1994 |
Jephtha: Act I. Duet "These labours past, how happy we" (Iphis, Hamor) |
soprano vocals |
Axel Köhler, Christiane Oelze, Akademie für Alte Musik Berlin, Marcus Creed |
5:47 |
1994 |
Jephtha: Act I. Recitative "Ill suits the voice of love" (Iphis) |
soprano vocals |
Christiane Oelze, Akademie für Alte Musik Berlin, Marcus Creed |
0:30 |
1994 |
Jephtha: Act I. Recitative "Say, my dear mother" (Iphis, Storge) |
soprano vocals |
Catherine Denley, Christiane Oelze, Akademie für Alte Musik Berlin, Marcus Creed |
0:59 |
1994 |
Jephtha: Act II: Air "Tune the soft melodious lute" (Iphis) |
soprano vocals |
Christiane Oelze, Akademie für Alte Musik Berlin, Marcus Creed |
4:19 |
1994 |
Jephtha: Act II. Accompagnato "For joys so vast" (Iphis) |
soprano vocals |
Christiane Oelze, Akademie für Alte Musik Berlin, Marcus Creed |
0:49 |
1994 |
Jephtha: Act II. Air "Happy they!" (Iphis) |
soprano vocals |
Christiane Oelze, Akademie für Alte Musik Berlin, Marcus Creed |
3:40 |
1994 |
Jephtha: Act II. Air And Chorus: "Welcome, as the cheerful light" (Iphis) |
soprano vocals |
Christiane Oelze, RIAS Kammerchor, Akademie für Alte Musik Berlin, Marcus Creed |
3:57 |
1994 |
Jephtha: Act II. Recitative "Hail, glorious conqueror!" (Iphis) |
soprano vocals |
Christiane Oelze, Akademie für Alte Musik Berlin, Marcus Creed |
0:24 |
1994 |
Jephtha: Act II. Recitative "Such news flies swift" (Iphis) |
soprano vocals |
Christiane Oelze, Akademie für Alte Musik Berlin, Marcus Creed |
0:30 |
1994 |
Jephtha: Act II. Recitative "Tis well, haste, haste, ye maidens" (Iphis) |
soprano vocals |
Christiane Oelze, Akademie für Alte Musik Berlin, Marcus Creed |
0:23 |
1994 |
Jephtha: Act III. Accompagnato "Ye sacred priests" (Iphis) |
soprano vocals |
Christiane Oelze, Akademie für Alte Musik Berlin, Marcus Creed |
0:35 |
1994 |
Jephtha: Act III. Air "Farewell, ye limpid springs" (Iphis) |
soprano vocals |
Christiane Oelze, Akademie für Alte Musik Berlin, Marcus Creed |
5:02 |
1994 |
Jephtha: Act III. Quintet "All that is in Hamor mine" |
soprano vocals |
John Mark Ainsley, Catherine Denley, Michael George, Axel Köhler, Christiane Oelze, Akademie für Alte Musik Berlin, Marcus Creed |
3:36 |
1994 |
Jephtha: Act III. Recitative "My faithful Hamor" (Iphis) |
soprano vocals |
Christiane Oelze, Akademie für Alte Musik Berlin, Marcus Creed |
0:15 |
1996-02 |
3 Orchestral Songs: I. “Leise Düfte” |
soprano vocals |
Christiane Oelze, Berliner Philharmoniker, Pierre Boulez |
1:43 |
1996-02 |
3 Orchestral Songs: II. Kunfttag III “Nun wird es wieder Lenz” |
soprano vocals |
Christiane Oelze, Berliner Philharmoniker, Pierre Boulez |
1:39 |
1996-02 |
3 Orchestral Songs: III. “O sanftes Glühn der Berge” |
soprano vocals |
Christiane Oelze, Berliner Philharmoniker, Pierre Boulez |
2:00 |
1996-08-24 |
Der Sommer |
soprano vocals |
Christiane Oelze, Irina Kataeva |
3:19 |
2004-06 |
Requiem, op. 48: Pie jesus |
soprano vocals |
Christiane Oelze, Nederlands Kamerkoor, Limburg Symphony Orchestra Maastricht, Ed Spanjaard |
3:15 |
2004-06 |
Tantum ergo, op. 55 |
soprano vocals |
Christiane Oelze, Nederlands Kamerkoor, Limburg Symphony Orchestra Maastricht, Ed Spanjaard |
2:44 |
2008-12-20 – 2008-12-22 |
Symphony no. 9 in D minor, op. 125: IV. Presto - Allegro assai |
soprano vocals |
Ludwig van Beethoven |
23:05 |
2009-09-09 – 2009-09-12 |
Symphony no. 9 in D minor, op. 125: IV. Presto - Adagio assai - Recitativo: O Freunde, nicht diese Töne! - Allegro assai |
soprano vocals |
Deutscher Kammerchor, Dietrich Henschel, Simon O'Neill, Christiane Oelze, Annely Peebo, Deutsche Kammerphilharmonie Bremen, Paavo Järvi |
24:23 |
2009-10 |
Symphony no. 9 in D minor, op. 125 "Choral": IV. Finale |
soprano vocals |
Royal Flemish Philharmonic, Philippe Herreweghe |
21:38 |
2010-10-23 – 2010-10-27 |
Symphonie Nr. 2 c-Moll: Zweiter Teil: V. Im Tempo des Scherzos |
soprano vocals |
Gürzenich-Orchester Köln, Markus Stenz |
34:17 |
|
"Vada, ma dove? oh Dei!", KV 583 |
soprano vocals |
Christiane Oelze |
4:06 |
|
3 Poems: I. Vorfrühling |
soprano vocals |
Christiane Oelze, Eric Schneider |
1:21 |
|
3 Poems: II. Nachtgebet der Braut |
soprano vocals |
Christiane Oelze, Eric Schneider |
2:40 |
|
3 Poems: III. Fromm |
soprano vocals |
Christiane Oelze, Eric Schneider |
1:55 |
|
3 Songs from “Viae inviae” by Hildegard Jone, op. 23: I. “Das dunkle Herz, das in sich lauscht” |
soprano vocals |
Christiane Oelze, Eric Schneider |
3:34 |
|
3 Songs from “Viae inviae” by Hildegard Jone, op. 23: II. “Es stürzt aus Höhen Frische” |
soprano vocals |
Christiane Oelze, Eric Schneider |
2:02 |
|
3 Songs from “Viae inviae” by Hildegard Jone, op. 23: III. “Herr Jesus mein” |
soprano vocals |
Christiane Oelze, Eric Schneider |
2:48 |
|
3 Songs on Poems by Ferdinand Avenarius: I. Gefunden “Nun wir uns lieben, rauscht mein stolzes Glück” |
soprano vocals |
Christiane Oelze, Eric Schneider |
1:28 |
|
3 Songs on Poems by Ferdinand Avenarius: II. Gebet “Ertrage du’s, laß schneiden dir den Schmerz” |
soprano vocals |
Christiane Oelze, Eric Schneider |
1:32 |
|
3 Songs on Poems by Ferdinand Avenarius: III. Freunde “Schmerze und Freuden reift jede Stunde” |
soprano vocals |
Christiane Oelze, Eric Schneider |
1:35 |
|
3 Songs on Poems by Hildgard Jone, op. 25: I. “Wie bin ich froh” |
soprano vocals |
Christiane Oelze, Eric Schneider |
1:05 |
|
3 Songs on Poems by Hildgard Jone, op. 25: II. “Des Herzens Purpurvogel fliegt durch Nacht” |
soprano vocals |
Christiane Oelze, Eric Schneider |
2:05 |
|
3 Songs on Poems by Hildgard Jone, op. 25: III. “Sterne, Ihr silbernen Bienen der Nacht” |
soprano vocals |
Christiane Oelze, Eric Schneider |
1:35 |
|
4 Songs on Poems by Stefan George: I. “Erwachen aus dem tiefsten traumes-schooße” |
soprano vocals |
Christiane Oelze, Eric Schneider |
2:44 |
|
4 Songs on Poems by Stefan George: II. Kunfttag I |
soprano vocals |
Christiane Oelze, Eric Schneider |
1:21 |
|
4 Songs on Poems by Stefan George: III. Trauer I |
soprano vocals |
Christiane Oelze, Eric Schneider |
1:53 |
|
4 Songs on Poems by Stefan George: IV. “Das lockere Saatgefilde lechzet krank” |
soprano vocals |
Christiane Oelze, Eric Schneider |
0:57 |
|
4 Songs, op. 12: I. “Der Tag ist vergangen” |
soprano vocals |
Christiane Oelze, Eric Schneider |
1:37 |
|
4 Songs, op. 12: II. Die geheimnisvolle Flöte |
soprano vocals |
Christiane Oelze, Eric Schneider |
1:53 |
|
4 Songs, op. 12: III. “Schien mir’s, als ich sah die Sonne” |
soprano vocals |
Christiane Oelze, Eric Schneider |
1:58 |
|
4 Songs, op. 12: IV. Gleich und gleich |
soprano vocals |
Christiane Oelze, Eric Schneider |
0:52 |
|
5 Songs from “Der siebente Ring” by Stefan George, op. 3: I. “Dies ist ein Lied” |
soprano vocals |
Christiane Oelze, Eric Schneider |
1:08 |
|
5 Songs from “Der siebente Ring” by Stefan George, op. 3: II. “Im windes-weben” |
soprano vocals |
Christiane Oelze, Eric Schneider |
0:41 |
|
5 Songs from “Der siebente Ring” by Stefan George, op. 3: III. “An baches Ranft” |
soprano vocals |
Christiane Oelze, Eric Schneider |
1:02 |
|
5 Songs from “Der siebente Ring” by Stefan George, op. 3: IV. “Im morgen-taun” |
soprano vocals |
Christiane Oelze, Eric Schneider |
1:16 |
|
5 Songs from “Der siebente Ring” by Stefan George, op. 3: V. “Kahl reckt der Baum” |
soprano vocals |
Christiane Oelze, Eric Schneider |
1:33 |
|
5 Songs on Poems by Richard Dehmel: I. Ideale Landschaft |
soprano vocals |
Christiane Oelze, Eric Schneider |
2:20 |
|
5 Songs on Poems by Richard Dehmel: II. Am Ufer |
soprano vocals |
Christiane Oelze, Eric Schneider |
1:34 |
|
5 Songs on Poems by Richard Dehmel: III. Himmelfahrt |
soprano vocals |
Christiane Oelze, Eric Schneider |
2:57 |
|
5 Songs on Poems by Richard Dehmel: IV. Nächtliche Scheu |
soprano vocals |
Christiane Oelze, Eric Schneider |
2:37 |
|
5 Songs on Poems by Richard Dehmel: V. Helle Nacht |
soprano vocals |
Christiane Oelze, Eric Schneider |
2:52 |
|
5 Songs on Poems by Stefan George, op. 4: I. Eingang |
soprano vocals |
Christiane Oelze, Eric Schneider |
3:13 |
|
5 Songs on Poems by Stefan George, op. 4: II. “Noch zwingt mich Treue über dir zu wachen” |
soprano vocals |
Christiane Oelze, Eric Schneider |
1:42 |
|
5 Songs on Poems by Stefan George, op. 4: III. “Ja heil und dank dir” |
soprano vocals |
Christiane Oelze, Eric Schneider |
2:03 |
|
5 Songs on Poems by Stefan George, op. 4: IV. “So ich traurig bin” |
soprano vocals |
Christiane Oelze, Eric Schneider |
0:59 |
|
5 Songs on Poems by Stefan George, op. 4: V. “Ihr tratet zu dem Herde” |
soprano vocals |
Christiane Oelze, Eric Schneider |
1:30 |
|
8 Early Songs: I. Tief von fern |
soprano vocals |
Christiane Oelze, Eric Schneider |
1:15 |
|
8 Early Songs: II. Aufblick |
soprano vocals |
Christiane Oelze, Eric Schneider |
2:42 |
|
8 Early Songs: III. Blumengruß |
soprano vocals |
Christiane Oelze, Eric Schneider |
1:29 |
|
8 Early Songs: IV. Bild der Liebe |
soprano vocals |
Christiane Oelze, Eric Schneider |
1:37 |
|
8 Early Songs: V. Sommerabend |
soprano vocals |
Christiane Oelze, Eric Schneider |
2:35 |
|
8 Early Songs: VI. Heiter |
soprano vocals |
Christiane Oelze, Eric Schneider |
1:12 |
|
8 Early Songs: VII. Der Tod |
soprano vocals |
Christiane Oelze, Eric Schneider |
1:08 |
|
8 Early Songs: VIII. Heimgang in der Frühe |
soprano vocals |
Christiane Oelze, Eric Schneider |
3:35 |
|
Aria for Soprano & Orchestra in C major, K. 300b/316: II. "Io non chiedo" |
soprano vocals |
Christiane Oelze, Kammerorchester Carl Philipp Emanuel Bach, Hartmut Haenchen |
6:40 |
|
Aria for Soprano & Orchestra in C major, K. 582: "Chi sà, chi sà, qual sia" |
soprano vocals |
Christiane Oelze, Kammerorchester Carl Philipp Emanuel Bach, Hartmut Haenchen |
3:15 |
|
Aria for Soprano & Orchestra in E-flat major, K. 73b/78: "Per pietà, bell'idol mio" |
soprano vocals |
Christiane Oelze, Kammerorchester Carl Philipp Emanuel Bach, Hartmut Haenchen |
3:20 |
|
Aria for Soprano & Orchestra in F major, K. 538: "Ah se in ciel, benigne stelle" |
soprano vocals |
Christiane Oelze, Kammerorchester Carl Philipp Emanuel Bach, Hartmut Haenchen |
7:25 |
|
Concert Aria “Vado, ma dove? oh Dei!”, K. 583 |
soprano vocals |
Christiane Oelze, Carl Philipp Emanuel Bach Chamber Orchestra, Hartmut Haenchen |
4:05 |
|
Die Jahreszeiten: 3. Der Frühling: IX. Ewiger, mächtiger, gütiger Gott |
solo and soprano vocals |
Peter Lika, Christiane Oelze, RIAS Kammerchor, Scot Weir, Chamber Orchestra of Europe, Sir Roger Norrington |
5:11 |
|
h-Moll-Messe, BWV 232/II: XV. Symbolum Nicenum: Aria (Sopran, Alt) "Et in unum Dominum" |
soprano vocals |
Bach‐Collegium Stuttgart, Helmuth Rilling |
5:09 |
|
Johannes-Passion, BWV 245: Teil I, IX. Aria (Soprano) "Ich folge dir gleichfalls" |
soprano vocals |
Christiane Oelze, Virtuosi Saxoniae, Ludwig Güttler |
3:48 |
|
Johannes-Passion, BWV 245: Teil II, XXXV. Aria (Soprano) "Zerfließe, mein Herze" |
soprano vocals |
Christiane Oelze, Virtuosi Saxoniae, Ludwig Güttler |
6:04 |
|
Kantate, BWV 30a "Angenehmes Wiederau": I. Coro "Angenehmes Wiederau" |
soprano vocals |
Bach‐Collegium Stuttgart, Helmuth Rilling |
3:30 |
|
Kantate, BWV 30a "Angenehmes Wiederau": II. Recitativo (Sopran, Alt, Tenor, Bass) "So ziehen wir in diesem Hause hier" |
soprano vocals |
Bach‐Collegium Stuttgart, Helmuth Rilling |
0:56 |
|
Kantate, BWV 30a "Angenehmes Wiederau": IX. Aria (Sopran) "Eilt, ihr Stunden, wie ihr wollt" |
soprano vocals |
Bach‐Collegium Stuttgart, Helmuth Rilling |
4:23 |
|
Kantate, BWV 30a "Angenehmes Wiederau": VIII. Recitativo (Sopran) "Und obwohl sonst der Unbestand" |
soprano vocals |
Bach‐Collegium Stuttgart, Helmuth Rilling |
0:50 |
|
Kantate, BWV 30a "Angenehmes Wiederau": XII. Recitativo (Sopran, Alt, Tenor, Bass) "Drum, angenehmes Wiederau" |
soprano vocals |
Bach‐Collegium Stuttgart, Helmuth Rilling |
1:06 |
|
Kantate, BWV 30a "Angenehmes Wiederau": XIII. Coro "Angenehmes Wiederau" |
soprano vocals |
Bach‐Collegium Stuttgart, Helmuth Rilling |
3:21 |
|
Kantate, BWV 36b "Die Freude reget sich": VI. Recitativo (Sopran) "Wenn sich die Welt mit deinem Ruhme trägt" |
soprano vocals |
Bach‐Collegium Stuttgart, Helmuth Rilling |
1:01 |
|
Kantate, BWV 36c "Schwingt freudig euch empor": IX. Coro e Recitativo (Tenor, Bass, Sopran) "Wie die Jahre sich verneuen" |
soprano vocals |
Bach‐Collegium Stuttgart, Helmuth Rilling |
3:29 |
|
Kantate, BWV 191 "Gloria in excelsis Deo": Gloria Patri et Filio |
soprano vocals |
Virtuosi Saxoniae, Ludwig Güttler |
5:17 |
|
La damnation de Faust, op. 24: Quatrième Partie, scène 19. "Épilogue: Apothéose de Marguerite" |
soprano vocals |
Radio-Sinfonie-Orchester Frankfurt |
3:44 |
|
La damnation de Faust, op. 24: Quatrième Partie, scène 19. "Épilogue: Dans le ciel" |
soprano vocals |
Radio-Sinfonie-Orchester Frankfurt |
1:05 |
|
La damnation de Faust, op. 24: Quatrième Partie, scène 19. "Épilogue: Sur la terre" |
soprano vocals |
Radio-Sinfonie-Orchester Frankfurt |
1:20 |
|
Magnificat, D486: Deposuit potentes de sede |
soprano vocals |
Franz Schubert |
2:25 |
|
Magnificat, D486: Gloria Patri |
soprano vocals |
Franz Schubert |
4:18 |
|
Magnificat, D486: Magnificat anima mea Dominum |
soprano vocals |
Franz Schubert |
2:26 |
|
Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": I. "Kyrie" |
soprano vocals |
Wolfgang Amadeus Mozart |
7:39 |
|
Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IId. Gloria: "Domine Deus" |
soprano vocals |
Wolfgang Amadeus Mozart |
2:50 |
|
Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIf. Gloria: "Quoniam tu solus" |
soprano vocals |
Wolfgang Amadeus Mozart |
4:07 |
|
Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIIb. Credo: "Et incarnatus est" |
soprano vocals |
Wolfgang Amadeus Mozart |
8:19 |
|
Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": V. Benedictus |
soprano vocals |
Wolfgang Amadeus Mozart |
5:52 |
|
Matthäus-Passion BWV 244: LIX. Ach, Golgatha, unsel'ges Golgatha |
alto vocals |
Saito Kinen Orchestra, Seili Ozawa |
1:29 |
|
Matthäus-Passion BWV 244: LXVII. Nun ist der Herr zur Ruh gebracht |
soprano vocals |
Saito Kinen Orchestra, Seili Ozawa |
2:01 |
|
Matthäus-Passion BWV 244: XII. Wiewohl mein Herz in Tränen schwimmt |
soprano vocals |
Saito Kinen Orchestra, Seili Ozawa |
1:24 |
|
Matthäus-Passion BWV 244: XIII. Ich will dir mein Herze schenken |
soprano vocals |
Saito Kinen Orchestra, Seili Ozawa |
3:10 |
|
Matthäus-Passion BWV 244: XVII. So ist mein Jesus nun gefangen |
soprano vocals |
Saito Kinen Orchestra, Seili Ozawa |
4:44 |
|
Matthäus-Passion BWV 244: XXXIX. Erbarme dich, mein Gott |
alto vocals |
Saito Kinen Orchestra, Seili Ozawa |
6:27 |
|
Matthäus-Passion BWV 244: XXXXIX. Aus Liebe will mein Heiland sterben |
soprano vocals |
Saito Kinen Orchestra, Seili Ozawa |
5:08 |
|
Matthäus-Passion, BWV 244: Aria "Aus Liebe will mein Heiland sterben" |
soprano vocals |
Bach‐Collegium Stuttgart, Helmuth Rilling |
5:01 |
|
Matthäus-Passion, BWV 244: Aria "Blute nur, du liebes Herz!" |
soprano vocals |
Bach‐Collegium Stuttgart, Helmuth Rilling |
4:38 |
|
Matthäus-Passion, BWV 244: Aria "Ich will dir mein Herze schenken" |
soprano vocals |
Bach‐Collegium Stuttgart, Helmuth Rilling |
3:19 |
|
Matthäus-Passion, BWV 244: Aria (+ Chor), Chori "So ist mein Jesus nun gefangen" |
soprano vocals |
Bach‐Collegium Stuttgart, Helmuth Rilling |
4:16 |
|
Matthäus-Passion, BWV 244: Recitativo "Er hat uns allen wohlgetan" |
soprano vocals |
Bach‐Collegium Stuttgart, Helmuth Rilling |
1:17 |
|
Matthäus-Passion, BWV 244: Recitativo "Wiewohl mein Herz in Tränen schwimmt" |
soprano vocals |
Bach‐Collegium Stuttgart, Helmuth Rilling |
1:33 |
|
Matthäus-Passion, BWV 244: Recitativo (+ Chor) "Nun ist der Herr zur Ruh gebracht" |
soprano vocals |
Bach‐Collegium Stuttgart, Helmuth Rilling |
2:25 |
|
Missa in B flat major "Schöpfungsmesse", Hob. XXII:13: Agnus Dei |
soprano vocals |
Joseph Haydn |
3:26 |
|
Missa in B flat major "Schöpfungsmesse", Hob. XXII:13: Benedictus |
soprano vocals |
Joseph Haydn |
5:54 |
|
Missa in B flat major "Schöpfungsmesse", Hob. XXII:13: Credo |
soprano vocals |
Joseph Haydn |
2:18 |
|
Missa in B flat major "Schöpfungsmesse", Hob. XXII:13: Dona nobis pacem |
soprano vocals |
Joseph Haydn |
3:04 |
|
Missa in B flat major "Schöpfungsmesse", Hob. XXII:13: Et incarnatus |
soprano vocals |
Joseph Haydn |
3:00 |
|
Missa in B flat major "Schöpfungsmesse", Hob. XXII:13: Et resurrexit |
soprano vocals |
Joseph Haydn |
4:41 |
|
Missa in B flat major "Schöpfungsmesse", Hob. XXII:13: Gloria |
soprano vocals |
Joseph Haydn |
7:24 |
|
Missa in B flat major "Schöpfungsmesse", Hob. XXII:13: Kyrie (Adagio) |
soprano vocals |
Joseph Haydn |
1:54 |
|
Missa in B flat major "Schöpfungsmesse", Hob. XXII:13: Kyrie (Allegro) |
soprano vocals |
Joseph Haydn |
4:07 |
|
Missa in B flat major "Schöpfungsmesse", Hob. XXII:13: Quoniam |
soprano vocals |
Joseph Haydn |
3:11 |
|
Missa in B flat major "Schöpfungsmesse", Hob. XXII:13: Sanctus |
soprano vocals |
Joseph Haydn |
3:07 |
|
Missa Solemnis C-dur KV 337: 1. Kyrie |
soprano vocals |
Joachim Gebhardt, Barbara Hölzl, Christiane Oelze, Münchner MotettenChor, Michael Grill, Residenzorchester München, Hans Rudolf Zöbeley |
3:32 |
|
Missa Solemnis C-dur KV 337: 3. Credo |
soprano vocals |
Joachim Gebhardt, Barbara Hölzl, Christiane Oelze, Münchner MotettenChor, Michael Grill, Residenzorchester München, Hans Rudolf Zöbeley |
1:24 |
|
Missa Solemnis in B-flat minor: I. Kyrie |
soprano vocals |
Chor der Bamberger Symphoniker, Bamberger Symphoniker, Karl Anton Rickenbacher |
2:55 |
|
Missa Solemnis in B-flat minor: IIa. Gloria: Gloria in excelsis Deo |
soprano vocals |
Chor der Bamberger Symphoniker, Bamberger Symphoniker, Karl Anton Rickenbacher |
2:30 |
|
Missa Solemnis in B-flat minor: IIb. Gloria: Qui tollis peccata mundi |
soprano vocals |
Chor der Bamberger Symphoniker, Bamberger Symphoniker, Karl Anton Rickenbacher |
1:57 |
|
Missa Solemnis in B-flat minor: IIc. Gloria: Quoniam tu solus sanctus |
soprano vocals |
Chor der Bamberger Symphoniker, Bamberger Symphoniker, Karl Anton Rickenbacher |
3:00 |
|
Missa Solemnis in B-flat minor: IIIa. Credo: Credo in unum Deum |
soprano vocals |
Chor der Bamberger Symphoniker, Bamberger Symphoniker, Karl Anton Rickenbacher |
1:43 |
|
Missa Solemnis in B-flat minor: IIIb. Credo: Et incarnatus est |
soprano vocals |
Chor der Bamberger Symphoniker, Bamberger Symphoniker, Karl Anton Rickenbacher |
3:02 |
|
Missa Solemnis in B-flat minor: IIIc. Credo: Et resurrexit |
soprano vocals |
Chor der Bamberger Symphoniker, Bamberger Symphoniker, Karl Anton Rickenbacher |
3:50 |
|
Missa Solemnis in B-flat minor: IIId. Credo: Et vitam venturi saeculi |
soprano vocals |
Chor der Bamberger Symphoniker, Bamberger Symphoniker, Karl Anton Rickenbacher |
2:09 |
|
Missa Solemnis in B-flat minor: IV. Sanctus |
soprano vocals |
Chor der Bamberger Symphoniker, Bamberger Symphoniker, Karl Anton Rickenbacher |
1:38 |
|
Missa Solemnis in B-flat minor: V. Benedictus |
soprano vocals |
Chor der Bamberger Symphoniker, Bamberger Symphoniker, Karl Anton Rickenbacher |
3:24 |
|
Missa Solemnis in B-flat minor: VIa. Agnus Dei: Agnus Dei |
soprano vocals |
Chor der Bamberger Symphoniker, Bamberger Symphoniker, Karl Anton Rickenbacher |
3:27 |
|
Missa Solemnis in B-flat minor: VIb: Agnus Dei: Dona nobis pacem |
soprano vocals |
Chor der Bamberger Symphoniker, Bamberger Symphoniker, Karl Anton Rickenbacher |
2:06 |
|
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 1 (Sopran, Alt) "Tilge, Höchster meine Sünden" |
soprano vocals |
Bach‐Collegium Stuttgart, Helmuth Rilling |
3:14 |
|
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 2 (Sopran) "Ist mein Herz in Missetaten" |
soprano vocals |
Bach‐Collegium Stuttgart, Helmuth Rilling |
1:53 |
|
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 3 (Sopran, Alt) "Missetaten, die mich drücken" |
soprano vocals |
Bach‐Collegium Stuttgart, Helmuth Rilling |
1:29 |
|
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 5 & 6 (Sopran, Alt) "Wer wird seine Schuld verneinen" |
soprano vocals |
Bach‐Collegium Stuttgart, Helmuth Rilling |
1:50 |
|
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 7 (Sopran, Alt) "Sieh! ich bin in Sünd empfangen" |
soprano vocals |
Bach‐Collegium Stuttgart, Helmuth Rilling |
0:43 |
|
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 8 (Sopran) "Sieh, du willst die Wahrheit haben" |
soprano vocals |
Bach‐Collegium Stuttgart, Helmuth Rilling |
3:21 |
|
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 10 (Sopran, Alt) "Laß mich Freud und Wonne spüren" |
soprano vocals |
Bach‐Collegium Stuttgart, Helmuth Rilling |
2:18 |
|
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 11-15 (Sopran, Alt) "Schaue nicht auf meine Sünden" |
soprano vocals |
Bach‐Collegium Stuttgart, Helmuth Rilling |
4:39 |
|
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 17 & 18 (Sopran, Alt) "Denn du willst kein Opfer haben" |
soprano vocals |
Bach‐Collegium Stuttgart, Helmuth Rilling |
1:39 |
|
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 19 & 20 (Sopran, Alt) "Laß dein Zion blühend dauern" |
soprano vocals |
Bach‐Collegium Stuttgart, Helmuth Rilling |
3:48 |
|
Motette, BWV Anh. 159 "Ich lasse dich nicht, du segnest mich denn" |
soprano vocals |
Bach‐Collegium Stuttgart, Helmuth Rilling |
5:25 |
|
Psalm 150 in C major |
soprano vocals |
Chor der Bamberger Symphoniker, Bamberger Symphoniker, Karl Anton Rickenbacher |
8:27 |
|
Recitative and Aria for Soprano & Orchestra in B-flat major, K. 73d/79: "O temerario Arbace!… Per quel paterno" |
soprano vocals |
Christiane Oelze, Kammerorchester Carl Philipp Emanuel Bach, Hartmut Haenchen |
5:26 |
|
Recitative and Aria for Soprano & Orchestra in C major, K. 528: "Bella mia fiamma, addio!… Resta, oh cara!" |
soprano vocals |
Christiane Oelze, Kammerorchester Carl Philipp Emanuel Bach, Hartmut Haenchen |
8:55 |
|
Recitative and Aria for Soprano & Orchestra in C minor, K. 272: "Ah, lo previdi… Ah, t'invola agl'occhi miei" |
soprano vocals |
Christiane Oelze, Kammerorchester Carl Philipp Emanuel Bach, Hartmut Haenchen |
12:17 |
|
Recitative and Aria for Soprano & Orchestra in E-flat major, K. 369: "Misera, dove son… Ah! non son io" |
soprano vocals |
Christiane Oelze, Kammerorchester Carl Philipp Emanuel Bach, Hartmut Haenchen |
6:42 |
|
Recitative and Aria for Tenor & Orchestra in B-flat major, K. 490: "Non più tutto zascoltai...Non temer, amato bene" |
soprano vocals |
Christiane Oelze, Kammerorchester Carl Philipp Emanuel Bach, Hartmut Haenchen |
8:49 |
|
String quartet no. 2, op. 10: III. Litanei. Langsam |
soprano vocals |
Leipziger Streichquartett, Christiane Oelze |
5:59 |
|
String quartet no. 2, op. 10: IV. Entrückung. Sehr langsam |
soprano vocals |
Leipziger Streichquartett, Christiane Oelze |
11:48 |
|
Symphonie Nr. 4 G-Dur: Zweite Abteilung: IV. Sehr behaglich. "Das himmlische Leben" |
soprano vocals |
Gürzenich-Orchester Köln, Markus Stenz |
8:45 |
|
Symphonie Nr. 4 G-Dur: Zweite Abteilung: IV. Sehr behaglich. "Das himmlische Leben" |
solo and soprano vocals |
Gürzenich-Orchester Köln, Markus Stenz |
8:45 |
|
Symphonie Nr. 8 Es- Dur: Erster Teil: Accende lumen sensibus |
solo and soprano vocals |
Gürzenich-Orchester Köln, Markus Stenz |
9:01 |
|
Symphonie Nr. 8 Es- Dur: Erster Teil: Hymnus "Veni, creator spiritus" |
solo and soprano vocals |
Gürzenich-Orchester Köln, Markus Stenz |
10:54 |
|
Symphonie Nr. 8 Es- Dur: Zweiter Teil: Bei dem Bronn, zu dem schon weiland |
solo and soprano vocals |
Gürzenich-Orchester Köln, Markus Stenz |
7:36 |
|
Symphonie Nr. 8 Es- Dur: Zweiter Teil: Blicket auf zum Retterblick |
solo and soprano vocals |
Gürzenich-Orchester Köln, Markus Stenz |
5:49 |
|
Symphonie Nr. 8 Es- Dur: Zweiter Teil: Chorus Mysticus: Alles Vergängliche |
solo and soprano vocals |
Gürzenich-Orchester Köln, Markus Stenz |
5:50 |
|
Symphonie Nr. 8 Es- Dur: Zweiter Teil: Dir, der Unberührbaren |
solo and soprano vocals |
Gürzenich-Orchester Köln, Markus Stenz |
3:20 |
|
Symphonie Nr. 8 Es- Dur: Zweiter Teil: Du schwebst zu Höhen |
solo and soprano vocals |
Gürzenich-Orchester Köln, Markus Stenz |
1:19 |
|
Symphonie Nr. 8 Es- Dur: Zweiter Teil: Ewiger Wonnebrand |
solo and soprano vocals |
Gürzenich-Orchester Köln, Markus Stenz |
1:36 |
|
Symphonie Nr. 8 Es- Dur: Zweiter Teil: Gerettet ist das edle Glied |
solo and soprano vocals |
Gürzenich-Orchester Köln, Markus Stenz |
5:15 |
|
Symphonie Nr. 8 Es- Dur: Zweiter Teil: Gloria Patri Domino |
solo and soprano vocals |
Gürzenich-Orchester Köln, Markus Stenz |
2:40 |
|
Symphonie Nr. 8 Es- Dur: Zweiter Teil: Hier ist die Aussicht frei |
solo and soprano vocals |
Gürzenich-Orchester Köln, Markus Stenz |
4:16 |
|
Symphonie Nr. 8 Es- Dur: Zweiter Teil: Komm! hebe dich zu hären Sphären |
solo and soprano vocals |
Gürzenich-Orchester Köln, Markus Stenz |
1:14 |
|
Symphonie Nr. 8 Es- Dur: Zweiter Teil: Poco adagio |
solo and soprano vocals |
Gürzenich-Orchester Köln, Markus Stenz |
9:00 |
|
Symphonie Nr. 8 Es- Dur: Zweiter Teil: Waldung, sie schwankt heran |
solo and soprano vocals |
Gürzenich-Orchester Köln, Markus Stenz |
4:18 |
|
Symphonie Nr. 8 Es- Dur: Zweiter Teil: Wie Felsenabgrund mir zu Füßen |
solo and soprano vocals |
Gürzenich-Orchester Köln, Markus Stenz |
4:43 |
|
Three Pieces for String Quartet: II. Langsam |
soprano vocals |
Leipziger Streichquartett, Christiane Oelze |
1:08 |
|
Weihnachts-Oratorium, BWV 248: 3.Teil - Herr, Dein Mitleid, Dein Erbarmen |
soprano vocals |
Virtuosi Saxoniae, Ludwig Güttler |
8:07 |
|
Weihnachts-Oratorium, BWV 248: 4.Teil - Flößt mein Heiland, flößt dein Namen |
soprano vocals |
Virtuosi Saxoniae, Ludwig Güttler |
5:48 |
|
Weihnachts-Oratorium, BWV 248: 4.Teil - Immanuel, o süßes Wort Jesus, du mein liebstes Leben |
soprano vocals |
Virtuosi Saxoniae, Ludwig Güttler |
2:53 |
|
Weihnachts-Oratorium, BWV 248: 4.Teil - Wohlan, dein Name soll allein Jesu, meine Freud und Wonne |
soprano vocals |
Virtuosi Saxoniae, Ludwig Güttler |
1:45 |
|
Weihnachts-Oratorium, BWV 248: 5. Teil - Ach, wann wird die Zeit erscheinen |
soprano vocals |
Virtuosi Saxoniae, Ludwig Güttler |
5:26 |
|
Weihnachts-Oratorium, BWV 248: 6. Teil - Du Falscher, suche nur den Herrn zu fällen |
soprano vocals |
Virtuosi Saxoniae, Ludwig Güttler |
0:49 |
|
Weihnachts-Oratorium, BWV 248: 6. Teil - Nur ein Wink von seinen Händen |
soprano vocals |
Virtuosi Saxoniae, Ludwig Güttler |
3:53 |
|
Weihnachts-Oratorium, BWV 248: 6. Teil - Was will der Hölle Schrecken nun |
soprano vocals |
Virtuosi Saxoniae, Ludwig Güttler |
0:45 |
|
Carmina Burana |
soprano vocals |
Carl Orff; Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Christian Thielemann, Christiane Oelze, Simon Keenlyside, David Kuebler |
|
|
Der Holzwurm der Oper erzählt: Engelbert Humperdinck Hänsel und Gretel |
soprano vocals [Taumännchen] |
Ilja Richter & Silke Dornow |
|
|
Ein deutsches Requiem, op. 45 |
soprano vocals |
Brahms; Orchestre des Champs‐Élysées, Philippe Herreweghe |
|
|
Symphony no. 4 in G major |
soprano vocals |
Gustav Mahler; Christiane Oelze, Gürzenich-Orchester Köln, Markus Stenz |
|
|
Symphony no. 9 |
soprano vocals |
Beethoven; Deutsche Kammerphilharmonie Bremen, Paavo Järvi |
|