David Thomas (British bass singer)

~ Person

Relationships

member of: Choir of King’s College, Cambridge (bass vocals)
Discogs: https://www.discogs.com/artist/836379 [info]
VIAF ID: VIAF: 85492794 [info]
Wikidata: Q5240359 [info]
Wikipedia: en: David Thomas (singer) [info]
biographies: http://www.bach-cantatas.com/Bio/Thomas-David.htm [info]
stream for free: https://open.spotify.com/artist/38DJW6Gl5GnPZcFixkYGoF [info]

Appearances

Date Title Attributes Artist Length
vocal
1954 Mari Lywd Ceremony David Thomas & party 1:11
1977-07 Mass In G, "Missa Sancti Nicolai", Hob.Xxii:6 - Agnus Dei bass vocals Rogers Covey‐Crump, Shirley Minty, Judith Nelson, David Thomas, Christopher Hogwood, Academy of Ancient Music, Simon Preston, Christ Church Cathedral Choir, Oxford 6:12
1977-07 Mass In G, "Missa Sancti Nicolai", Hob.Xxii:6 - Benedictus bass vocals Rogers Covey‐Crump, Shirley Minty, Judith Nelson, David Thomas, Christopher Hogwood, Academy of Ancient Music, Simon Preston, Christ Church Cathedral Choir, Oxford 5:15
1977-07 Mass In G, "Missa Sancti Nicolai", Hob.Xxii:6 - Credo bass vocals Rogers Covey‐Crump, Shirley Minty, Judith Nelson, David Thomas, Christopher Hogwood, Academy of Ancient Music, Simon Preston, Christ Church Cathedral Choir, Oxford 5:35
1977-07 Mass In G, "Missa Sancti Nicolai", Hob.Xxii:6 - Gloria bass vocals Rogers Covey‐Crump, Shirley Minty, Judith Nelson, David Thomas, Christopher Hogwood, Academy of Ancient Music, Simon Preston, Christ Church Cathedral Choir, Oxford 4:40
1977-07 Mass In G, "Missa Sancti Nicolai", Hob.Xxii:6 - Kyrie bass vocals Rogers Covey‐Crump, Shirley Minty, Judith Nelson, David Thomas, Christopher Hogwood, Academy of Ancient Music, Simon Preston, Christ Church Cathedral Choir, Oxford 3:06
1977-07 Mass In G, "Missa Sancti Nicolai", Hob.Xxii:6 - Sanctus bass vocals Rogers Covey‐Crump, Shirley Minty, Judith Nelson, David Thomas, Christopher Hogwood, Academy of Ancient Music, Simon Preston, Christ Church Cathedral Choir, Oxford 2:53
1978-07 Missa In Honorem Beatissimae Virginis Mariae - "Grosse Orgel", Hob.Xxii: 4 - Agnus Dei bass vocals Martyn Hill, Judith Nelson, David Thomas, Carolyn Watkinson, Christopher Hogwood, Academy of Ancient Music, Simon Preston, Christ Church Cathedral Choir, Oxford 5:41
1978-07 Missa In Honorem Beatissimae Virginis Mariae - "Grosse Orgel", Hob.Xxii: 4 - Bendictus bass vocals Martyn Hill, Judith Nelson, David Thomas, Carolyn Watkinson, Christopher Hogwood, Academy of Ancient Music, Simon Preston, Christ Church Cathedral Choir, Oxford 5:47
1978-07 Missa In Honorem Beatissimae Virginis Mariae - "Grosse Orgel", Hob.Xxii: 4 - Credo bass vocals Martyn Hill, Judith Nelson, David Thomas, Carolyn Watkinson, Christopher Hogwood, Academy of Ancient Music, Simon Preston, Christ Church Cathedral Choir, Oxford 11:05
1978-07 Missa In Honorem Beatissimae Virginis Mariae - "Grosse Orgel", Hob.Xxii: 4 - Gloria bass vocals Martyn Hill, Judith Nelson, David Thomas, Carolyn Watkinson, Christopher Hogwood, Academy of Ancient Music, Simon Preston, Christ Church Cathedral Choir, Oxford 8:58
1978-07 Missa In Honorem Beatissimae Virginis Mariae - "Grosse Orgel", Hob.Xxii: 4 - Kyrie bass vocals Martyn Hill, Judith Nelson, David Thomas, Carolyn Watkinson, Christopher Hogwood, Academy of Ancient Music, Simon Preston, Christ Church Cathedral Choir, Oxford 5:22
1978-07 Missa In Honorem Beatissimae Virginis Mariae - "Grosse Orgel", Hob.Xxii: 4 - Sanctus bass vocals Martyn Hill, Judith Nelson, David Thomas, Carolyn Watkinson, Christopher Hogwood, Academy of Ancient Music, Simon Preston, Christ Church Cathedral Choir, Oxford 2:05
1978 Magnificat, 06: V. Quia fecit mihi magna bass vocals David Thomas, Academy of Ancient Music, Simon Preston 2:05
1978 Magnificat, 13: D. Virga Jesse floruit bass vocals David Thomas, Academy of Ancient Music, Simon Preston 2:54
1981-02-02 – 1981-02-03 La Maddalena: Su le penne de' venti, SV 333 bass vocals David Thomas, Mark Caudle, Theresa Caudle, Tim Crawford, Peter Holman, Amanda MacNamara, The Parley of Instruments 2:13
1981-02-02 – 1981-02-03 Messa a quattro voce et salmi: Laudate Dominum, O omnes gentes, SV 197 bass vocals David Thomas, Mark Caudle, Peter Holman, The Parley of Instruments 2:43
1981-02-02 – 1981-02-03 Messa a quattro voce et salmi: Nisi Dominus aedificaverit domum, SV 200 bass vocals Emma Kirkby, Ian Partridge, David Thomas, Mark Caudle, Tim Crawford, Peter Holman, The Parley of Instruments 7:03
1981-02-02 – 1981-02-03 Selva morale e spirituale: Ab aeterno ordinata sum, SV 262 bass vocals David Thomas, Peter Holman 6:07
1981-02-02 – 1981-02-03 Selva morale e spirituale: Confitebor tibi Domine [II], SV 266 bass vocals Emma Kirkby, Ian Partridge, David Thomas, Mark Caudle, Tim Crawford, Peter Holman, The Parley of Instruments 5:50
1981-02-02 – 1981-02-03 Selva morale e spirituale: Deus tuorum militum, SV 280 bass vocals Emma Kirkby, Ian Partridge, David Thomas, Mark Caudle, Peter Holman, The Parley of Instruments 2:23
1981-03-05 – 1981-03-07 Cantata No. 82 "Ich habe genug": Aria "Ich freue mich auf meinen Tod" bass vocals David Thomas, Taverner Players, Andrew Parrott 3:39
1981-03-05 – 1981-03-07 Cantata No. 82 "Ich habe genug": Aria "Ich habe genug" bass vocals David Thomas, Taverner Players, Andrew Parrott 7:51
1981-03-05 – 1981-03-07 Cantata No. 82 "Ich habe genug": Aria "Schlummert ein" bass vocals David Thomas, Taverner Players, Andrew Parrott 10:55
1981-03-05 – 1981-03-07 Cantata No. 82 "Ich habe genug": Recitative "Ich habe genug!" bass vocals David Thomas, Taverner Players, Andrew Parrott 1:12
1981-03-05 – 1981-03-07 Cantata No. 82 "Ich habe genug": Recitative "Mein Gott! wannkommt das schöne" bass vocals David Thomas, Taverner Players, Andrew Parrott 0:46
1983-09 Requiem in D minor, K. 626: Domine Jesu Christe bass vocals Emma Kirkby, Carolyn Watkinson, Anthony Rolfe Johnson, David Thomas, Westminster Cathedral Boys Choir, Academy of Ancient Music Chorus, Academy of Ancient Music, Christopher Hogwood 3:40
1983-09 Requiem in D minor, K. 626: Recordare, Jesu pie bass vocals Emma Kirkby, Carolyn Watkinson, Anthony Rolfe Johnson, David Thomas, Academy of Ancient Music, Christopher Hogwood 6:09
1983-09 Requiem in D minor, K. 626: Tuba mirum bass vocals Emma Kirkby, Carolyn Watkinson, Anthony Rolfe Johnson, David Thomas, Academy of Ancient Music, Christopher Hogwood 3:52
1983-11 Magnificat, BWV 243: V. Aria (bass) "Quia fecit mihi magna" bass vocals David Thomas, Sir John Eliot Gardiner, English Baroque Soloists 2:00
1984-06 Geschwinde, Geschwinde, ihr wirbelnden Winde BWV 201: Arie: "Zu Tanze, zu Sprunge" bass vocals [Pan] David Thomas, Cappella Coloniensis, Hans-Martin Linde 6:04
1984-06 Geschwinde, Geschwinde, ihr wirbelnden Winde BWV 201: Recitativ: "Komm, Midas, sage du nun an" bass vocals [Pan] Hein Meens, David Thomas, Cappella Coloniensis, Hans-Martin Linde 0:44
1984-06 Geschwinde, Geschwinde, ihr wirbelnden Winde BWV 201: Recitativ: "Pan, rücke deine Kehle nun..." bass vocals [Pan] Eva Csapó, David Thomas, Cappella Coloniensis, Hans-Martin Linde 0:20
1984-06 Geschwinde, Geschwinde, ihr wirbelnden Winde BWV 201: Recitativ: "Und du bist doch so unverschämt und frei" bass vocals [Pan] Eva Csapó, Michael Schopper, David Thomas, Cappella Coloniensis, Hans-Martin Linde 1:32
1984-06 Geschwinde, Geschwinde, ihr wirbelnden Winde BWV 201: Recitativ: "Was braucht ihr euch zu zanken?" bass vocals [Pan] Jean Nirouët, Michael Schopper, David Thomas, Cappella Coloniensis, Hans-Martin Linde 0:49
1984-06 Geschwinde, Geschwinde, ihr wirbelnden Winde BWV 201: Recitativ: "Wie, Midas, bist du toll?" bass vocals [Pan] Eva Csapó, Paul Elliott, Hein Meens, Jean Nirouët, Michael Schopper, David Thomas, Cappella Coloniensis, Hans-Martin Linde 1:02
1986-09 Cantata BWV 211 "Schweigt stille, plaudert nicht": II. Arie: "Ei! wie schmeckt der Coffee süße" bass vocals Academy of Ancient Music, Christopher Hogwood 5:09
1988-04 Messiah: Part I: For Behold, Darkness Shall Cover the Earth bass vocals David Thomas, Taverner Choir & Players, Andrew Parrott 2:15
1988-04 Messiah: Part I: The People That Walked in Darkness bass vocals David Thomas, Taverner Choir & Players, Andrew Parrott 3:48
1988-04 Messiah: Part I: Thus Saith the Lord of Hosts bass vocals David Thomas, Taverner Choir & Players, Andrew Parrott 1:26
1988-04 Messiah: Part II: Why Do the Nations So Furiously Rage Together bass vocals David Thomas, Taverner Choir & Players, Andrew Parrott 1:29
1988-04 Messiah: Part III: Behold, I Tell You a Mystery bass vocals David Thomas, Taverner Choir & Players, Andrew Parrott 0:31
1988-04 Messiah: Part III: The Trumpet Shall Sound bass vocals David Thomas, Taverner Choir & Players, Andrew Parrott 8:48
1988-11 Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIe. Gloria: "Qui tollis" bass vocals Wolfgang Amadeus Mozart 4:50
1989-03 – 1990-07 Orlando: Act Three XXIII. "Trionfa oggi'l mio cor" (Orlando, Angelica, Medoro, Dorinda, tutti) bass vocals James Bowman, Arleen Augér, Catherine Robbin, The Academy of Ancient Music, Christopher Hogwood 2:08
1990-12 Cantata "Tönet, ihr Pauken! Erschallet, Trompeten!", BWV 214: 7. Aria "Kron und Preis gekrönter Damen" (Basso) bass vocals David Thomas, Orchestra of the Age of Enlightenment, Gustav Leonhardt 5:09
1990-12 Cantata "Tönet, ihr Pauken! Erschallet, Trompeten!", BWV 214: 8. Recitativo "So dringe in das weite Erdenrund" (Basso) bass vocals David Thomas, Orchestra of the Age of Enlightenment, Gustav Leonhardt 1:13
1990-12 Cantata "Zerreißet, zersprenget, zertrümmert die Gruft", BWV 205: 2. Recitativo "Ja! ja! Die Stunden sind nunmehro nah" (Basso) bass vocals David Thomas, Orchestra of the Age of Enlightenment, Gustav Leonhardt 1:33
1990-12 Cantata "Zerreißet, zersprenget, zertrümmert die Gruft", BWV 205: 3. Aria "Wie will ich lustig lachen" (Basso) bass vocals David Thomas, Orchestra of the Age of Enlightenment, Gustav Leonhardt 3:39
1990-12 Cantata "Zerreißet, zersprenget, zertrümmert die Gruft", BWV 205: 6. Recitativo "Beinahe wirst du mich bewegen" (Basso) bass vocals David Thomas, Orchestra of the Age of Enlightenment, Gustav Leonhardt 0:29
1990-12 Cantata "Zerreißet, zersprenget, zertrümmert die Gruft", BWV 205: 10. Recitativo "Mein Äolus" (Soprano, Basso) bass vocals Mieke van der Sluis, David Thomas, Orchestra of the Age of Enlightenment, Gustav Leonhardt 2:15
1990-12 Cantata "Zerreißet, zersprenget, zertrümmert die Gruft", BWV 205: 11. Aria "Zurücke, zurücke, geflügelten Winde" (Basso) bass vocals David Thomas, Orchestra of the Age of Enlightenment, Gustav Leonhardt 3:46
1992-09 Dido and Aeneas: Act II. “The Queen of Carthage, whom we hate” Academy of Ancient Music Chorus, Elisabeth Priday, Sara Stowe, David Thomas, Academy of Ancient Music, Christopher Hogwood 2:41
1992-09 Dido and Aeneas: Act II. Prelude for the Witches / “Wayward sisters” Elisabeth Priday, David Thomas, Academy of Ancient Music, Christopher Hogwood 1:27
1992-09 Dido and Aeneas: Act III. “See the flags and streamers curling” Elisabeth Priday, Sara Stowe, David Thomas, Academy of Ancient Music, Christopher Hogwood 1:26
1993-04 Oratorio, "Christ lag in Todes Banden", BWV. 4: Versus V (Bass) "Hier ist das rechte Osterlammm bass vocals Taverner Players, Andrew Parrott 2:36
'Tis Late And Cold bass vocals David Thomas, Trevor Jones, Anthony Rooley 1:50
"Nell'Africaine selve....Langue trema" bass vocals David Thomas, Christopher Hogwood, Susan Sheppard 5:45
"Nice, là fra confine....Chiedo amore" bass vocals David Thomas, Christopher Hogwood, Susan Sheppard 4:54
"Tacete, Ohimè, Tacete!" (Duetto X), HWV 196 bass vocals Emma Kirkby, David Thomas, Christopher Hogwood, Susan Sheppard 6:59
Acis & Galatea: Parte seconda, "Avampo", "Ferito son d'Amore" bass vocals David Thomas, Philharmonia Baroque Orchestra, Nicholas McGegan 3:47
Al fonte, al prato bass vocals Emma Kirkby, David Thomas, Trevor Jones, Anthony Rooley 1:15
Alma Redemptoris mater a 6, S. xiii/108 bass vocals Pro Cantione Antiqua, Hamburger Bläserkreis für Alte Musik Instrumental-Ensemble, Bruno Turner 4:17
Altri canti di Marte bass vocals Heinrich Schütz Choir, David Thomas, Roger Norrington 9:12
Athaliah: Act II, Scene I, "Ah, canst thou but prove me!" bass vocals David Thomas, Philharmonia Baroque Orchestra, Nicholas McGegan 3:23
Ave Maria gratia plena, S. v/118 bass vocals Pro Cantione Antiqua, Hamburger Bläserkreis für Alte Musik Instrumental-Ensemble, Bruno Turner 2:43
Cantata BWV 211 "Schweigt stille, plaudert nicht": I. Rezitativ: "Schweigt stille, plaudert nicht", Arie: "Hat man nicht mit seinen Kindern" bass vocals Academy of Ancient Music, Christopher Hogwood 4:08
Cantata BWV 211 "Schweigt stille, plaudert nicht": I. Rezitativ: "Schweigt stille, plaudert nicht", Arie: "Hat man nicht mit seinen Kindern" Academy of Ancient Music, Christopher Hogwood 4:08
Cantata BWV 211 "Schweigt stille, plaudert nicht": II. Arie: "Ei! wie schmeckt der Coffee süße" Academy of Ancient Music, Christopher Hogwood 5:09
Cantata BWV 211 "Schweigt stille, plaudert nicht": III. Arie: "Mädchen, die von harten Sinnen" Academy of Ancient Music, Christopher Hogwood 3:50
Cantata BWV 211 "Schweigt stille, plaudert nicht": III. Arie: "Mädchen, die von harten Sinnen" bass vocals Academy of Ancient Music, Christopher Hogwood 3:50
Cantata BWV 211 "Schweigt stille, plaudert nicht": V. Terzett: "Die Katze läßt das Mausen nicht" bass vocals Academy of Ancient Music, Christopher Hogwood 4:24
Cantata BWV 211 "Schweigt stille, plaudert nicht": V. Terzett: "Die Katze läßt das Mausen nicht" Academy of Ancient Music, Christopher Hogwood 4:24
Cantata BWV 212 "Mer hahn en neue Oberkeet": II. Arie: "Mer hahn en neue Oberkeet" bass vocals Academy of Ancient Music, Christopher Hogwood 1:19
Cantata BWV 212 "Mer hahn en neue Oberkeet": II. Arie: "Mer hahn en neue Oberkeet" Academy of Ancient Music, Christopher Hogwood 1:19
Cantata BWV 212 "Mer hahn en neue Oberkeet": III. Duett: "Ach, es schmeckt doch gar zu gut" Academy of Ancient Music, Christopher Hogwood 1:20
Cantata BWV 212 "Mer hahn en neue Oberkeet": III. Duett: "Ach, es schmeckt doch gar zu gut" bass vocals Academy of Ancient Music, Christopher Hogwood 1:20
Cantata BWV 212 "Mer hahn en neue Oberkeet": IV. Arie: "Ach, Herr Schösser, geht nicht gar zu schlimm" Academy of Ancient Music, Christopher Hogwood 1:35
Cantata BWV 212 "Mer hahn en neue Oberkeet": IX. Arie: "Klein-Zschocher müsse" Academy of Ancient Music, Christopher Hogwood 5:51
Cantata BWV 212 "Mer hahn en neue Oberkeet": IX. Arie: "Klein-Zschocher müsse" bass vocals Academy of Ancient Music, Christopher Hogwood 5:51
Cantata BWV 212 "Mer hahn en neue Oberkeet": V. Arie: "Unser trefflicher lieber Kammerherr" bass vocals Academy of Ancient Music, Christopher Hogwood 2:06
Cantata BWV 212 "Mer hahn en neue Oberkeet": V. Arie: "Unser trefflicher lieber Kammerherr" Academy of Ancient Music, Christopher Hogwood 2:06
Cantata BWV 212 "Mer hahn en neue Oberkeet": VI. Arie: "Das ist galant" bass vocals Academy of Ancient Music, Christopher Hogwood 1:52
Cantata BWV 212 "Mer hahn en neue Oberkeet": VI. Arie: "Das ist galant" Academy of Ancient Music, Christopher Hogwood 1:52
Cantata BWV 212 "Mer hahn en neue Oberkeet": VII. Arie: "Fünfzig Taler bares Geld" bass vocals Academy of Ancient Music, Christopher Hogwood 1:09
Cantata BWV 212 "Mer hahn en neue Oberkeet": VII. Arie: "Fünfzig Taler bares Geld" Academy of Ancient Music, Christopher Hogwood 1:09
Cantata BWV 212 "Mer hahn en neue Oberkeet": X. Arie: "Es nehme zehntausend Dukaten" bass vocals Academy of Ancient Music, Christopher Hogwood 0:58
Cantata BWV 212 "Mer hahn en neue Oberkeet": X. Arie: "Es nehme zehntausend Dukaten" Academy of Ancient Music, Christopher Hogwood 0:58
Cantata BWV 212 "Mer hahn en neue Oberkeet": XI. Arie: "Gib, Schöne" Academy of Ancient Music, Christopher Hogwood 0:48
Cantata BWV 212 "Mer hahn en neue Oberkeet": XI. Arie: "Gib, Schöne" bass vocals Academy of Ancient Music, Christopher Hogwood 0:48
Cantata BWV 212 "Mer hahn en neue Oberkeet": XII. Arie: "Dein Wachstum sei feste" bass vocals Academy of Ancient Music, Christopher Hogwood 5:58
Cantata BWV 212 "Mer hahn en neue Oberkeet": XII. Arie: "Dein Wachstum sei feste" Academy of Ancient Music, Christopher Hogwood 5:58
Cantata BWV 212 "Mer hahn en neue Oberkeet": XIII. Arie: "Und daß ihr's alle wißt" bass vocals Academy of Ancient Music, Christopher Hogwood 1:13
Cantata BWV 212 "Mer hahn en neue Oberkeet": XIII. Arie: "Und daß ihr's alle wißt" Academy of Ancient Music, Christopher Hogwood 1:13
Cantata BWV 212 "Mer hahn en neue Oberkeet": XIV. Duett: "Wir gehn' nun, wo der Tudelsack" bass vocals Academy of Ancient Music, Christopher Hogwood 1:05
Cantata BWV 212 "Mer hahn en neue Oberkeet": XIV. Duett: "Wir gehn' nun, wo der Tudelsack" Academy of Ancient Music, Christopher Hogwood 1:05
Charon, O Charon bass vocals Emma Kirkby, David Thomas, Trevor Jones, Anthony Rooley 6:13
Che Farai, Meliseo? ... Qual Fiera Si Crudel? bass vocals David Thomas, Trevor Jones, Anthony Rooley 8:59
Come ye sons of art, Z. 323: IX. See, Nature, rejoicing bass vocals Henry Purcell 2:48
Come ye sons of art, Z. 323: VI. The day that such a blessing gave bass vocals Henry Purcell 2:46
Come ye sons of art, Z. 323: VIII. These are the sacred charms bass vocals Henry Purcell 1:33
Daphne and Strephon (Come, My Daphne, Come Away) bass vocals Emma Kirkby, David Thomas, Trevor Jones, Anthony Rooley 1:35
Deborah: Act I, Scene III, "Barak, my son", "Awake the ardour" bass vocals David Thomas, Philharmonia Baroque Orchestra, Nicholas McGegan 3:33
Deborah: Act II, Scene II, "Thy ardours warm", "Swift inundation" bass vocals David Thomas, Philharmonia Baroque Orchestra, Nicholas McGegan 3:27
Deborah: Act III, Scene II, "Tears, such as tender fathers shed" bass vocals David Thomas, Philharmonia Baroque Orchestra, Nicholas McGegan 2:39
Duetto: Impedirlo io saprò! (Lucifero, Angelo) bass vocals [Lucifero] Emma Kirkby, David Thomas, Academy of Ancient Music, Christopher Hogwood 1:22
Esther: Act I, Scene III, "I'll hear no more", "Pluck root and branch" bass vocals David Thomas, Philharmonia Baroque Orchestra, Nicholas McGegan 2:26
Esther: Act II, Scene VI, "Turn not, O Queen" bass vocals David Thomas, Philharmonia Baroque Orchestra, Nicholas McGegan 2:35
Esther: Act III, Scene VI, "How art thou fall'n" bass vocals David Thomas, Philharmonia Baroque Orchestra, Nicholas McGegan 4:21
Ezio: Act I, Scene VI, "Perché tanto tormento?", "Se un bell'ardire" bass vocals David Thomas, Philharmonia Baroque Orchestra, Nicholas McGegan 3:29
Ezio: Act II, Scene VIII, "Folle É Colui", "Nasce Al Bosco" bass vocals David Thomas, Philharmonia Baroque Orchestra, Nicholas McGegan 5:40
Ezio: Act III, Scene XIII, "Che Indegno!", "Già Risonar" bass vocals David Thomas, Philharmonia Baroque Orchestra, Nicholas McGegan 5:37
Fly Swift My Thoughts bass vocals Emma Kirkby, David Thomas 0:51
Graduale bass vocals Pro Cantione Antiqua, Bruno Turner 3:27
Jubilate, HWV. 279: V. For the Lord is gracious bass vocals Charles Brett, Christ Church Cathedral Choir, Oxford, Rogers Covey‐Crump, David Thomas, Simon Preston, Academy of Ancient Music 3:35
Kantate, BWV 211 "Schweigt stille, plaudert nicht": I. Recitativo "Schweigt stille, plaudert nicht" (Erzähler) bass vocals Academy of Ancient Music, Christopher Hogwood 3:38
Kantate, BWV 211 "Schweigt stille, plaudert nicht": IV. Aria "Ei, wie schmeckt der Coffee süße" (Liesgen) bass vocals Academy of Ancient Music, Christopher Hogwood 4:13
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XII. Aria (Basso) "Fünfzig Taler bares Geld" bass vocals Academy of Ancient Music, Christopher Hogwood 0:55
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XIV. Aria (Soprano) "Klein-Zschocher müsse so zart und süsse" bass vocals Academy of Ancient Music, Christopher Hogwood 5:35
La Resurrezione, HWV 47, Part I - Accompagnato: Ma, che veggio (Lucifero) bass vocals [Lucifero] David Thomas, Academy of Ancient Music, Christopher Hogwood 0:33
La Resurrezione, HWV 47, Part I - Accompagnato: Qual insolita luce (Lucifero) bass vocals [Lucifero] David Thomas, Academy of Ancient Music, Christopher Hogwood 1:02
La Resurrezione, HWV 47, Part I - Aria: Caddi, e ver (Lucifero) bass vocals [Lucifero] David Thomas, Academy of Ancient Music, Christopher Hogwood 3:38
La Resurrezione, HWV 47, Part I - Aria: O voi dell’Erebo (Lucifero) bass vocals [Lucifero] David Thomas, Academy of Ancient Music, Christopher Hogwood 2:52
La Resurrezione, HWV 47, Part I - Recitativo: Chi sei? Chi e questo Re (Lucifero, Angelo) bass vocals [Lucifero] Emma Kirkby, David Thomas, Academy of Ancient Music, Christopher Hogwood 0:47
La Resurrezione, HWV 47, Part I - Recitativo: E ben, questo tuo Nume (Lucifero, Angelo) bass vocals [Lucifero] Emma Kirkby, David Thomas, Academy of Ancient Music, Christopher Hogwood 1:23
Lamento d'Arianna in stile recitativo bass vocals Joseph Cornwell, Poppy Holden, Andrew King, Emma Kirkby, David Thomas, Evelyn Tubb, Richard Wistreich, Anthony Rooley, Alan Wilson, The Consort of Musicke 31:24
Magnificat "Praeter rerum seriem", H. xv/248 bass vocals Collegium Aureum, Pro Cantione Antiqua, Hamburger Bläserkreis für Alte Musik Instrumental-Ensemble, Bruno Turner 13:46
Marien-Vesper: Duo Seraphim / Tres sunt bass vocals Claudio Monteverdi 6:11
Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": I. "Kyrie" bass vocals Wolfgang Amadeus Mozart 7:00
Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIa. Gloria: "Gloria in excelsis" bass vocals Wolfgang Amadeus Mozart 2:19
Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIb. Gloria: "Laudamus te" bass vocals Wolfgang Amadeus Mozart 4:41
Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIc. Gloria: "Gratias agimus tibi" bass vocals Wolfgang Amadeus Mozart 1:14
Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IId. Gloria: "Domine Deus" bass vocals Wolfgang Amadeus Mozart 2:42
Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIf. Gloria: "Quoniam tu solus" bass vocals Wolfgang Amadeus Mozart 3:49
Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIg. Gloria: "Jesu Christe-Cum Sancto Spiritu" bass vocals Wolfgang Amadeus Mozart 4:25
Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIIa. Credo: "Credo in unum Deum" bass vocals Wolfgang Amadeus Mozart 3:07
Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIIb. Credo: "Et incarnatus est" bass vocals Wolfgang Amadeus Mozart 7:44
Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IVa. Sanctus: "Sanctus" bass vocals Wolfgang Amadeus Mozart 3:43
Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": V. Benedictus bass vocals Wolfgang Amadeus Mozart 5:51
Matthäus-Passion BWV 244 bass vocals Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury 2:45:00
Matthäus-Passion, BWV 244: Teil I, XXII. Recitativo (Basso) "Der Heiland fällt vor seinem Vater nieder" bass vocals The Brandenburg Consort, Stephen Cleobury 0:53
Matthäus-Passion, BWV 244: Teil I, XXIII. Aria (Basso) "Gerne will ich mich bequemen" bass vocals The Brandenburg Consort, Stephen Cleobury 4:08
Matthäus-Passion, BWV 244: Teil II, LVI. Recitativo (Basso) "Ja freilich will in uns das Fleisch und Blut" bass vocals The Brandenburg Consort, Stephen Cleobury 0:34
Matthäus-Passion, BWV 244: Teil II, LVII. Aria (Basso) "Komm, süsses Kreuz, so will ich sagen" bass vocals The Brandenburg Consort, Stephen Cleobury 5:19
Matthäus-Passion, BWV 244: Teil II, LXIV. Recitativo (Basso) "Am Abend, da es kühle war" bass vocals The Brandenburg Consort, Stephen Cleobury 1:59
Matthäus-Passion, BWV 244: Teil II, LXV. Aria (Basso) "Mache dich, mein Herze, rein" bass vocals The Brandenburg Consort, Stephen Cleobury 6:20
Matthäus-Passion, BWV 244: Teil II, LXVII. Recitativo (Soprano, Alto, Tenore, Basso) "Nun ist der Herr zur Ruh gebracht" - Coro "Mein Jesu, gute Nacht" bass vocals The Brandenburg Consort, Stephen Cleobury 1:53
Matthäus-Passion, BWV 244: Teil II, XLII. Aria (Basso) "Gebt mir meinen Jesum wieder" bass vocals The Brandenburg Consort, Stephen Cleobury 2:58
Messe in h-Moll, BWV 232: IIh. Gloria: Aria (Basso) "Quoniam tu solus Sanctus" bass vocals Taverner Players, Andrew Parrott 4:32
Messe in h-Moll, BWV 232: IIIg. Symbolum nicenum: Aria (Basso) "Et in Spiritum Sanctum Dominum" bass vocals Taverner Players, Andrew Parrott 5:58
Messiah, HWV 56: Part I, V. Accompagnato (Bass) "Thus saith the Lord of Hosts" bass vocals David Thomas, Bach Collegium Japan, Masaaki Suzuki 1:27
Messiah, HWV 56: Part I. "For behold, darkness shall cover the earth - The people that walked in the darkness" bass vocals and solo David Thomas, Academy of Ancient Music, Christopher Hogwood 5:36
Messiah, HWV 56: Part I. "For behold, darkness shall cover the earth - The people that walked in the darkness" bass vocals David Thomas, Academy of Ancient Music, Christopher Hogwood 5:36
Messiah, HWV 56: Part I. "Thus saith the Lord - But who may abide the day of his coming" bass vocals Emma Kirkby, David Thomas, Academy of Ancient Music, Christopher Hogwood 5:31
Messiah, HWV 56: Part I. "Thus saith the Lord - But who may abide the day of his coming" bass vocals and solo Emma Kirkby, David Thomas, Academy of Ancient Music, Christopher Hogwood 5:31
Messiah, HWV 56: Part II, XXXVI. Air (Bass) "Why do the nations so furiously rage together" bass vocals David Thomas, Bach Collegium Japan, Masaaki Suzuki 1:23
Messiah, HWV 56: Part II. "Thou art gone up on high" bass vocals and solo Emma Kirkby, David Thomas, Academy of Ancient Music, Christopher Hogwood 2:54
Messiah, HWV 56: Part II. "Why do the nations so furiously rage together? - Let us break their bonds asunder" bass vocals and solo Simon Preston, Christ Church Cathedral Choir, Oxford, David Thomas, Academy of Ancient Music, Christopher Hogwood 3:15
Messiah, HWV 56: Part II. "Why do the nations so furiously rage together? - Let us break their bonds asunder" bass vocals Simon Preston, Christ Church Cathedral Choir, Oxford, David Thomas, Academy of Ancient Music, Christopher Hogwood 3:15
Messiah, HWV 56: Part III, XLII. Accompagnato (Bass) "Behold, I tell you a mystery" bass vocals David Thomas, Bach Collegium Japan, Masaaki Suzuki 0:40
Messiah, HWV 56: Part III, XLIIIa. Air (Bass) "The trumpet shall sound" bass vocals David Thomas, Bach Collegium Japan, Masaaki Suzuki 8:50
Messiah, HWV 56: Part III. "Behold, I tell you a mystery - The trumpet shall sound" bass vocals and solo Christopher Hogwood, The Academy of Ancient Music, Christ Church Cathedral Choir, Oxford 9:00
Messiah, HWV 56: Part III. "Behold, I tell you a mystery - The trumpet shall sound" bass vocals Christopher Hogwood, The Academy of Ancient Music, Christ Church Cathedral Choir, Oxford 9:00
Missa Cellensis H XXII 5 - Agnus Dei: Agnus Dei bass vocals Margaret Cable, Christ Church Cathedral Choir, Oxford, Martyn Hill, Judith Nelson, David Thomas, Academy of Ancient Music, Simon Preston 1:52
Missa Cellensis H XXII 5 - Agnus Dei: Dona nobis pacem bass vocals Margaret Cable, Christ Church Cathedral Choir, Oxford, Martyn Hill, Judith Nelson, David Thomas, Academy of Ancient Music, Simon Preston 2:28
Missa Cellensis H XXII 5 - Benedictus bass vocals Margaret Cable, Christ Church Cathedral Choir, Oxford, Martyn Hill, Judith Nelson, David Thomas, Academy of Ancient Music, Simon Preston 5:45
Missa Cellensis H XXII 5 - Credo: Credo in unum Deum bass vocals Margaret Cable, Christ Church Cathedral Choir, Oxford, Martyn Hill, Judith Nelson, David Thomas, Academy of Ancient Music, Simon Preston 3:59
Missa Cellensis H XXII 5 - Credo: Crucifixus etiam bass vocals Margaret Cable, Christ Church Cathedral Choir, Oxford, Martyn Hill, Judith Nelson, David Thomas, Academy of Ancient Music, Simon Preston 3:06
Missa Cellensis H XXII 5 - Credo: Et incarnatus est bass vocals Margaret Cable, Christ Church Cathedral Choir, Oxford, Martyn Hill, Judith Nelson, David Thomas, Academy of Ancient Music, Simon Preston 5:25
Missa Cellensis H XXII 5 - Credo: Et resurrexit bass vocals Margaret Cable, Christ Church Cathedral Choir, Oxford, Martyn Hill, Judith Nelson, David Thomas, Academy of Ancient Music, Simon Preston 5:02
Missa Cellensis H XXII 5 - Gloria: Cum Sancto Spiritu bass vocals Margaret Cable, Christ Church Cathedral Choir, Oxford, Martyn Hill, Judith Nelson, David Thomas, Academy of Ancient Music, Simon Preston 3:35
Missa Cellensis H XXII 5 - Gloria: Domine Deus bass vocals Margaret Cable, Christ Church Cathedral Choir, Oxford, Martyn Hill, Judith Nelson, David Thomas, Academy of Ancient Music, Simon Preston 5:13
Missa Cellensis H XXII 5 - Gloria: Gloria in excelsis Deo bass vocals Margaret Cable, Christ Church Cathedral Choir, Oxford, Martyn Hill, Judith Nelson, David Thomas, Academy of Ancient Music, Simon Preston 2:50
Missa Cellensis H XXII 5 - Gloria: Gratias agimus tibi bass vocals Margaret Cable, Christ Church Cathedral Choir, Oxford, Martyn Hill, Judith Nelson, David Thomas, Academy of Ancient Music, Simon Preston 2:52
Missa Cellensis H XXII 5 - Gloria: Laudamus te bass vocals Margaret Cable, Christ Church Cathedral Choir, Oxford, Martyn Hill, Judith Nelson, David Thomas, Academy of Ancient Music, Simon Preston 3:53
Missa Cellensis H XXII 5 - Gloria: Qui tollis bass vocals Margaret Cable, Christ Church Cathedral Choir, Oxford, Martyn Hill, Judith Nelson, David Thomas, Academy of Ancient Music, Simon Preston 6:11
Missa Cellensis H XXII 5 - Gloria: Quoniam bass vocals Margaret Cable, Christ Church Cathedral Choir, Oxford, Martyn Hill, Judith Nelson, David Thomas, Academy of Ancient Music, Simon Preston 3:20
Missa Cellensis H XXII 5 - Kyrie: I bass vocals Margaret Cable, Christ Church Cathedral Choir, Oxford, Martyn Hill, Judith Nelson, David Thomas, Academy of Ancient Music, Simon Preston 3:22
Missa Cellensis H XXII 5 - Kyrie: II bass vocals Margaret Cable, Christ Church Cathedral Choir, Oxford, Martyn Hill, Judith Nelson, David Thomas, Academy of Ancient Music, Simon Preston 3:27
Missa Cellensis H XXII 5 - Sanctus bass vocals Margaret Cable, Christ Church Cathedral Choir, Oxford, Martyn Hill, Judith Nelson, David Thomas, Academy of Ancient Music, Simon Preston 1:35
Missa Pro defunctis (Requiem) à 5, H. vi/135: Agnus Dei bass vocals Pro Cantione Antiqua, Bruno Turner 3:33
Missa Pro defunctis (Requiem) à 5, H. vi/135: Communio: Lux aeterna bass vocals Pro Cantione Antiqua, Bruno Turner 2:59
Missa Pro defunctis (Requiem) à 5, H. vi/135: Introitus bass vocals Pro Cantione Antiqua, Bruno Turner 6:28
Missa Pro defunctis (Requiem) à 5, H. vi/135: Kyrie bass vocals Pro Cantione Antiqua, Bruno Turner 3:21
Missa Pro defunctis (Requiem) à 5, H. vi/135: Offertorium: Domine Jesu Christe bass vocals Pro Cantione Antiqua, Bruno Turner 6:53
Missa Pro defunctis (Requiem) à 5, H. vi/135: Sanctus - Benedictus bass vocals Pro Cantione Antiqua, Bruno Turner 3:36
Missa Pro defunctis (Requiem) à 5, H. vi/135: Tractus: Absolve Domine bass vocals Pro Cantione Antiqua, Bruno Turner 4:56
Missa Sanctae Caeciliae: Kyrie: Christe eleison bass vocals Joseph Haydn 3:30
No, no, ch'io non mi fido bass vocals Emma Kirkby, David Thomas, Trevor Jones, Anthony Rooley 3:57
Non miri il mio bel sole bass vocals Emma Kirkby, David Thomas, Trevor Jones, Anthony Rooley 1:45
O bone Jesu, S. i/69 bass vocals Pro Cantione Antiqua, Bruno Turner 3:52
O ciechi, ciechi bass vocals Wyn Evans, Felicity Palmer, Heinrich Schütz Choir, David Thomas, Roger Norrington 5:20
Ode for Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: I. Symphony [Adagio - Allegro] - Adagio bass vocals Henry Purcell 3:45
Ode for Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: II. "Come ye sons of art, away" bass vocals Henry Purcell 1:46
Ode for Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: III. "Sound the trumpet" bass vocals Henry Purcell 2:30
Ode for Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: IV. "Come ye sons of art, away" bass vocals Henry Purcell 1:14
Ode for Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: IX. "See, nature, rejoicing" bass vocals Henry Purcell 2:48
Ode for Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: V. "Strike the viol" bass vocals Henry Purcell 4:23
Ode for Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: VI. "The day that such a blessing gave" bass vocals Henry Purcell 2:46
Ode for Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: VII. "Bid the virtues" bass vocals Henry Purcell 3:02
Ode for Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: VIII. "These are the sacred charms" bass vocals Henry Purcell 1:33
Orlando, Opera: Act III, Scene 6. "Sorge infausta una procella" bass vocals David Thomas, Philharmonia Baroque Orchestra, Nicholas McGegan 6:48
Orlando: Act I, Scene II, "Mira, prendi l'essempio!", "Lascia Amor" bass vocals David Thomas, Philharmonia Baroque Orchestra, Nicholas McGegan 4:11
Orlando: Act III, Scene VI, "Impari ognun da Orlando", "O voi, del mio poter", "Sorge infausta un procella" bass vocals David Thomas, Philharmonia Baroque Orchestra, Nicholas McGegan 6:42
Orlando: Act One I. "Gieroglifici eterni" (Zoroastro) bass vocals David Thomas, The Academy of Ancient Music, Christopher Hogwood 2:36
Orlando: Act One III. "Purgalo ormai da effeminati sensi" (Zoroastro, Orlando) bass vocals David Thomas, James Bowman, The Academy of Ancient Music, Christopher Hogwood 0:40
Orlando: Act One V. "Mira, e prendi l'esempio…Lascia Amor" (Zoroastro) bass vocals David Thomas, The Academy of Ancient Music, Christopher Hogwood 4:23
Orlando: Act One XVII. "Noti a me sono" (Zoroastro) bass vocals David Thomas, The Academy of Ancient Music, Christopher Hogwood 2:03
Orlando: Act Three X. "Impari ognun da Orlando…O voi del mio poter ministri eletti" (Zoroastro) bass vocals David Thomas, The Academy of Ancient Music, Christopher Hogwood 1:26
Orlando: Act Three XI. "Sorge infausta une procella" (Zoroastro) bass vocals David Thomas, The Academy of Ancient Music, Christopher Hogwood 4:18
Orlando: Act Three XVI. "Ecco il tempo prefisso!…Tu che gran tonante" (Zoroastro) bass vocals David Thomas, The Academy of Ancient Music, Christopher Hogwood 1:31
Orlando: Act Two V. "A qual rischio vi espone" (Zoroastro, Angelica, Medoro) bass vocals David Thomas, Arleen Augér, Catherine Robbin, The Academy of Ancient Music, Christopher Hogwood 0:35
Orlando: Act Two VI. "Tra caligni profonde" (Zoroastro) bass vocals David Thomas, The Academy of Ancient Music, Christopher Hogwood 4:23
Per celare il nuovo scorno (Lucifero) bass vocals [Lucifero] David Thomas, Academy of Ancient Music, Christopher Hogwood 2:28
Perchè piangi, pastore bass vocals Emma Kirkby, David Thomas, Trevor Jones, Anthony Rooley 4:05
Saint John Passion, BWV 245, Part I: "Auf dass das Wort erfüllet würde" bass vocals [Jesus] Taverner Consort, Andrew Parrott 1:04
Saint John Passion, BWV 245, Part I: "Derselbige Jünger war dem Hohenpriester bekannt" bass vocals [Jesus] Taverner Consort, Andrew Parrott 2:47
Saint John Passion, BWV 245, Part I: "Jesus ging mit seinen Jüngern" / "Jesum von Nazareth" / "Jesus spricht zu ihnen" / "Jesum von Nazareth" / "Jesus antwortet" bass vocals [Jesus] Taverner Consort, Andrew Parrott 2:18
Saint John Passion, BWV 245, Part II: "Betrachte, meine Seel" bass vocals Taverner Consort, Andrew Parrott 2:13
Saint John Passion, BWV 245, Part II: "Da führeten sie Jesum" / "Wäre dieser nicht ein Übeltäter" / "Da sprach Pilatus zu ihnen" / "Wir dürfen niemand töten" / "Auf dass erfüllet würde" bass vocals [Jesus] Taverner Consort, Andrew Parrott 4:11
Saint John Passion, BWV 245, Part II: "Da sprach Pilatus zu ihm" / "Nicht diesen, sondern Barrabam" / "Barrabas, aber war ein Mörder" bass vocals [Jesus] Taverner Consort, Andrew Parrott 1:57
Saint John Passion, BWV 245, Part II: "Die Kriegsknechte aber" / "Lasset uns den nicht zerteilen" / "Auf dass erfüllet würde die Schrift" bass vocals [Jesus] Taverner Consort, Andrew Parrott 3:46
Saint John Passion, BWV 245, Part II: "Eilt, ihr angefocht'nen Seelen" bass vocals Taverner Consort, Andrew Parrott 3:36
Saint John Passion, BWV 245, Part II: "Mein teurer Heiland" bass vocals Taverner Consort, Andrew Parrott 4:44
Saint John Passion, BWV 245, Part II: "Und die Kriegsknechte flochten" / "Sei gegrüßet, lieber Judenkönig!" / "Und gaben ihm Backenstreiche" / "Kreuzige, kreuzige!" / "Pilatus sprach zu ihnen" / "Wir haben ein Gesetz" / "Da Pilatus das Wort hörete" bass vocals [Jesus] Taverner Consort, Andrew Parrott 5:38
Saint John Passion, BWV 245, Part II: "Und von Stund an nahm sie" bass vocals [Jesus] Taverner Consort, Andrew Parrott 1:27
Se tu non lasci amore, HWV 201 bass vocals Emma Kirkby, David Thomas, Christopher Hogwood, Susan Sheppard 5:13
Selva morale e spirituale: Hymnus, Deus tuorum militum a 3 bass vocals Claudio Monteverdi 2:42
Selva morale e spirituale: Magnificat a 8, Et exsultavit bass vocals Claudio Monteverdi 0:40
Selva morale e spirituale: Magnificat a 8, Et misericordia bass vocals Claudio Monteverdi 0:53
Selva morale e spirituale: Magnificat a 8, Fecit potentiam... Deposuit... Esurientes bass vocals Claudio Monteverdi 3:49
Selva morale e spirituale: Magnificat a 8, Gloria Patri bass vocals Claudio Monteverdi 0:50
Selva morale e spirituale: Magnificat a 8, Magnificat bass vocals Claudio Monteverdi 0:41
Selva morale e spirituale: Magnificat a 8, Quia fecit bass vocals Claudio Monteverdi 0:41
Selva morale e spirituale: Magnificat a 8, Quia respexit bass vocals Claudio Monteverdi 1:17
Selva morale e spirituale: Magnificat a 8, Sicut erat bass vocals Claudio Monteverdi 1:16
Selva morale e spirituale: Magnificat a 8, Suscepit Israel... Sicut locutus bass vocals Claudio Monteverdi 2:54
Selva morale e spirituale: Psalmus 109, Dixit Dominus (secondo) a 8 bass vocals Claudio Monteverdi 8:21
Sorrow Stay, Lend True Repentant Tears - Die Not Before The Day - Mourne, Mourne, Day Is With Darkness Fled bass vocals Emma Kirkby, David Thomas, Trevor Jones, Anthony Rooley 6:56
Sosarme: Act I, Scene V, "Addio, principe scrupoloso", "Fra l'ombre e gli orrori" bass vocals David Thomas, Philharmonia Baroque Orchestra, Nicholas McGegan 5:08
Sosarme: Act II, Scene VII, "Quanto più Melo", "Sento il cor" bass vocals David Thomas, Philharmonia Baroque Orchestra, Nicholas McGegan 5:06
Sosarme: Act III, Scene IX, "Tanto s'eseguirà", "Tiene Giove" bass vocals David Thomas, Philharmonia Baroque Orchestra, Nicholas McGegan 3:07
Surge propera amica mea bass vocals Emma Kirkby, David Thomas, Trevor Jones, Anthony Rooley 3:30
The Indian Queen: Act II. "Scorn'd Envy, here's nothing" bass vocals Henry Purcell 2:38
The Indian Queen: Act II. "What flatt'ring noise is this" bass vocals Henry Purcell 0:38
The Indian Queen: Act V. "You who at the altar stand" / "All dismal sounds" bass vocals Henry Purcell 3:57
The Indian Queen: Additional Act (The Masque of Hymen): "I'm glad I have met him" bass vocals Daniel Purcell 2:28
The Indian Queen: Additional Act (The Masque of Hymen): "Make haste, make haste to put on love's chains" bass vocals Daniel Purcell 0:46
Tolomeo: Act II, Scene VII, "Piangi pur" bass vocals David Thomas, Philharmonia Baroque Orchestra, Nicholas McGegan 2:35
Uccidetemi pur, bella tiranna bass vocals Emma Kirkby, David Thomas, Trevor Jones, Anthony Rooley 3:09
Utrecht Te Deum, HWV. 278: III. The glorious company of the apostles / Thou art the King of Glory bass vocals Christ Church Cathedral Choir, Oxford, Rogers Covey‐Crump, Emma Kirkby, Judith Nelson, David Thomas, Simon Preston, Academy of Ancient Music 5:16
Utrecht Te Deum, HWV. 278: VII. Vouchsafe, O Lord bass vocals Christ Church Cathedral Choir, Oxford, Rogers Covey‐Crump, Paul Elliott, Emma Kirkby, David Thomas, Simon Preston, Academy of Ancient Music 2:55
Venus and Vulcan (Vulcan, Vulcan, O Vulcan, My Love) bass vocals Emma Kirkby, David Thomas, Trevor Jones, Anthony Rooley 2:14
Verse Anthem: O Give Thanks Unto the Lord bass vocals Choir of Clare College, Cambridge, Rogers Covey‐Crump, Drew Minter, David Thomas, Nicholas McGegan, Romanesca 9:54
Vespro della Beata Vergine (1610): Concerto, Audi coelum bass vocals Claudio Monteverdi 7:32
We Yet Agree bass vocals Emma Kirkby, David Thomas, Trevor Jones, Anthony Rooley 1:11
Whither Runneth My Sweetheart bass vocals Emma Kirkby, David Thomas, Trevor Jones, Anthony Rooley 2:18
Bach Edition, Volume 10: Passions/Passionen bass vocals Johann Sebastian Bach
First Booke of Songes bass vocals [bass] John Dowland; Anthony Rooley, The Consort of Musicke
Great Organ Mass - St. Cecilia Mass - Missa Sancti Nicolai - Missa Brevis bass vocals Joseph Haydn; Judith Nelson, Margaret Cable, Martyn Hill, David Thomas, Simon Preston, Christ Church Cathedral Choir, Oxford, Academy of Ancient Music
Matthäus Passion bass vocals Johann Sebastian Bach; King's College Choir Cambridge, Brandenburg Consort, Stephen Cleobury
Messe in h-Moll (Taverner Consort & Players feat. conductor: Andrew Parrott) bass vocals Johann Sebastian Bach
Monteverdi: Madrigals bass vocals Claudio Monteverdi;The Consort of Musicke, Anthony Rooley
Music from "Cupid and Death" bass vocals Christopher Gibbons, Matthew Locke; The Consort of Musicke, Anthony Rooley
Ode for the Birthday of Queen Anne / Anthem for the Foundling Hospital bass vocals Handel; Choir of Christ Church Cathedral, Oxford, The Academy Of Ancient Music, Simon Preston
Second Booke of Songs bass vocals [bass] John Dowland; Anthony Rooley, The Consort of Musicke
Semele bass vocals Händel; Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner
The Creation bass vocals Haydn; City of Birmingham Symphony Orchestra, City of Birmingham Symphony Orchestra Chorus, Simon Rattle
Third Booke of Songs bass vocals John Dowland; Anthony Rooley, The Consort of Musicke
Vespro della Beata Vergine bass vocals Claudio Monteverdi; La Chapelle Royale, Collegium Vocale, Les Sacqueboutiers de Toulouse, Philippe Herreweghe