Norma Procter

~ Person

Relationships

Discogs: https://www.discogs.com/artist/839087 [info]

Appearances

Date Title Attributes Artist Length
vocal
1966-04-20 Symphony no. 8 in E-flat major, "Symphony of a Thousand": I. Teil. Hymnus: "Veni, creator spiritus" mezzo-soprano vocals London Symphony Orchestra, Leonard Bernstein 24:05
1966-04-20 Symphony no. 8 in E-flat major, "Symphony of a Thousand": II. Teil. Schlußszene aus Faust mezzo-soprano vocals London Symphony Orchestra, Leonard Bernstein 55:05
1969-02 – 1969-03 Symphonie nr. 2 “Auferstehung”: IV. Urlicht. Sehr feierlich, aber schlicht contralto vocals Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík 4:56
1969-02 – 1969-03 Symphonie nr. 2 “Auferstehung”: Langsam. Misterioso contralto vocals Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík 13:30
1970-06 Symphonie no. 8 “Symphonie der Tausend”, Part I Hymnus “Veni, creator spiritus”: I. Allegro Impetuoso “Veni, creator spiritus” contralto vocals Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík 22:09
1970-06 Symphonie no. 8 “Symphonie der Tausend”, Part II Schlußszene aus Goethes “Faust”: IIb. Äusserst langsam. Adagissimo “Dir, der Unberührbaren” contralto vocals Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík 24:23
1970-07-27 – 1970-07-29 Symphony no. 3 in D minor: IV. Sehr langsam. Misterioso contralto vocals Norma Procter, London Symphony Orchestra, Jascha Horenstein 8:31
1970-07-27 – 1970-07-29 Symphony no. 3 in D minor: V. Lustig im Tempo und keck im Ausdruck contralto vocals The Ambrosian Singers, Norma Procter, Wandsworth School Boys’ Choir, London Symphony Orchestra, Jascha Horenstein 4:46
1973-02 Das klagende Lied: Erster Teil, I. "Beim Weidenbaum, im kühlen Tann" contralto vocals Heather Harper, Werner Hollweg, Norma Procter, Concertgebouworkest, Bernard Haitink 6:12
1973-02 Das klagende Lied: Erster Teil, II. "Ein Spielmann zog einst des Weges daher" contralto vocals Netherlands Radio Choir, Heather Harper, Werner Hollweg, Norma Procter, Concertgebouworkest, Bernard Haitink 6:28
1973-02 Das klagende Lied: Erster Teil, III. "Ach Spielmann, lieber Spielmann mein!" contralto vocals Netherlands Radio Choir, Werner Hollweg, Norma Procter, Concertgebouworkest, Bernard Haitink 5:59
1973-02 Das klagende Lied: Zweiter Teil, IV. "Von hohen Felsen erglanzt das Schloß" contralto vocals Netherlands Radio Choir, Heather Harper, Norma Procter, Concertgebouworkest, Bernard Haitink 3:59
1973-02 Das klagende Lied: Zweiter Teil, V. "Was ist der Konig so stumm und bleich" contralto vocals Netherlands Radio Choir, Werner Hollweg, Norma Procter, Concertgebouworkest, Bernard Haitink 5:14
1973-02 Das klagende Lied: Zweiter Teil, VI. "Ach Spielmann, lieber Spielmann mein!" contralto vocals Netherlands Radio Choir, Norma Procter, Concertgebouworkest, Bernard Haitink 2:20
1973 Das Klagende Lied, Part I: I. Beim Weidenbaum, im kühlen Tann contralto vocals Royal Concertgebouw Orchestra, Bernard Haitink 6:12
1973 Das Klagende Lied, Part I: II. Ein Spielmann zog einst des Weges daher contralto vocals Royal Concertgebouw Orchestra, Bernard Haitink 6:27
1973 Das Klagende Lied, Part I: III. Ach Spielmann, lieber Spielmann mein! contralto vocals Royal Concertgebouw Orchestra, Bernard Haitink 6:00
1973 Das Klagende Lied, Part II: IV. Von hohen Felsen erglänzt das Schloß contralto vocals Royal Concertgebouw Orchestra, Bernard Haitink 3:58
1973 Das Klagende Lied, Part II: V. Was ist der König so stumm und bleich contralto vocals Royal Concertgebouw Orchestra, Bernard Haitink 5:13
1973 Das Klagende Lied, Part II: VI. Ach Spielmann, lieber Spielmann mein! contralto vocals Royal Concertgebouw Orchestra, Bernard Haitink 2:19
1973 Das Klagende Lied, Part II: VII. Auf springt der König von seinem Thron contralto vocals Royal Concertgebouw Orchestra, Bernard Haitink 1:08
1973 Das Klagende Lied, Part II: VIII. Ach Bruder, lieber Bruder mein! contralto vocals Royal Concertgebouw Orchestra, Bernard Haitink 6:55
Bless This House contralto vocals May Brahe & Helen Taylor 3:13
Blow the Wind Southerly soprano vocals Norma Procter 3:45
Blow the Wind Southerly contralto vocals [traditional] 3:51
Mass No. 15 for Soloists, Chorus & Orchestra in C major, K. 317 "Coronation Mass": I. "Kyrie" alto vocals and solo Chor des Bayerischen Rundfunks, Donald Grobe, Edith Mathis, Norma Procter, John Shirley‐Quirk, Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík 2:37
Mass No. 15 for Soloists, Chorus & Orchestra in C major, K. 317 "Coronation Mass": II. "Gloria" alto vocals and solo Chor des Bayerischen Rundfunks, Donald Grobe, Edith Mathis, Norma Procter, John Shirley‐Quirk, Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík 4:21
Mass No. 15 for Soloists, Chorus & Orchestra in C major, K. 317 "Coronation Mass": III. "Credo" alto vocals and solo Chor des Bayerischen Rundfunks, Donald Grobe, Edith Mathis, Norma Procter, John Shirley‐Quirk, Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík 6:35
Mass No. 15 for Soloists, Chorus & Orchestra in C major, K. 317 "Coronation Mass": IV. Sanctus Benedictus alto vocals and solo Chor des Bayerischen Rundfunks, Donald Grobe, Edith Mathis, Norma Procter, John Shirley‐Quirk, Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík 4:27
Mass No. 15 for Soloists, Chorus & Orchestra in C major, K. 317 "Coronation Mass": V. Agnus Dei alto vocals and solo Chor des Bayerischen Rundfunks, Donald Grobe, Edith Mathis, Norma Procter, John Shirley‐Quirk, Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík 6:15
Messiah: Behold a Virgin Shall Conceive alto vocals and solo Norma Procter, London Philharmonic Orchestra, Sir Adrian Boult 0:35
Messiah: He Shall Feed His Flock alto vocals and solo Norma Procter, Jennifer Vyvyan, London Philharmonic Orchestra, Sir Adrian Boult 6:22
Messiah: He was despised alto vocals and solo Norma Procter, London Philharmonic Orchestra, Sir Adrian Boult 12:51
Messiah: He was Despised contralto vocals Norma Procter, London Philharmonic Orchestra, Sir Adrian Boult 5:49
Messiah: How Beautiful are the Feet alto vocals London Philharmonic Choir, Norma Procter, Jennifer Vyvyan, London Philharmonic Orchestra, Sir Adrian Boult 2:59
Messiah: O Death, Where Is Thy Sting? alto vocals and solo George Maran, Norma Procter, London Philharmonic Orchestra, Sir Adrian Boult 4:21
Messiah: O Thou That Tellest alto vocals and solo Norma Procter, London Philharmonic Orchestra, Sir Adrian Boult 6:26
Messiah: Then Shall Be Brought to Pass alto vocals and solo Norma Procter, London Philharmonic Orchestra, Sir Adrian Boult 0:25
Messiah: Then Shall the Eyes of the Blind alto vocals and solo Norma Procter, London Philharmonic Orchestra, Sir Adrian Boult 0:31
Messiah: Then Shall the Eyes of the Blind be Opened / He Shall Feed his Flock contralto vocals Norma Procter, Jennifer Vyvyan, London Philharmonic Orchestra, Sir Adrian Boult 6:51
Part I: Air - "He Shall Feed His Flock Like a Shepherd" contralto vocals Elizabeth Harwood, Norma Procter, Royal Philharmonic Orchestra, Sir Malcolm Sargent 5:46
Part I: Air - "O Thou That Tellest Good Tidings to Zion" contralto vocals Norma Procter, Royal Philharmonic Orchestra, Sir Malcolm Sargent 7:11
Part I: Recit - "Behold! A Virgin Shall Conceive" contralto vocals Norma Procter, Royal Philharmonic Orchestra, Sir Malcolm Sargent 0:32
Part I: Recit - "Then Shall the Eyes of the Blind Be Open'd" contralto vocals Norma Procter, Royal Philharmonic Orchestra, Sir Malcolm Sargent 0:36
Part II: Air - "He Was Despised" contralto vocals Norma Procter, Royal Philharmonic Orchestra, Sir Malcolm Sargent 5:37
Rule, Britannia! contralto vocals Norma Procter, Royal Choral Society, London Philharmonic Orchestra, Sir Andrew Davis 4:30
Rule, Britannia! contralto vocals Norma Procter 4:31
Symphony no. 3 in D minor: Commodo Scherzando - Lento misterioso -- Animato - Adágio Eexpressivo contralto vocals The Ambrosian Singers, Norma Procter, Wandsworth School Boys’ Choir, London Symphony Orchestra, Jascha Horenstein 54:54
Symphony No. 8 in E-flat major, Part I: Hymnus: Veni, Creator Spiritus! Ia. "Veni, Creator Spiritus!" alto vocals [Maria Aegyptiaca, alto] London Symphony Orchestra, Leonard Bernstein 1:27
Symphony No. 8 in E-flat major, Part I: Hymnus: Veni, Creator Spiritus! Ib. "Imple superna gratia" alto vocals [Maria Aegyptiaca, alto] London Symphony Orchestra, Leonard Bernstein 3:46
Symphony No. 8 in E-flat major, Part I: Hymnus: Veni, Creator Spiritus! Ic. "Infirma nostri corporis" alto vocals [Maria Aegyptiaca, alto] London Symphony Orchestra, Leonard Bernstein 2:21
Symphony No. 8 in E-flat major, Part I: Hymnus: Veni, Creator Spiritus! Id. Tempo I. (Allegro, etwas hastig.) alto vocals [Maria Aegyptiaca, alto] London Symphony Orchestra, Leonard Bernstein 1:22
Symphony No. 8 in E-flat major, Part I: Hymnus: Veni, Creator Spiritus! Ie. "Infirma nostri corporis" alto vocals [Maria Aegyptiaca, alto] London Symphony Orchestra, Leonard Bernstein 3:25
Symphony No. 8 in E-flat major, Part I: Hymnus: Veni, Creator Spiritus! If. "Accende lumen sensibus" alto vocals [Maria Aegyptiaca, alto] London Symphony Orchestra, Leonard Bernstein 5:20
Symphony No. 8 in E-flat major, Part I: Hymnus: Veni, Creator Spiritus! Ig. "Qui Paraclitus diceris" alto vocals [Maria Aegyptiaca, alto] London Symphony Orchestra, Leonard Bernstein 4:16
Symphony No. 8 in E-flat major, Part I: Hymnus: Veni, Creator Spiritus! Ih. "Gloria Patri Domino" alto vocals [Maria Aegyptiaca, alto] London Symphony Orchestra, Leonard Bernstein 2:05
Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIa. Poco adagio alto vocals [Maria Aegyptiaca, alto] London Symphony Orchestra, Leonard Bernstein 6:33
Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIb. Più mosso. (Allegro moderato) alto vocals [Maria Aegyptiaca, alto] London Symphony Orchestra, Leonard Bernstein 3:10
Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIc. "Waldung, sie schwankt heran" (Heilige Anachoreten) alto vocals [Maria Aegyptiaca, alto] London Symphony Orchestra, Leonard Bernstein 4:16
Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IId. "Ewiger Wonnebrand" (Pater Ecstaticus) alto vocals [Maria Aegyptiaca, alto] London Symphony Orchestra, Leonard Bernstein 1:23
Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIe. "Wie Felsenabgrund mir zu Füßen" (Pater Profundus) alto vocals [Maria Aegyptiaca, alto] London Symphony Orchestra, Leonard Bernstein 4:16
Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIf. "Gerettet ist das edle Glied" (Chor der Engel und Chor seliger Knaben) alto vocals [Maria Aegyptiaca, alto] London Symphony Orchestra, Leonard Bernstein 0:55
Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIg. "Jene Rosen, aus den Händen" (Chor der jûngeren Engel) alto vocals [Maria Aegyptiaca, alto] London Symphony Orchestra, Leonard Bernstein 1:45
Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIh. "Uns bleibt ein Erdenrest" (Die vollendeteren Engel) alto vocals [Maria Aegyptiaca, alto] London Symphony Orchestra, Leonard Bernstein 2:18
Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIi. "Ich spür' soeben" (Die jûngeren Engel) alto vocals [Maria Aegyptiaca, alto] London Symphony Orchestra, Leonard Bernstein 0:34
Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIj. "Hier ist die Aussicht frei" (Doctor Marianus) / "Freudig empfangen wir" (Chor seliger Knaben) alto vocals [Maria Aegyptiaca, alto] London Symphony Orchestra, Leonard Bernstein 0:38
Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIk. "Höchste Herrscherin der Welt" (Doctor Marianus) alto vocals [Maria Aegyptiaca, alto] London Symphony Orchestra, Leonard Bernstein 2:33
Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIl. "Jungfrau, rein im schänsten Sinne" (Doctor Marianus und Chor) alto vocals [Maria Aegyptiaca, alto] London Symphony Orchestra, Leonard Bernstein 1:38
Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIm. Aussert langsam. Adagissimo. alto vocals [Maria Aegyptiaca, alto] London Symphony Orchestra, Leonard Bernstein 1:15
Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIn. "Dir, der Unberührbaren" (Chöre) / "Du schwebst zu Höhen" (Una Poenitentium und Chor der Büßerinnen) alto vocals [Maria Aegyptiaca, alto] London Symphony Orchestra, Leonard Bernstein 1:59
Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIo. "Bei der Liebe, die den Fen" (Magna Peccatrix) alto vocals [Maria Aegyptiaca, alto] London Symphony Orchestra, Leonard Bernstein 0:54
Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIp. "Bei dem Bronn, zu dem schon weiland" (Mulier Samaritana) alto vocals [Maria Aegyptiaca, alto] London Symphony Orchestra, Leonard Bernstein 1:22
Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIq. "Bei dem hochgeweigten Orte" (Maria Aegyptiaca) alto vocals [Maria Aegyptiaca, alto] London Symphony Orchestra, Leonard Bernstein 1:07
Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIr. "Die du grossen Sünderinnen" (Magna Peccatrix, Mulier Samaritana, Maria Aegyptiaca) alto vocals [Maria Aegyptiaca, alto] London Symphony Orchestra, Leonard Bernstein 1:20
Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIs. "Neige, neige, du Ohnegleiche" (Una Poenitenium) alto vocals [Maria Aegyptiaca, alto] London Symphony Orchestra, Leonard Bernstein 1:04
Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIt. "Er überwächst uns schon" (Selige Knaben) alto vocals [Maria Aegyptiaca, alto] London Symphony Orchestra, Leonard Bernstein 1:14
Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIu. "Vom edlen Geisterchor umgeben" (Una Poenitentium (Gretchen)) alto vocals [Maria Aegyptiaca, alto] London Symphony Orchestra, Leonard Bernstein 2:06
Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIv. "Komm! Hebe dich zu höhern Sphären!" (Mater Gloriosa) alto vocals [Maria Aegyptiaca, alto] London Symphony Orchestra, Leonard Bernstein 1:21
Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIw. "Blicket auf zum Retterblick" (Doctor Marianus) alto vocals [Maria Aegyptiaca, alto] London Symphony Orchestra, Leonard Bernstein 5:46
Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIx. "Alles Vergängliche" (Chorus Mysticus) alto vocals [Maria Aegyptiaca, alto] London Symphony Orchestra, Leonard Bernstein 5:38
The Constant Nymph: Tomorrow contralto vocals The Ambrosian Singers, Norma Procter, National Philharmonic Orchestra, Charles Gerhardt 6:06
Symphony no. 8 alto vocals Gustav Mahler; Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík