|
vocal |
1985-07 |
Symphony no. 9 in D minor, op. 125 “Choral”: I. Allegro ma non troppo, un poco maestoso |
bass vocals |
Symphonieorchester des Bayerischen Rundfunks, Chor des Bayerischen Rundfunks, Sir Colin Davis |
17:05 |
1985-07 |
Symphony no. 9 in D minor, op. 125 “Choral”: II. Molto vivace |
bass vocals |
Symphonieorchester des Bayerischen Rundfunks, Chor des Bayerischen Rundfunks, Sir Colin Davis |
13:41 |
1985-07 |
Symphony no. 9 in D minor, op. 125 “Choral”: III. Adagio molto e cantabile |
bass vocals |
Symphonieorchester des Bayerischen Rundfunks, Chor des Bayerischen Rundfunks, Sir Colin Davis |
15:14 |
1985-07 |
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Presto - Allegro assai |
bass vocals |
Symphonieorchester des Bayerischen Rundfunks, Chor des Bayerischen Rundfunks, Sir Colin Davis |
23:56 |
1988-04-20 |
Otello: Credo |
bass vocals |
Simon Estes, Orchestre national de France, Lorin Maazel |
4:33 |
1989-04 |
Messa da Requiem: I. "Requiem" |
bass vocals |
Berliner Philharmoniker, Carlo Maria Giulini |
10:25 |
1989-04 |
Messa da Requiem: IIb. "Tuba mirum" |
bass vocals |
Berliner Philharmoniker, Carlo Maria Giulini |
3:19 |
1989-04 |
Messa da Requiem: IIf. "Rex tremendae" |
bass vocals |
Vinson Cole, Ernst‐Senff‐Chor, Simon Estes, Florence Quivar, Sharon Sweet, Berliner Philharmoniker, Carlo Maria Giulini |
4:02 |
1989-04 |
Messa da Requiem: IIi. "Confutatis" |
bass vocals |
Berliner Philharmoniker, Carlo Maria Giulini |
5:58 |
1989-04 |
Messa da Requiem: III. "Offertorio" |
bass vocals |
Berliner Philharmoniker, Carlo Maria Giulini |
12:23 |
1989-04 |
Messa da Requiem: IIj. "Lacrymosa" |
bass vocals |
Berliner Philharmoniker, Carlo Maria Giulini |
6:58 |
1989-04 |
Messa da Requiem: VI. "Lux aeterna" |
bass vocals |
Berliner Philharmoniker, Carlo Maria Giulini |
7:27 |
1989-06-19 – 1989-06-24 |
Symphony No. 8 in E-flat major, "Symphony of a Thousand" Part II: V. ''Wie Felsenabgrund mir zu Füßen'' |
bass vocals [Bass] |
Wiener Philharmoniker, Lorin Maazel |
4:25 |
|
Bess, You Is My Woman Now (Porgy, Bess) |
|
Roberta Alexander, Simon Estes, Rundfunk-Sinfonieorchester Berlin, Leonard Slatkin |
5:32 |
|
Buzzard Keep on Flyin’ (Porgy) |
|
Simon Estes, Rundfunk-Sinfonieorchester Berlin, Leonard Slatkin |
3:25 |
|
Carmen: Act II "Votre toast, je peux vous le rendre" - "Toreador, en garde" (Couplets) |
bass-baritone vocals |
Chœur de Radio France, Simon Estes, Gérard Garino, Ghylaine Raphanel, Jean Rigby, François Le Roux, Neil Shicoff, Orchestre National de France, Seiji Ozawa |
5:00 |
|
Carousel: You'll Never Walk Alone |
bass vocals |
Richard Rodgers |
3:46 |
|
Der Fliegende Holländer I, no. 2, Rezitativ und Arie: Die Frist ist um |
bass-baritone vocals |
Simon Estes, Orchester der Bayreuther Festspiele, Woldemar Nelsson |
3:04 |
|
Der Fliegende Holländer I, no. 2, Rezitativ und Arie: Wie oft in Meeres tiefsten Schlund |
bass-baritone vocals |
Chor der Bayreuther Festspiele, Simon Estes, Orchester der Bayreuther Festspiele, Woldemar Nelsson |
8:39 |
|
Der Fliegende Holländer I, no. 3, Szene, Duett und Chor: Durch Sturm und bösen Wind verschlagen |
bass-baritone vocals |
Simon Estes, Matti Salminen, Orchester der Bayreuther Festspiele, Woldemar Nelsson |
5:05 |
|
Der Fliegende Holländer I, no. 3, Szene, Duett und Chor: He! Holla! Steuermann! |
bass-baritone vocals |
Graham Clark, Simon Estes, Matti Salminen, Orchester der Bayreuther Festspiele, Woldemar Nelsson |
3:46 |
|
Der Fliegende Holländer I, no. 3, Szene, Duett und Chor: Südwind! Südwind! |
bass-baritone vocals |
Chor der Bayreuther Festspiele, Graham Clark, Simon Estes, Matti Salminen, Orchester der Bayreuther Festspiele, Woldemar Nelsson |
1:55 |
|
Der Fliegende Holländer I, no. 3, Szene, Duett und Chor: Wie? Hört' ich recht? Meine Tochter sein Weib? |
bass-baritone vocals |
Simon Estes, Matti Salminen, Orchester der Bayreuther Festspiele, Woldemar Nelsson |
7:24 |
|
Der Fliegende Holländer II, no. 6, Finale: Verzeiht! Mein Volk hält draußen sich nicht mehr |
bass-baritone vocals |
Lisbeth Balslev, Simon Estes, Matti Salminen, Orchester der Bayreuther Festspiele, Woldemar Nelsson |
2:25 |
|
Der Fliegende Holländer II, no. 6, Finale: Wie aus der Ferne längst vergangner Zeiten |
bass-baritone vocals |
Lisbeth Balslev, Simon Estes, Orchester der Bayreuther Festspiele, Woldemar Nelsson |
7:13 |
|
Der Fliegende Holländer II, no. 6, Finale: Wirst du des Vaters Wahl nicht schelten? |
bass-baritone vocals |
Lisbeth Balslev, Simon Estes, Orchester der Bayreuther Festspiele, Woldemar Nelsson |
7:48 |
|
Der Fliegende Holländer III, no. 8, Finale: Erfahre das Geschick, vor dem ich dich bewahr'! |
bass-baritone vocals |
Lisbeth Balslev, Chor der Bayreuther Festspiele, Simon Estes, Matti Salminen, Anny Schlemm, Robert Schunk, Orchester der Bayreuther Festspiele, Woldemar Nelsson |
5:17 |
|
Der Fliegende Holländer III, no. 8, Finale: Verloren! Ach, verloren! |
bass-baritone vocals |
Lisbeth Balslev, Simon Estes, Robert Schunk, Orchester der Bayreuther Festspiele, Woldemar Nelsson |
2:28 |
|
Der Welt enrsag' ich - Gott, der enflammte der Liebe heisse Glut in jeden Herzenn |
bass vocals |
The Ambrosian Singers, Plácido Domingo, Simon Estes, Sherrill Milnes, Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini |
10:57 |
|
Don Carlo: Dio, che nell'alma infondere |
bass-baritone vocals |
Ambrosian Opera Chorus, Simon Estes, Sherrill Milnes, Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini |
11:22 |
|
Don Carlo: Io la vidi, al suo sorriso |
bass-baritone vocals |
Ambrosian Opera Chorus, Simon Estes, Sherrill Milnes, Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini |
5:47 |
|
Don Carlos, Act 2: Dio che nell'alma infondere |
additional and bass vocals |
Chorus of the Royal Opera House, Covent Garden, Plácido Domingo, Simon Estes, Sherrill Milnes, Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini |
5:03 |
|
I Ain’t Got No Shame / It Ain’t Necessarily So (Sportin’ Life) |
|
Simon Estes, Rundfunk-Sinfonieorchester Berlin, Leonard Slatkin |
5:50 |
|
I Got Plenty O’ Nuttin’ (Porgy) |
|
Simon Estes, Rundfunk-Sinfonieorchester Berlin, Leonard Slatkin |
2:40 |
|
Messiah: Behold, I tell you a mystery - Accompagnato |
bass vocals |
Simon Estes, Symphonieorchester des Bayerischen Rundfunks, Sir Colin Davis |
0:37 |
|
Messiah: For behold, darkness shall cover the earth - Accompagnato / The people that walked in darkness - Aria |
bass vocals |
Simon Estes, Symphonieorchester des Bayerischen Rundfunks, Sir Colin Davis |
6:57 |
|
Messiah: The trumpet shall sound - Aria |
bass vocals |
Simon Estes, Symphonieorchester des Bayerischen Rundfunks, Sir Colin Davis |
8:35 |
|
Messiah: Thou art gone up high - Aria |
bass vocals |
Simon Estes, Symphonieorchester des Bayerischen Rundfunks, Sir Colin Davis |
3:19 |
|
Messiah: Thus saith the Lord - Accompagnato |
bass vocals |
Simon Estes, Symphonieorchester des Bayerischen Rundfunks, Sir Colin Davis |
1:38 |
|
Messiah: Why do the nations? - Aria |
bass vocals |
Simon Estes, Symphonieorchester des Bayerischen Rundfunks, Sir Colin Davis |
2:59 |
|
Now de Time, Oh Gawd (Porgy, Bess) |
|
Roberta Alexander, Simon Estes, Rundfunk-Sinfonieorchester Berlin, Leonard Slatkin |
7:24 |
|
O, I Can’t Sit Down (Maria, Bess, Porgy) |
|
Roberta Alexander, Diane Curry, Simon Estes, Rundfunk-Sinfonieorchester Berlin, Leonard Slatkin |
4:14 |
|
Oedipus Rex: Act I. "Respondit deus" (Creon) |
baritone vocals |
Игорь Фёдорович Стравинский |
3:07 |
|
Oklahoma! Oklahoma |
bass vocals |
Richard Rodgers |
2:27 |
|
Parsifal: Act 1: "Wehvolles Erbe, dem ich verfallen" |
bass vocals |
Simon Estes |
9:20 |
|
Porgy and Bess, opera: Bess, you is my woman now |
bass-baritone vocals |
Simon Estes, Roberta Alexander |
5:32 |
|
Porgy and Bess, opera: Buzzard keep on flyin' |
bass-baritone vocals |
George Gershwin |
3:25 |
|
Porgy and Bess, opera: I ain't got no shame / It ain't necessarily so |
bass-baritone vocals |
George Gershwin |
5:50 |
|
Porgy and Bess, opera: I got plenty o' nuttin' |
bass-baritone vocals |
George Gershwin |
2:40 |
|
Porgy and Bess, opera: Now de time, oh Gawd |
bass-baritone vocals |
George Gershwin |
7:24 |
|
Porgy and Bess, opera: Oh, I can't sit down |
bass-baritone vocals |
George Gershwin |
4:14 |
|
Porgy and Bess, opera: Tell me quick where's Bess / Oh Lawd, I'm on my way |
bass-baritone vocals |
George Gershwin |
6:19 |
|
Samson et Dalila, Act I: Maudite à jamais soit la race |
bass-baritone vocals [Abimélech] |
José Carreras, Simon Estes, Donald George, Urban Malmber, Jonathan Summers, Robert Swensen, Symphonieorchester des Bayerischen Rundfunks, Sir Colin Davis |
2:32 |
|
Show Boat: Ol' Man River |
bass vocals |
Jerome Kern |
4:16 |
|
Tell Me Quick Where’s Bess (Porgy, Maria, Serena) / Oh Lawd, I’m on My Way (Porgy) |
|
Roberta Alexander, Diane Curry, Simon Estes, Rundfunk-Sinfonieorchester Berlin, Leonard Slatkin |
6:19 |
|
Great Recordings of the Century: Don Carlo |
bass vocals |
Verdi; Domingo, Caballé, Raimondi, Verrett, Milnes, Foiani, Estes, Ambrosian Opera Chorus, Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini |
|
|
Great Recordings of the Century: Don Carlo |
bass vocals |
Verdi; Domingo, Caballé, Raimondi, Verrett, Milnes, Foiani, Estes, Ambrosian Opera Chorus, Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini |
|
|
Requiem |
bass-baritone vocals |
Fauré; Lucia Popp, Simon Estes, Rundfunkchor Leipzig, Staatskapelle Dresden, Sir Colin Davis |
|
|
Requiem |
bass vocals and solo |
Giuseppe Verdi; Berliner Philharmoniker, Carlo Maria Giulini |
|
|
Requiem K. 626 |
bass vocals |
Mozart; Philharmonia Chorus, Philharmonia Orchestra, Carlo Maria Giulini |
|
|
Symphony no. 8 "Symphony of a Thousand" |
bass vocals |
Gustav Mahler; Opernhaus- und Museumsorchester Frankfurt & Michael Gielen |
|
|
Symphony no. 9 in D minor, op. 125 “Choral” |
bass vocals |
Ludwig van Beethoven; Symphonieorchester des Bayerischen Rundfunks, Chor des Bayerischen Rundfunks, Sir Colin Davis |
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