Sheila Armstrong

~ Person

Relationships

VIAF ID: VIAF: 51874294 [info]
Wikidata: Q1394650 [info]
Wikipedia: en: Sheila Armstrong (singer) [info]
biographies: http://www.answers.com/topic/sheila-armstrong?cat=entertainment [info]
http://www.bach-cantatas.com/Bio/Armstrong-Sheila.htm [info]
picture: http://www.bach-cantatas.com/Pic-Bio/Armstrong-Sheila-2[1974].jpg [info]

Appearances

Date Title Attributes Artist Length
vocal
1968-09-23 – 1968-09-25 A Sea Symphony (Symphony No. 1): I. A Song for All Seas, All Ships (Moderato maestoso) / 1. Behold, the sea itself (chorus) soprano vocals London Philharmonic Orchestra, Sir Adrian Boult 3:12
1968-09-23 – 1968-09-25 A Sea Symphony (Symphony No. 1): I. A Song for All Seas, All Ships (Moderato maestoso) / 2. Today a rude brief recitative (baritone & chorus) soprano vocals London Philharmonic Orchestra, Sir Adrian Boult 4:59
1968-09-23 – 1968-09-25 A Sea Symphony (Symphony No. 1): I. A Song for All Seas, All Ships (Moderato maestoso) / 3. Flaunt out, O sea, your separate flags of nations! (soprano & chorus) soprano vocals London Philharmonic Orchestra, Sir Adrian Boult 2:34
1968-09-23 – 1968-09-25 A Sea Symphony (Symphony No. 1): I. A Song for All Seas, All Ships (Moderato maestoso) / 4. Token of all brave captains (chorus) soprano vocals London Philharmonic Orchestra, Sir Adrian Boult 4:49
1968-09-23 – 1968-09-25 A Sea Symphony (Symphony No. 1): I. A Song for All Seas, All Ships (Moderato maestoso) / 5. A pennant universal (baritone, soprano & chorus) soprano vocals London Philharmonic Orchestra, Sir Adrian Boult 3:44
1968-09-23 – 1968-09-25 A Sea Symphony (Symphony No. 1): II. On the Beach at Night, Alone (Largo sostenuto) / 1. On the beach at night, alone (baritone & semi-chorus) soprano vocals London Philharmonic Orchestra, Sir Adrian Boult 3:41
1968-09-23 – 1968-09-25 A Sea Symphony (Symphony No. 1): II. On the Beach at Night, Alone (Largo sostenuto) / 2. A vast similitude interlocks all (baritone & chorus) soprano vocals London Philharmonic Orchestra, Sir Adrian Boult 6:46
1968-09-23 – 1968-09-25 A Sea Symphony (Symphony No. 1): III. Scherzo: The Waves (Allegro brillante) soprano vocals London Philharmonic Orchestra, Sir Adrian Boult 7:29
1968-09-23 – 1968-09-25 A Sea Symphony (Symphony No. 1): IV. The Explorers (Grave e molto adagio - Andante con moto) / 1. O vast Rondure, swimming in Space (chorus) soprano vocals London Philharmonic Orchestra, Sir Adrian Boult 4:27
1968-09-23 – 1968-09-25 A Sea Symphony (Symphony No. 1): IV. The Explorers (Grave e molto adagio - Andante con moto) / 2. Down from the gardens of Asia descending (chorus) soprano vocals London Philharmonic Orchestra, Sir Adrian Boult 7:48
1968-09-23 – 1968-09-25 A Sea Symphony (Symphony No. 1): IV. The Explorers (Grave e molto adagio - Andante con moto) / 3. O we can wait no longer (baritone & soprano) soprano vocals London Philharmonic Orchestra, Sir Adrian Boult 5:06
1968-09-23 – 1968-09-25 A Sea Symphony (Symphony No. 1): IV. The Explorers (Grave e molto adagio - Andante con moto) / 4. O thou transcendent (soprano, baritone & chorus) soprano vocals London Philharmonic Orchestra, Sir Adrian Boult 3:05
1968-09-23 – 1968-09-25 A Sea Symphony (Symphony No. 1): IV. The Explorers (Grave e molto adagio - Andante con moto) / 5. Greater than stars or suns (chorus, soprano & baritone) soprano vocals London Philharmonic Orchestra, Sir Adrian Boult 1:20
1968-09-23 – 1968-09-25 A Sea Symphony (Symphony No. 1): IV. The Explorers (Grave e molto adagio - Andante con moto) / 6. Sail forth (chorus, soprano & baritone) soprano vocals London Philharmonic Orchestra, Sir Adrian Boult 2:27
1968-09-23 – 1968-09-25 A Sea Symphony (Symphony No. 1): IV. The Explorers (Grave e molto adagio - Andante con moto) / 7. O my brave Soul! (soprano, baritone & chorus) soprano vocals London Philharmonic Orchestra, Sir Adrian Boult 4:02
1970-06 – 1970-07 Kantate, BWV 58 "Ach Gott, wie manches Herzeleid": I. Duetto (Soprano, Basso) "Ach Gott, wie manches Herzeleid" soprano vocals Sheila Armstrong, Dietrich Fischer‐Dieskau, Detlef Kühl, Gerhart Hetzel, Fritz Kiskalt, Karl Kolbinger, Herbert Duft, Elmar Schloter, Hedwig Bilgram, Johannes Fink, Münchener Bach‐Orchester, Karl Richter 5:01
1970-06 – 1970-07 Kantate, BWV 58 "Ach Gott, wie manches Herzeleid": III. Aria (Soprano) "Ich bin vergnügt in meinem Leiden" solo and soprano vocals Sheila Armstrong, Karl Kolbinger, Johannes Fink, Gerhart Hetzel, Fritz Kiskalt, Herbert Duft, Detlef Kühl, Elmar Schloter, Hedwig Bilgram, Münchener Bach‐Orchester, Karl Richter 3:51
1970-06 – 1970-07 Kantate, BWV 58 "Ach Gott, wie manches Herzeleid": IV. Recitativo (Soprano) "Kann es die Welt nicht lassen" solo and soprano vocals Sheila Armstrong, Karl Kolbinger, Johannes Fink, Gerhart Hetzel, Fritz Kiskalt, Herbert Duft, Detlef Kühl, Elmar Schloter, Hedwig Bilgram, Münchener Bach‐Orchester, Karl Richter 1:19
1970-06 – 1970-07 Kantate, BWV 58 "Ach Gott, wie manches Herzeleid": V. Duetto (Soprano, Basso) «Ich hab für mir ein schwere Reis" soprano vocals Sheila Armstrong, Dietrich Fischer‐Dieskau, Detlef Kühl, Gerhart Hetzel, Fritz Kiskalt, Karl Kolbinger, Herbert Duft, Elmar Schloter, Hedwig Bilgram, Johannes Fink, Münchener Bach‐Orchester, Karl Richter 2:30
1972-09-10 Symphony no. 2 “Resurrection”: V. “Auferstehn, ja auferstehn wirst du” soprano vocals Sheila Armstrong, New Philharmonia Chorus, Anna Reynolds, Münchner Philharmoniker, Rudolf Kempe 15:10
1972-11-22 – 1972-11-29 Symphony no. 9 in D minor, op. 125 "Choral": IV. Finale. Presto - Allegro assai soprano vocals London Symphony Orchestra, Carlo Maria Giulini 26:01
1973-08-31 – 1973-09-01 Symphony no. 2 “Resurrection”: V. Im Tempo des Scherzos. Wild herausfahrend soprano vocals Sheila Armstrong, Edinburgh Festival Chorus, London Symphony Orchestra, Leonard Bernstein 36:24
1973-10-23 – 1974-07-02 The Apostles, op. 49: Part 1: I. The Calling of the Apostles: And it came to pass in those days soprano vocals [The Blessed Virgin] Dorothy Dickinson, John Alldis, Choir of Downe House School, Clifford Grant, London Philharmonic Choir, Sheila Armstrong, John Carol Case, Robert Tear, Helen Watts, Benjamin Luxon, London Philharmonic Orchestra, Sir Adrian Boult 8:23
1973-10-23 – 1974-07-02 The Apostles, op. 49: Part 1: I. The Calling of the Apostles: And it came to pass in those days soprano vocals [The Angel] Dorothy Dickinson, John Alldis, Choir of Downe House School, Clifford Grant, London Philharmonic Choir, Sheila Armstrong, John Carol Case, Robert Tear, Helen Watts, Benjamin Luxon, London Philharmonic Orchestra, Sir Adrian Boult 8:23
1973-10-23 – 1974-07-02 The Apostles, op. 49: Part 1: I. The Calling of the Apostles: In the Mountain — Night: Morning Psalm soprano vocals [The Blessed Virgin] Dorothy Dickinson, John Alldis, Choir of Downe House School, Clifford Grant, London Philharmonic Choir, Sheila Armstrong, John Carol Case, Robert Tear, Helen Watts, Benjamin Luxon, London Philharmonic Orchestra, Sir Adrian Boult 4:47
1973-10-23 – 1974-07-02 The Apostles, op. 49: Part 1: I. The Calling of the Apostles: In the Mountain — Night: Morning Psalm soprano vocals [The Angel] Dorothy Dickinson, John Alldis, Choir of Downe House School, Clifford Grant, London Philharmonic Choir, Sheila Armstrong, John Carol Case, Robert Tear, Helen Watts, Benjamin Luxon, London Philharmonic Orchestra, Sir Adrian Boult 4:47
1973-10-23 – 1974-07-02 The Apostles, op. 49: Part 1: I. The Calling of the Apostles: In the Mountain — Night: The Dawn soprano vocals [The Blessed Virgin] Dorothy Dickinson, John Alldis, Choir of Downe House School, Clifford Grant, London Philharmonic Choir, Sheila Armstrong, John Carol Case, Robert Tear, Helen Watts, Benjamin Luxon, London Philharmonic Orchestra, Sir Adrian Boult 1:27
1973-10-23 – 1974-07-02 The Apostles, op. 49: Part 1: I. The Calling of the Apostles: In the Mountain — Night: The Dawn soprano vocals [The Angel] Dorothy Dickinson, John Alldis, Choir of Downe House School, Clifford Grant, London Philharmonic Choir, Sheila Armstrong, John Carol Case, Robert Tear, Helen Watts, Benjamin Luxon, London Philharmonic Orchestra, Sir Adrian Boult 1:27
1973-10-23 – 1974-07-02 The Apostles, op. 49: Part 1: I. The Calling of the Apostles: In the Mountain — Night: The Lord hath chosen them soprano vocals [The Blessed Virgin] Dorothy Dickinson, John Alldis, Choir of Downe House School, Clifford Grant, London Philharmonic Choir, Sheila Armstrong, John Carol Case, Robert Tear, Helen Watts, Benjamin Luxon, London Philharmonic Orchestra, Sir Adrian Boult 7:43
1973-10-23 – 1974-07-02 The Apostles, op. 49: Part 1: I. The Calling of the Apostles: In the Mountain — Night: The Lord hath chosen them soprano vocals [The Angel] Dorothy Dickinson, John Alldis, Choir of Downe House School, Clifford Grant, London Philharmonic Choir, Sheila Armstrong, John Carol Case, Robert Tear, Helen Watts, Benjamin Luxon, London Philharmonic Orchestra, Sir Adrian Boult 7:43
1973-10-23 – 1974-07-02 The Apostles, op. 49: Part 1: II. By the Wayside soprano vocals [The Angel] Dorothy Dickinson, John Alldis, Choir of Downe House School, Clifford Grant, London Philharmonic Choir, Sheila Armstrong, John Carol Case, Robert Tear, Helen Watts, Benjamin Luxon, London Philharmonic Orchestra, Sir Adrian Boult 8:13
1973-10-23 – 1974-07-02 The Apostles, op. 49: Part 1: II. By the Wayside soprano vocals [The Blessed Virgin] Dorothy Dickinson, John Alldis, Choir of Downe House School, Clifford Grant, London Philharmonic Choir, Sheila Armstrong, John Carol Case, Robert Tear, Helen Watts, Benjamin Luxon, London Philharmonic Orchestra, Sir Adrian Boult 8:13
1973-10-23 – 1974-07-02 The Apostles, op. 49: Part 1: III. By the Sea of Galilee: And straightaway Jesus constrained his disciples soprano vocals [The Blessed Virgin] Dorothy Dickinson, John Alldis, Choir of Downe House School, Clifford Grant, London Philharmonic Choir, Sheila Armstrong, John Carol Case, Robert Tear, Helen Watts, Benjamin Luxon, London Philharmonic Orchestra, Sir Adrian Boult 1:44
1973-10-23 – 1974-07-02 The Apostles, op. 49: Part 1: III. By the Sea of Galilee: And straightaway Jesus constrained his disciples soprano vocals [The Angel] Dorothy Dickinson, John Alldis, Choir of Downe House School, Clifford Grant, London Philharmonic Choir, Sheila Armstrong, John Carol Case, Robert Tear, Helen Watts, Benjamin Luxon, London Philharmonic Orchestra, Sir Adrian Boult 1:44
1973-10-23 – 1974-07-02 The Apostles, op. 49: Part 1: III. By the Sea of Galilee: Fantasy: This shall ye have of mine hand soprano vocals [The Angel] Dorothy Dickinson, John Alldis, Choir of Downe House School, Clifford Grant, London Philharmonic Choir, Sheila Armstrong, John Carol Case, Robert Tear, Helen Watts, Benjamin Luxon, London Philharmonic Orchestra, Sir Adrian Boult 8:07
1973-10-23 – 1974-07-02 The Apostles, op. 49: Part 1: III. By the Sea of Galilee: Fantasy: This shall ye have of mine hand soprano vocals [The Blessed Virgin] Dorothy Dickinson, John Alldis, Choir of Downe House School, Clifford Grant, London Philharmonic Choir, Sheila Armstrong, John Carol Case, Robert Tear, Helen Watts, Benjamin Luxon, London Philharmonic Orchestra, Sir Adrian Boult 8:07
1973-10-23 – 1974-07-02 The Apostles, op. 49: Part 1: III. By the Sea of Galilee: In Caesarea Philippi: And I will give unto thee soprano vocals [The Blessed Virgin] Dorothy Dickinson, John Alldis, Choir of Downe House School, Clifford Grant, London Philharmonic Choir, Sheila Armstrong, John Carol Case, Robert Tear, Helen Watts, Benjamin Luxon, London Philharmonic Orchestra, Sir Adrian Boult 7:12
1973-10-23 – 1974-07-02 The Apostles, op. 49: Part 1: III. By the Sea of Galilee: In Caesarea Philippi: And I will give unto thee soprano vocals [The Angel] Dorothy Dickinson, John Alldis, Choir of Downe House School, Clifford Grant, London Philharmonic Choir, Sheila Armstrong, John Carol Case, Robert Tear, Helen Watts, Benjamin Luxon, London Philharmonic Orchestra, Sir Adrian Boult 7:12
1973-10-23 – 1974-07-02 The Apostles, op. 49: Part 1: III. By the Sea of Galilee: In Caesarea Philippi: When Jesus came into the parts of Caesarea Philippi soprano vocals [The Angel] Dorothy Dickinson, John Alldis, Choir of Downe House School, Clifford Grant, London Philharmonic Choir, Sheila Armstrong, John Carol Case, Robert Tear, Helen Watts, Benjamin Luxon, London Philharmonic Orchestra, Sir Adrian Boult 4:02
1973-10-23 – 1974-07-02 The Apostles, op. 49: Part 1: III. By the Sea of Galilee: In Caesarea Philippi: When Jesus came into the parts of Caesarea Philippi soprano vocals [The Blessed Virgin] Dorothy Dickinson, John Alldis, Choir of Downe House School, Clifford Grant, London Philharmonic Choir, Sheila Armstrong, John Carol Case, Robert Tear, Helen Watts, Benjamin Luxon, London Philharmonic Orchestra, Sir Adrian Boult 4:02
1973-10-23 – 1974-07-02 The Apostles, op. 49: Part 1: III. By the Sea of Galilee: In Capernaum: Turn you to the stronghold soprano vocals [The Blessed Virgin] Dorothy Dickinson, John Alldis, Choir of Downe House School, Clifford Grant, London Philharmonic Choir, Sheila Armstrong, John Carol Case, Robert Tear, Helen Watts, Benjamin Luxon, London Philharmonic Orchestra, Sir Adrian Boult 6:40
1973-10-23 – 1974-07-02 The Apostles, op. 49: Part 1: III. By the Sea of Galilee: In Capernaum: Turn you to the stronghold soprano vocals [The Angel] Dorothy Dickinson, John Alldis, Choir of Downe House School, Clifford Grant, London Philharmonic Choir, Sheila Armstrong, John Carol Case, Robert Tear, Helen Watts, Benjamin Luxon, London Philharmonic Orchestra, Sir Adrian Boult 6:40
1973-10-23 – 1974-07-02 The Apostles, op. 49: Part 1: III. By the Sea of Galilee: In the Tower of Magdala soprano vocals [The Angel] Dorothy Dickinson, John Alldis, Choir of Downe House School, Clifford Grant, London Philharmonic Choir, Sheila Armstrong, John Carol Case, Robert Tear, Helen Watts, Benjamin Luxon, London Philharmonic Orchestra, Sir Adrian Boult 6:07
1973-10-23 – 1974-07-02 The Apostles, op. 49: Part 1: III. By the Sea of Galilee: In the Tower of Magdala soprano vocals [The Blessed Virgin] Dorothy Dickinson, John Alldis, Choir of Downe House School, Clifford Grant, London Philharmonic Choir, Sheila Armstrong, John Carol Case, Robert Tear, Helen Watts, Benjamin Luxon, London Philharmonic Orchestra, Sir Adrian Boult 6:07
1973-10-23 – 1974-07-02 The Apostles, op. 49: Part 2: Introduction soprano vocals [The Blessed Virgin] Dorothy Dickinson, John Alldis, Choir of Downe House School, Clifford Grant, London Philharmonic Choir, Sheila Armstrong, John Carol Case, Robert Tear, Helen Watts, Benjamin Luxon, London Philharmonic Orchestra, Sir Adrian Boult 4:20
1973-10-23 – 1974-07-02 The Apostles, op. 49: Part 2: Introduction soprano vocals [The Angel] Dorothy Dickinson, John Alldis, Choir of Downe House School, Clifford Grant, London Philharmonic Choir, Sheila Armstrong, John Carol Case, Robert Tear, Helen Watts, Benjamin Luxon, London Philharmonic Orchestra, Sir Adrian Boult 4:20
1973-10-23 – 1974-07-02 The Apostles, op. 49: Part 2: IV. The Betrayal: And it came to pass soprano vocals [The Blessed Virgin] Dorothy Dickinson, John Alldis, Choir of Downe House School, Clifford Grant, London Philharmonic Choir, Sheila Armstrong, John Carol Case, Robert Tear, Helen Watts, Benjamin Luxon, London Philharmonic Orchestra, Sir Adrian Boult 1:59
1973-10-23 – 1974-07-02 The Apostles, op. 49: Part 2: IV. The Betrayal: And it came to pass soprano vocals [The Angel] Dorothy Dickinson, John Alldis, Choir of Downe House School, Clifford Grant, London Philharmonic Choir, Sheila Armstrong, John Carol Case, Robert Tear, Helen Watts, Benjamin Luxon, London Philharmonic Orchestra, Sir Adrian Boult 1:59
1973-10-23 – 1974-07-02 The Apostles, op. 49: Part 2: IV. The Betrayal: Hail, Master! soprano vocals [The Blessed Virgin] Dorothy Dickinson, John Alldis, Choir of Downe House School, Clifford Grant, London Philharmonic Choir, Sheila Armstrong, John Carol Case, Robert Tear, Helen Watts, Benjamin Luxon, London Philharmonic Orchestra, Sir Adrian Boult 5:01
1973-10-23 – 1974-07-02 The Apostles, op. 49: Part 2: IV. The Betrayal: Hail, Master! soprano vocals [The Angel] Dorothy Dickinson, John Alldis, Choir of Downe House School, Clifford Grant, London Philharmonic Choir, Sheila Armstrong, John Carol Case, Robert Tear, Helen Watts, Benjamin Luxon, London Philharmonic Orchestra, Sir Adrian Boult 5:01
1973-10-23 – 1974-07-02 The Apostles, op. 49: Part 2: IV. The Betrayal: In the Place of the High Priest: Then Judas, which had betrayed him soprano vocals [The Blessed Virgin] Dorothy Dickinson, John Alldis, Choir of Downe House School, Clifford Grant, London Philharmonic Choir, Sheila Armstrong, John Carol Case, Robert Tear, Helen Watts, Benjamin Luxon, London Philharmonic Orchestra, Sir Adrian Boult 3:57
1973-10-23 – 1974-07-02 The Apostles, op. 49: Part 2: IV. The Betrayal: In the Place of the High Priest: Then Judas, which had betrayed him soprano vocals [The Angel] Dorothy Dickinson, John Alldis, Choir of Downe House School, Clifford Grant, London Philharmonic Choir, Sheila Armstrong, John Carol Case, Robert Tear, Helen Watts, Benjamin Luxon, London Philharmonic Orchestra, Sir Adrian Boult 3:57
1973-10-23 – 1974-07-02 The Apostles, op. 49: Part 2: IV. The Betrayal: The Temple: Without the temple soprano vocals [The Blessed Virgin] Dorothy Dickinson, John Alldis, Choir of Downe House School, Clifford Grant, London Philharmonic Choir, Sheila Armstrong, John Carol Case, Robert Tear, Helen Watts, Benjamin Luxon, London Philharmonic Orchestra, Sir Adrian Boult 9:04
1973-10-23 – 1974-07-02 The Apostles, op. 49: Part 2: IV. The Betrayal: The Temple: Without the temple soprano vocals [The Angel] Dorothy Dickinson, John Alldis, Choir of Downe House School, Clifford Grant, London Philharmonic Choir, Sheila Armstrong, John Carol Case, Robert Tear, Helen Watts, Benjamin Luxon, London Philharmonic Orchestra, Sir Adrian Boult 9:04
1973-10-23 – 1974-07-02 The Apostles, op. 49: Part 2: IV. The Betrayal: Then gathered the Chief Priests and Pharisees soprano vocals [The Blessed Virgin] Dorothy Dickinson, John Alldis, Choir of Downe House School, Clifford Grant, London Philharmonic Choir, Sheila Armstrong, John Carol Case, Robert Tear, Helen Watts, Benjamin Luxon, London Philharmonic Orchestra, Sir Adrian Boult 3:24
1973-10-23 – 1974-07-02 The Apostles, op. 49: Part 2: IV. The Betrayal: Then gathered the Chief Priests and Pharisees soprano vocals [The Angel] Dorothy Dickinson, John Alldis, Choir of Downe House School, Clifford Grant, London Philharmonic Choir, Sheila Armstrong, John Carol Case, Robert Tear, Helen Watts, Benjamin Luxon, London Philharmonic Orchestra, Sir Adrian Boult 3:24
1973-10-23 – 1974-07-02 The Apostles, op. 49: Part 2: V. Golgotha soprano vocals [The Blessed Virgin] Dorothy Dickinson, John Alldis, Choir of Downe House School, Clifford Grant, London Philharmonic Choir, Sheila Armstrong, John Carol Case, Robert Tear, Helen Watts, Benjamin Luxon, London Philharmonic Orchestra, Sir Adrian Boult 4:37
1973-10-23 – 1974-07-02 The Apostles, op. 49: Part 2: V. Golgotha soprano vocals [The Angel] Dorothy Dickinson, John Alldis, Choir of Downe House School, Clifford Grant, London Philharmonic Choir, Sheila Armstrong, John Carol Case, Robert Tear, Helen Watts, Benjamin Luxon, London Philharmonic Orchestra, Sir Adrian Boult 4:37
1973-10-23 – 1974-07-02 The Apostles, op. 49: Part 2: VI. At the Sepulchre soprano vocals [The Angel] Dorothy Dickinson, John Alldis, Choir of Downe House School, Clifford Grant, London Philharmonic Choir, Sheila Armstrong, John Carol Case, Robert Tear, Helen Watts, Benjamin Luxon, London Philharmonic Orchestra, Sir Adrian Boult 4:24
1973-10-23 – 1974-07-02 The Apostles, op. 49: Part 2: VI. At the Sepulchre soprano vocals [The Blessed Virgin] Dorothy Dickinson, John Alldis, Choir of Downe House School, Clifford Grant, London Philharmonic Choir, Sheila Armstrong, John Carol Case, Robert Tear, Helen Watts, Benjamin Luxon, London Philharmonic Orchestra, Sir Adrian Boult 4:24
1973-10-23 – 1974-07-02 The Apostles, op. 49: Part 2: VII. The Ascension: Give us one heart soprano vocals [The Angel] Dorothy Dickinson, John Alldis, Choir of Downe House School, Clifford Grant, London Philharmonic Choir, Sheila Armstrong, John Carol Case, Robert Tear, Helen Watts, Benjamin Luxon, London Philharmonic Orchestra, Sir Adrian Boult 9:21
1973-10-23 – 1974-07-02 The Apostles, op. 49: Part 2: VII. The Ascension: Give us one heart soprano vocals [The Blessed Virgin] Dorothy Dickinson, John Alldis, Choir of Downe House School, Clifford Grant, London Philharmonic Choir, Sheila Armstrong, John Carol Case, Robert Tear, Helen Watts, Benjamin Luxon, London Philharmonic Orchestra, Sir Adrian Boult 9:21
1973-10-23 – 1974-07-02 The Apostles, op. 49: Part 2: VII. The Ascension: We trusted that it had been He soprano vocals [The Blessed Virgin] Dorothy Dickinson, John Alldis, Choir of Downe House School, Clifford Grant, London Philharmonic Choir, Sheila Armstrong, John Carol Case, Robert Tear, Helen Watts, Benjamin Luxon, London Philharmonic Orchestra, Sir Adrian Boult 5:15
1973-10-23 – 1974-07-02 The Apostles, op. 49: Part 2: VII. The Ascension: We trusted that it had been He soprano vocals [The Angel] Dorothy Dickinson, John Alldis, Choir of Downe House School, Clifford Grant, London Philharmonic Choir, Sheila Armstrong, John Carol Case, Robert Tear, Helen Watts, Benjamin Luxon, London Philharmonic Orchestra, Sir Adrian Boult 5:15
1973-10-23 – 1974-07-02 The Apostles, op. 49: Prologue soprano vocals [The Angel] Dorothy Dickinson, John Alldis, Choir of Downe House School, Clifford Grant, London Philharmonic Choir, Sheila Armstrong, John Carol Case, Robert Tear, Helen Watts, Benjamin Luxon, London Philharmonic Orchestra, Sir Adrian Boult 6:16
1973-10-23 – 1974-07-02 The Apostles, op. 49: Prologue soprano vocals [The Blessed Virgin] Dorothy Dickinson, John Alldis, Choir of Downe House School, Clifford Grant, London Philharmonic Choir, Sheila Armstrong, John Carol Case, Robert Tear, Helen Watts, Benjamin Luxon, London Philharmonic Orchestra, Sir Adrian Boult 6:16
1974-01 Requiem, op. 48: I. Introït et Kyrie soprano vocals Sheila Armstrong, Edinburgh Festival Chorus, Dietrich Fischer‐Dieskau, Orchestre de Paris, Daniel Barenboim 8:04
1974-01 Requiem, op. 48: II. Offertoire soprano vocals Sheila Armstrong, Edinburgh Festival Chorus, Dietrich Fischer‐Dieskau, Orchestre de Paris, Daniel Barenboim 10:00
1974-01 Requiem, op. 48: III. Sanctus soprano vocals Sheila Armstrong, Edinburgh Festival Chorus, Dietrich Fischer‐Dieskau, Orchestre de Paris, Daniel Barenboim 2:43
1974-01 Requiem, op. 48: IV. Pie Jesu soprano vocals Sheila Armstrong, Edinburgh Festival Chorus, Dietrich Fischer‐Dieskau, Orchestre de Paris, Daniel Barenboim 3:31
1974-01 Requiem, op. 48: V. Agnus Dei soprano vocals Sheila Armstrong, Edinburgh Festival Chorus, Dietrich Fischer‐Dieskau, Orchestre de Paris, Daniel Barenboim 6:08
1974-01 Requiem, op. 48: VI. Libera me soprano vocals Sheila Armstrong, Edinburgh Festival Chorus, Dietrich Fischer‐Dieskau, Orchestre de Paris, Daniel Barenboim 5:12
1974-01 Requiem, op. 48: VII. In Paradisum soprano vocals Sheila Armstrong, Edinburgh Festival Chorus, Dietrich Fischer‐Dieskau, Orchestre de Paris, Daniel Barenboim 3:26
1975-10 The Bells, op. 35: I. Allegro ma non tanto soprano vocals Sheila Armstrong, John Shirley‐Quirk, Robert Tear, London Symphony Orchestra, André Previn 6:38
1975-10 The Bells, op. 35: II. Lento soprano vocals Sheila Armstrong, John Shirley‐Quirk, Robert Tear, London Symphony Orchestra, André Previn 10:40
1975-10 The Bells, op. 35: III. Presto soprano vocals Sheila Armstrong, John Shirley‐Quirk, Robert Tear, London Symphony Orchestra, André Previn 7:55
1975-10 The Bells, op. 35: IV. Lento lugubre soprano vocals Sheila Armstrong, John Shirley‐Quirk, Robert Tear, London Symphony Orchestra, André Previn 10:28
1975 Carmina Burana: III. Cour d'Amour: Amor volat undique soprano vocals London Symphony Orchestra, André Previn 3:29
1975 Carmina Burana: III. Cour d'Amour: Dulcissime soprano vocals London Symphony Orchestra, André Previn 0:42
1975 Carmina Burana: III. Cour d'Amour: In trutina soprano vocals London Symphony Orchestra, André Previn 2:31
1975 Carmina Burana: III. Cour d'Amour: Stetit puella soprano vocals London Symphony Orchestra, André Previn 2:15
1975 Carmina Burana: III. Cour d'Amour: Tempus est iocundum soprano vocals London Symphony Orchestra, André Previn 2:23
1978-11-25 – 1978-11-27 Magnificat in C, D. 486 soprano vocals Sheila Armstrong, Ensemble Vocal de Lausanne, Philippe Huttenlocher, Alejandro Ramirez, Hanna Schaer, Orchestre de Chambre de Lausanne, Michel Corboz 9:40
1978-11-25 – 1978-11-27 Offertorium in B-flat, D. 963 soprano vocals Sheila Armstrong, Ensemble Vocal de Lausanne, Philippe Huttenlocher, Alejandro Ramirez, Hanna Schaer, Orchestre de Chambre de Lausanne, Michel Corboz 10:57
1978-11-25 – 1978-11-27 Stabat Mater in F, D. 383: I. Choir soprano vocals Sheila Armstrong, Ensemble Vocal de Lausanne, Philippe Huttenlocher, Alejandro Ramirez, Hanna Schaer, Orchestre de Chambre de Lausanne, Michel Corboz 2:32
1978-11-25 – 1978-11-27 Stabat Mater in F, D. 383: II. Aria soprano vocals Sheila Armstrong, Philippe Huttenlocher, Alejandro Ramirez, Hanna Schaer, Orchestre de Chambre de Lausanne, Michel Corboz 2:45
1978-11-25 – 1978-11-27 Stabat Mater in F, D. 383: III. Choir soprano vocals Sheila Armstrong, Ensemble Vocal de Lausanne, Philippe Huttenlocher, Alejandro Ramirez, Hanna Schaer, Orchestre de Chambre de Lausanne, Michel Corboz 1:47
1978-11-25 – 1978-11-27 Stabat Mater in F, D. 383: IV. Duetto soprano vocals Sheila Armstrong, Philippe Huttenlocher, Alejandro Ramirez, Hanna Schaer, Orchestre de Chambre de Lausanne, Michel Corboz 3:09
1978-11-25 – 1978-11-27 Stabat Mater in F, D. 383: IX. Choir soprano vocals Sheila Armstrong, Ensemble Vocal de Lausanne, Philippe Huttenlocher, Alejandro Ramirez, Hanna Schaer, Orchestre de Chambre de Lausanne, Michel Corboz 2:35
1978-11-25 – 1978-11-27 Stabat Mater in F, D. 383: V. Choir soprano vocals Sheila Armstrong, Ensemble Vocal de Lausanne, Philippe Huttenlocher, Alejandro Ramirez, Hanna Schaer, Orchestre de Chambre de Lausanne, Michel Corboz 4:06
1978-11-25 – 1978-11-27 Stabat Mater in F, D. 383: VI. Aria soprano vocals Sheila Armstrong, Philippe Huttenlocher, Alejandro Ramirez, Hanna Schaer, Orchestre de Chambre de Lausanne, Michel Corboz 2:19
1978-11-25 – 1978-11-27 Stabat Mater in F, D. 383: VII. Choir soprano vocals Sheila Armstrong, Ensemble Vocal de Lausanne, Philippe Huttenlocher, Alejandro Ramirez, Hanna Schaer, Orchestre de Chambre de Lausanne, Michel Corboz 2:58
1978-11-25 – 1978-11-27 Stabat Mater in F, D. 383: VIII. Aria soprano vocals Sheila Armstrong, Philippe Huttenlocher, Alejandro Ramirez, Hanna Schaer, Orchestre de Chambre de Lausanne, Michel Corboz 4:56
1978-11-25 – 1978-11-27 Stabat Mater in F, D. 383: X. Terzetto soprano vocals Sheila Armstrong, Philippe Huttenlocher, Alejandro Ramirez, Hanna Schaer, Orchestre de Chambre de Lausanne, Michel Corboz 3:23
1978-11-25 – 1978-11-27 Stabat Mater in F, D. 383: XI. Terzetto - Choir soprano vocals Sheila Armstrong, Ensemble Vocal de Lausanne, Philippe Huttenlocher, Alejandro Ramirez, Hanna Schaer, Orchestre de Chambre de Lausanne, Michel Corboz 3:56
1978-11-25 – 1978-11-27 Stabat Mater in F, D. 383: XII. Choir soprano vocals Sheila Armstrong, Ensemble Vocal de Lausanne, Philippe Huttenlocher, Alejandro Ramirez, Hanna Schaer, Orchestre de Chambre de Lausanne, Michel Corboz 3:24
1981-01 – 1981-02 Symphony No. 9 in D minor, Op. 125 "Choral": IV. Presto—Allegro ma non troppo—Vivace—Adagio cantabile—Allegro—Allegro moderato—Allegro soprano vocals Heinz Mende, Sheila Armstrong, Linda Finnie, Robert Tear, John Tomlinson, Philharmonia Orchestra, Kurt Sanderling 26:12
1984-11-27 Symphony no. 7 "Sinfonia antartica": I. Prelude: Andante maestoso soprano vocals Sheila Armstrong, London Philharmonic Orchestra, London Philharmonic Choir, Bernard Haitink 11:08
1984-11-27 Symphony no. 7 "Sinfonia antartica": V. Epilogue: Alla marcia, moderato (non troppo allegro) soprano vocals Sheila Armstrong, London Philharmonic Orchestra, London Philharmonic Choir, Bernard Haitink 8:36
1985 Sinfonia antartica (Symphony no. 7): I. Prelude: Maestoso soprano vocals London Philharmonic Orchestra, Bernard Haitink 10:15
1985 Sinfonia antartica (Symphony no. 7): V. Epilogue: Alla marcia, moderato (non troppo allegro) soprano vocals London Philharmonic Orchestra, Bernard Haitink 8:08
A Child of Our Time: A Spiritual solo and soprano vocals László Heltay, Sheila Armstrong, Brighton Festival Chorus, Philip Langridge, Felicity Palmer, John Shirley‐Quirk, Royal Philharmonic Orchestra, André Previn 2:30
A Child of Our Time: A Spiritual solo and soprano vocals László Heltay, Sheila Armstrong, Brighton Festival Chorus, Philip Langridge, Felicity Palmer, John Shirley‐Quirk, Royal Philharmonic Orchestra, André Previn 3:46
A Child of Our Time: A Spiritual solo and soprano vocals László Heltay, Sheila Armstrong, Brighton Festival Chorus, Royal Philharmonic Orchestra, André Previn 1:11
A Child of Our Time: A Spiritual solo and soprano vocals László Heltay, Sheila Armstrong, Brighton Festival Chorus, Philip Langridge, Felicity Palmer, John Shirley‐Quirk, Royal Philharmonic Orchestra, André Previn 1:16
A Child of Our Time: General Ensemble solo and soprano vocals László Heltay, Sheila Armstrong, Brighton Festival Chorus, Philip Langridge, Felicity Palmer, John Shirley‐Quirk, Royal Philharmonic Orchestra, André Previn 5:15
A Child of Our Time: Scena (Solo Quartet) solo and soprano vocals Sheila Armstrong, Philip Langridge, Felicity Palmer, John Shirley‐Quirk, Royal Philharmonic Orchestra, André Previn 1:21
A Child of Our Time: Soprano solo solo and soprano vocals Sheila Armstrong, Royal Philharmonic Orchestra, André Previn 3:14
A Child of Our Time: The Mother solo and soprano vocals Sheila Armstrong, Royal Philharmonic Orchestra, André Previn 1:41
Cantata "Was Soll Ich Aus Dir Machen, Ephraim?" BWV 89: IV. Recitativo (Soprano): Wohlan! Mein Herze Legt Zorn, Zank Und Zwietracht Hin soprano vocals Sheila Armstrong, Concerto Amsterdam, Jaap Schröder 1:02
Cantata "Was Soll Ich Aus Dir Machen, Ephraim?" BWV 89: V. Aria (Soprano): Gerechter Gott, Ach, Rechnest Du? soprano vocals Sheila Armstrong, Concerto Amsterdam, Jaap Schröder 2:33
Carmina Burana: Fortuna Imperatrix Mundi: Ⅰ. O Fortuna soprano vocals Hallé Choir, Michael Ball, Boys of Manchester Grammar School, Ronald Frost, Hallé Orchestra, Maurice Handford 2:37
Dido and Aeneas, Z. 626: Act 1. "Ah! Belinda" / "Grief increases" / "When monarchs unite" soprano vocals [Belinda, Queen's confidante] Jürgen Jürgens, Sheila Armstrong, Tatiana Troyanos, Kammerorchester des Norddeutschen Rundfunks, Charles Mackerras 5:25
Dido and Aeneas, Z. 626: Act 1. "If not for mine, for empire's sake" … "To the hills and the vales" soprano vocals [Belinda, Queen's confidante] Jürgen Jürgens, Sheila Armstrong, Barry McDaniel, Kammerorchester des Norddeutschen Rundfunks, Charles Mackerras 3:05
Dido and Aeneas, Z. 626: Act 1. "See, your royal guest appears" / "Cupid only throws…" soprano vocals [Belinda, Queen's confidante] Jürgen Jürgens, Sheila Armstrong, Paul Esswood, Barry McDaniel, Tatiana Troyanos, Kammerorchester des Norddeutschen Rundfunks, Charles Mackerras 1:29
Dido and Aeneas, Z. 626: Act 1. "Shake the cloud from off your brow" soprano vocals [Belinda, Queen's confidante] Jürgen Jürgens, Sheila Armstrong, Kammerorchester des Norddeutschen Rundfunks, Charles Mackerras 1:14
Dido and Aeneas, Z. 626: Act 1. "Whence could so much virtue spring?" - "Fear no danger" soprano vocals [Belinda, Queen's confidante] Jürgen Jürgens, Sheila Armstrong, Margaret Baker, Tatiana Troyanos, Kammerorchester des Norddeutschen Rundfunks, Charles Mackerras 3:51
Dido and Aeneas, Z. 626: Act 2. "Behold, upon my bending spear" / "Haste, haste to town" soprano vocals [Belinda, Queen's confidante] Jürgen Jürgens, Sheila Armstrong, Barry McDaniel, Tatiana Troyanos, Kammerorchester des Norddeutschen Rundfunks, Charles Mackerras 1:22
Dido and Aeneas, Z. 626: Act 2. Ritornelle - "Thanks to these lonesome vales" - Gitter Ground a Dance soprano vocals [Belinda, Queen's confidante] Jürgen Jürgens, Sheila Armstrong, Kammerorchester des Norddeutschen Rundfunks, Charles Mackerras 3:23
Dido and Aeneas, Z. 626: Act 3. "Your counsel all is urg'd in vain" - "Great minds against themselves conspire" soprano vocals [Belinda, Queen's confidante] Jürgen Jürgens, Sheila Armstrong, Barry McDaniel, Tatiana Troyanos, Kammerorchester des Norddeutschen Rundfunks, Charles Mackerras 5:22
Dona nobis pacem: I. "Agnus Dei" (lento) solo and soprano vocals Ralph Vaughan Williams 3:31
Dona nobis pacem: I. "Agnus Dei" (lento) soprano vocals Ralph Vaughan Williams 3:31
Dona nobis pacem: II. "Beat! Beat! Drums!" (allegro moderato) soprano vocals Ralph Vaughan Williams 3:47
Dona nobis pacem: III. Reconciliation (andantino) solo and soprano vocals Ralph Vaughan Williams 5:59
Dona nobis pacem: III. Reconciliation (andantino) soprano vocals Ralph Vaughan Williams 5:59
Dona nobis pacem: IV. Dirge for Two Veterans (moderato alla marcia soprano vocals Ralph Vaughan Williams 11:10
Dona nobis pacem: V. "The Angel of Death has been abroad" (l'istesso tempo) soprano vocals Ralph Vaughan Williams 3:15
Dona nobis pacem: V. "The Angel of Death has been abroad" (l'istesso tempo) solo and soprano vocals Ralph Vaughan Williams 3:15
Dona nobis pacem: VI. "O Man Greatly Beloved" solo and soprano vocals Ralph Vaughan Williams 8:28
Dona nobis pacem: VI. "O Man Greatly Beloved" soprano vocals Ralph Vaughan Williams 8:28
Les nuits d'été Op. 7: Absence soprano vocals Sheila Armstrong, London Symphony Orchestra, Sir Colin Davis 5:50
Les nuits d'été Op. 7: L'île inconnue soprano vocals Sheila Armstrong, London Symphony Orchestra, Sir Colin Davis 4:09
Let The Bright Seraphim (Samson) soprano vocals Sheila Armstrong, Münchener Bach‐Orchester, Karl Richter 3:18
Peer Gynt, Incidental Music, Op. 23: X. Solveig's Song soprano vocals Sheila Armstrong, Hallé Orchestra, Sir John Barbirolli 4:56
Peer Gynt, Incidental Music, Op. 23: XII. Solveig's Lullaby soprano vocals Hallé Orchestra, Sir John Barbirolli 5:12
Serenade to Music soprano vocals Alfreda Hodgson, Richard Angas, Kenneth Bowen, Norma Burrowes, John Carol Case, Bernard Dickerson, Meriel Dickinson, Wynford Evans, Marie Hayward, Sheila Armstrong, Gloria Jennings, Christopher Keyte, Ian Partridge, Susan Longfield, Shirley Minty, John Noble, London Philharmonic Orchestra, Sir Adrian Boult 13:14
Stabat Mater: IV. Quis non posset soprano vocals Joseph Haydn 5:54
Stabat Mater: VIII. Sancta Mater soprano vocals Joseph Haydn 6:55
Stabat Mater: XIII. Quando corpus - Paradisi Gloria soprano vocals Joseph Haydn 4:11
Carmina Burana soprano vocals Carl Orff; London Symphony Orchestra, André Previn, London Symphony Chorus
Carmina Burana soprano vocals Carl Orff; Hallé Orchestra, Maurice Handford
Carmina Burana (London Symphony Orchestra & Chorus feat. conductor: André Previn) soprano vocals Carl Orff; London Symphony Chorus, London Symphony Orchestra, André Previn
The Complete Symphonies / Orchestral Works soprano vocals Vaughan Williams; Sir Adrian Boult